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THE SUNDAY TIMES NUMBER ONE BESTSELLER A WATERSTONES POLITICS PAPERBACK OF THE YEAR, 2018 The Strange Death of Europe is a highly personal account of a continent and culture caught in the act of suicide. Declining birth-rates, mass immigration and cultivated self-distrust and self-hatred have come together to make Europeans unable to argue for themselves and incapable of resisting their own comprehensive change as a society. This book is not only an analysis of demographic and political realities, but also an eyewitness account of a continent in self-destruct mode. It includes reporting from across the entire continent, from the places where migrants land to the places they end up, from the people who appear to welcome them in to the places which cannot accept them. Told from this first-hand perspective, and backed with impressive research and evidence, the book addresses the disappointing failure of multiculturalism, Angela Merkel's U-turn on migration, the lack of repatriation and the Western fixation on guilt. Murray travels to Berlin, Paris, Scandinavia, Lampedusa and Greece to uncover the malaise at the very heart of the European culture, and to hear the stories of those who have arrived in Europe from far away. In each chapter he also takes a step back to look at the bigger issues which lie behind a continent's death-wish, answering the question of why anyone, let alone an entire civilisation, would do this to themselves? He ends with two visions of Europe – one hopeful, one pessimistic – which paint a picture of Europe in crisis and offer a choice as to what, if anything, we can do next.
Funny and smart with all the angst and sass of adolescence and a colorful cast of characters, this is a refreshing contemporary coming-of-age YA about one Greek-American girl's odyssey home. Sixteen-year-old Elektra Kamenides is well on her way to becoming a proper southern belle in the small Mississippi college town she calls home. That is, until her mother decides to uproot her and her kid sister Thalia and start over in California. They leave behind Elektra's father -- a professor and leading expert on Greek mythology, and Elektra can't understand why. For her, life is tragedy, and all signs point to her family being cursed. Their journey ends in Guadalupe Slough, a community of old Chicano families and oddball drifters sandwiched between San Josénd the southern shores of San Francisco Bay. The houseboat that her mother has bought, sight unseen, is really just an ancient trailer parked on a barge and sunk into a mudflat. What would Odysseus do? Elektra asks herself. Determined to get back to Mississippi at all costs, she'll beg, lie, and steal to get there. But things are not always what they seem, and home is wherever you decide to make it.
Eight leading contemporary interpreters of Classical Greek tragedy here explore its relation to the thought of the Archaic Period. Prominent topics are the nature and possibility of divine justice; the influence of the gods on humans; fate and human responsibility; the instability of fortune and the principle of alternation; hybris and ate; and the inheritance of guilt and suffering. Other themes are tragedy's relation with Pre-Socratic philosophy, and the interplay between 'Archaic' features of the genre and fifth-century ethical and political thought. The book makes a powerful case for the importance of Archaic thought not only in the evolution of the tragic genre, but also for developed features of the Classical tragedians' art. Along with three papers on Aeschylus, four on Sophocles, and one on Euripides, there is an extensive introduction by the editor.