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Each book in this series features one of Thomas the Tank Engine's very good friends.
Library of America presents the biggest, most comprehensive trade edition of Frederick Douglass's writings ever published Edited by Pulitzer Prize–winning biographer David W. Blight, this Library of America edition is the largest single-volume selection of Frederick Douglass’s writings ever published, presenting the full texts of thirty-four speeches and sixty-seven pieces of journalism. (A companion Library of America volume, Frederick Douglass: Autobiographies, gathers his three memoirs.) With startling immediacy, these writings chart the evolution of Douglass’s thinking about slavery and the U.S. Constitution; his eventual break with William Lloyd Garrison and many other abolitionists on the crucial issue of disunion; the course of his complicated relationship with Abraham Lincoln; and his deep engagement with the cause of women’s suffrage. Here are such powerful works as “What to the Slave Is the Fourth of July?,” Douglass’s incandescent jeremiad skewering the hypocrisy of the slaveholding republic; “The Claims of the Negro Ethnologically Considered,” a full-throated refutation of nineteenthcentury racial pseudoscience; “Is it Right and Wise to Kill a Kidnapper?,” an urgent call for forceful opposition to the Fugitive Slave Act; “How to End the War,” in which Douglass advocates, just days after the fall of Fort Sumter, for the raising of Black troops and the military destruction of slavery; “There Was a Right Side in the Late War,” Douglass’s no-holds-barred attack on the “Lost Cause” mythology of the Confederacy; and “Lessons of the Hour,” an impassioned denunciation of lynching and disenfranchisement in the emerging Jim Crow South. As a special feature the volume also presents Douglass’s only foray into fiction, the 1853 novella “The Heroic Slave,” about Madison Washington, leader of the real-life insurrection on board the domestic slave-trading ship Creole in 1841 that resulted in the liberation of more than a hundred enslaved people. Editorial features include detailed notes identifying Douglass’s many scriptural and cultural references, a newly revised chronology of his life and career, and an index.
""Writing is a cover for necromancy", Carmen Innocencia accuses her creator, Flamingo Tongue, a young Jamaican writer. Carmen is not the only one of Flamingo's creations to confront her author, for her characters and their tragic, heartening story come vividly alive, perhaps too alive, and just to make sure she can control them, Flamingo makes doll figures of them, but even then... There is Alva Donovan, blinded in childhood, with one seeing eye, one dreaming eye, with whom Flamingo exchanges shoes and in whom she begins to fear she will lose herself. There are the other members of the Donovan family: Dahlia, Paul aka Made in China, and their parents Mama Milly and Daddy Clive the bee-keeper whose sudden, violent deaths set up the patterns of separation and eventual reconnection and healing that run through the novel. As Carmen's accusation suggests, this is a novel set at the cross-roads between the living and the dead - and the cemetery literally becomes the refuge of the orphaned children - between the harsh realities of the violence which spills over from an election campaign and a world where dreams, spirit possession and women who become snails are just as real."--BOOK JACKET.
"Not since George Bailey in It's a Wonderful Life has someone so lifted the spirits of an entire community. That the 'someone' in this case is, in fact, two library cats makes this true tale of the love of literature combined with a fondness for nose licking all the more magical. This book, like a purring kitten who may also be a genie, should be welcomed into any home."—Francesco Marciuliano, New York Times bestselling author of I Could Pee on This: And Other Poems by Cats It all started with mice in the library. Assistant librarian Jan Louch and a coworker decided that what the library needed was a cat. Or, even better, two cats. Soon, they found a pair of Scottish Folds who were perfect for the job. Jan named them Baker and Taylor, and they took up residence in the library. But these cats were much more than mousers. Visitors to the library fell in love with Baker and Taylor and their antics just as Jan had. And then, after Jan let the cats be photographed for a poster, they became feline celebrities. Children from across the country wrote them letters, fans traveled from far and wide to meet them, and they became the most famous library cats in the world. In The True Tails of Baker and Taylor, Jan Louch looks back and tells the remarkable story of these two marvelous cats and the people—readers, librarians, and cat lovers of all ages—who came together around them.
Previously published in hbk.: Chicago: Univ. of Chicago Press, 1990.
Curious George and the man with the yellow hat visit the zoo. A hungry Curious George snatches a pail of bananas from the zoo keeper. Though he shouldn't have taken the bananas, George soon changes the zookeeper's shouts to praise with his clever, helpful ways.
Tracing the erosion of white elite paternalism in Jim Crow Virginia, Douglas Smith reveals a surprising fluidity in southern racial politics in the decades between World War I and the Supreme Court's 1954 Brown v. Board of Education decision. Smith draws on official records, private correspondence, and letters to newspapers from otherwise anonymous Virginians to capture a wide and varied range of black and white voices. African Americans emerge as central characters in the narrative, as Smith chronicles their efforts to obtain access to public schools and libraries, protection under the law, and the equitable distribution of municipal resources. This acceleration of black resistance to white supremacy in the years before World War II precipitated a crisis of confidence among white Virginians, who, despite their overwhelming electoral dominance, felt increasingly insecure about their ability to manage the color line on their own terms. Exploring the everyday power struggles that accompanied the erosion of white authority in the political, economic, and educational arenas, Smith uncovers the seeds of white Virginians' resistance to civil rights activism in the second half of the twentieth century.
Laugh along with a dog named Douglas and his pal Nancy in this silly follow-up to Douglas, You Need Glasses! as the friends execute outrageous plans to meet their neighbors. Pals Nancy and Douglas think their baseball game is over after their ball rolls through a hole in the fence. But when the ball rolls back, followed by a note in an unfamiliar language, they have to discover who's on the other side of the fence. And so in a series of truly outrageous--and hilarious--stunts, Nancy tries to launch, vault, and fly Douglas over to the other side to see what's what. Finally, after all Nancy's plans fail, Douglas gets his turn to execute a plan--and it works! And who do they find? New friends who speak Spanish. Readers will laugh out loud at the antics in this zany picture book, which proves that working together makes everything more fun.