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Pre-Columbian double cloth is one of the world's great textile traditions. This book takes a comprehensive look at the varieties of double cloth preserved in museums and private collections including fabric analysis, and provides detailed weaving instructions. A must for collectors and weavers alike.
Conventional shaft loom weaving constricts the weaver into making only a single layer of fabric that is no wider than the loom. Increase your loom's capabilities with Doubleweave Revised & Expanded! In this comprehensive guide to doubleweave, master-weaver Jennifer Moore revisits the tips and techniques to weaving in multiple layers. Doubleweave Revised & Expanded is filled with new information about doubleweaving and more including: • More doubleweave technique samples for both 4 and 8-shaft looms, including more overshot patterns. • Expanded information on how to weave fabric twice, thrice or even four-times the width of your loom, with no seam. • Beautiful doubleweave project patterns for the home and more! Expand the abilities of your loom with Doubleweave Revised & Expanded!
Winner, Silver Medal in the Craft/Hobby Category, 2018 IBPA Benjamin Franklin Awards Nilda Callañaupa Alvarez has gathered artisans of all ages to share their knowledge, lore, and deep skills, highlighting many of the techniques used by craftspeople in the Andes. They reveal clever highland secrets for everything from skeining yarn and knitting in reverse to weaving tubular borders and embellishing fabric with complex stitches. For many of these techniques, they provide concise step-by-step instructions accessible for North American crafters. Thoughtful, detailed descriptions of Andean cultural traditions frame each section, providing context and rare insight into what textile work means as a living heritage of the Quechua people.
Buschman annotates more than 550 books and periodical titles published on the techniques and history of handweaving from 1928 through October 1989. She includes works on how to weave_basic weaving texts, books on looms and equipment, and patterns both for weaving and for woven articles; handweaving history and historic fabrics from around the world; works on Native American weaving, ranging from the Chilkats of the Northwest coast of North America, to the Pueblos and Navajos of our Southwest, Mexico, and Central America, and on through the rich weaving culture of the Andes; reference works containing specialized bibliographies and information on fibers, dyes, education and marketing; and periodicals. With author, title, and subject indexes.
A richly illustrated, bilingual book, this guide visits 20 villages in the Chiapas Highlands to showcase their stunning handwoven cloth while also providing an insider’s look into their history, folklore, festivals, traditions, and daily lives. Ritual transvestites, Virgin statues draped with native blouses, tunics designed to look like howler monkey fur, and elaborately floral shawls and ponchos—these are just a few of the unforgettable images captured in the book. Also included are a pull-out map of the Chiapas Highlands and dates of special festivals and local markets.
Burial material from excavations at Cerro Azul in Peru's Cañete Valley, a pre-Inca fishing community.
Handbook of Museum Textiles Textiles have been known to us throughout human history and played a vital role in the lives and traditions of people. Clothing was made by using different materials and methods from natural fibers. There are different varieties of textiles, out of which certain traditional textiles, archaeological findings, or fragments are of cultural, historical, and sentimental value such as tapestries, embroideries, flags, shawls, etc. These kinds of textiles, due to their historical use and environmental factors, require special attention to guarantee their long-term stability. Textile conservation is a complex, challenging, and multi-faceted discipline and it is one of the most versatile branches of conservation. Volume 1 of the Handbook of Museum Textiles focuses on conservation and cultural research and addresses the proper display, storage, upkeep, handling, and conservation technology of textile artifacts to ensure their presence for coming generations. Spread over 19 chapters, the volume is a unique body of knowledge of theoretical and practical details of museum practices. Chapters on textile museums, the importance of cultural heritage, conservation, and documentation of textiles are covered in depth. Conservation case studies and examples are highlighted in many chapters. Management practices and guidelines to pursue a career in the museum textile field have been given due attention. The respective authors of the chapters are of international repute and are researchers, academicians, conservators, and curators in this field. Audience The book is a unique asset for textile researchers, fine art scholars, archaeologists, museum curators, designers, and those who are interested in the field of traditional or historic textile collections.
This eighth volume of Imagine Math is different from all the previous ones. The reason is very clear: in the last two years, the world changed, and we still do not know what the world of tomorrow will look like. Difficult to make predictions. This volume has a subtitle Dreaming Venice. Venice, the dream city of dreams, that miraculous image of a city on water that resisted for hundreds of years, has become in the last two years truly unreachable. Many things tie this book to the previous ones. Once again, this volume also starts like Imagine Math 7, with a homage to the Italian artist Mimmo Paladino who created exclusively for the Imagine Math 8 volume a new series of ten original and unique works of art dedicated to Piero della Francesca. Many artists, art historians, designers and musicians are involved in the new book, including Linda D. Henderson and Marco Pierini, Claudio Ambrosini and Davide Amodio. Space also for comics and mathematics in a Disney key. Many applications, from Origami to mathematical models for world hunger. Particular attention to classical and modern architecture, with Tullia Iori. As usual, the topics are treated in a way that is rigorous but captivating, detailed and full of evocations. This is an all-embracing look at the world of mathematics and culture.
This Handbook explores the history of mathematics under a series of themes which raise new questions about what mathematics has been and what it has meant to practise it. It addresses questions of who creates mathematics, who uses it, and how. A broader understanding of mathematical practitioners naturally leads to a new appreciation of what counts as a historical source. Material and oral evidence is drawn upon as well as an unusual array of textual sources. Further, the ways in which people have chosen to express themselves are as historically meaningful as the contents of the mathematics they have produced. Mathematics is not a fixed and unchanging entity. New questions, contexts, and applications all influence what counts as productive ways of thinking. Because the history of mathematics should interact constructively with other ways of studying the past, the contributors to this book come from a diverse range of intellectual backgrounds in anthropology, archaeology, art history, philosophy, and literature, as well as history of mathematics more traditionally understood. The thirty-six self-contained, multifaceted chapters, each written by a specialist, are arranged under three main headings: 'Geographies and Cultures', 'Peoples and Practices', and 'Interactions and Interpretations'. Together they deal with the mathematics of 5000 years, but without privileging the past three centuries, and an impressive range of periods and places with many points of cross-reference between chapters. The key mathematical cultures of North America, Europe, the Middle East, India, and China are all represented here as well as areas which are not often treated in mainstream history of mathematics, such as Russia, the Balkans, Vietnam, and South America. A vital reference for graduates and researchers in mathematics, historians of science, and general historians.