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A fresh take on the dopplegänger and its place in Japanese film and literature—past and present Since its earliest known use in German Romanticism in the late 1700s, the word Doppelgänger (double-walker) can be found throughout a vast array of literature, culture, and media. This motif of doubling can also be seen traversing historical and cultural boundaries. Double Visions, Double Fictions analyzes the myriad manifestations of the doppelgänger in Japanese literary and cinematic texts at two historical junctures: the interwar period of the 1920s and 1930s and the present day. According to author Baryon Tensor Posadas, the doppelgänger marks the intersection of the historical impact of psychoanalytic theory, the genre of detective fiction in Japan, early Japanese cinema, and the cultural production of Japanese colonialism. He examines the doppelgänger’s appearance in the works of Edogawa Rampo, Tanizaki Jun’ichiro, and Akutagawa Ryunosuke, as well as the films of Tsukamoto Shin’ya and Kurosawa Kiyoshi, not only as a recurrent motif but also as a critical practice of concepts. Following these explorations, Posadas asks: What were the social, political, and material conditions that mobilized the desire for the doppelgänger? And how does the dopplegänger capture social transformations taking place at these historical moments? Double Visions, Double Fictions ultimately reveals how the doppelgänger motif provides a fascinating new backdrop for understanding the enmeshment of past and present.
Essays in this work examine treatments of history in science fiction and fantasy television programs from a variety of disciplinary and methodological perspectives. Some essays approach science fiction and fantasy television as primary evidence, demonstrating how such programs consciously or unconsciously elucidate persistent concerns and enduring ideals of a past era and place. Other essays study television as secondary evidence, investigating how popular media construct and communicate narratives about past events.
From actresses Tia and Tamera Mowry comes the story of tween twins Cassie and Caitlyn and their discovery that they have the ability to see things before they occur! This is the first book in the popular Twintuition series. When their mother’s new job forces them to move from bustling San Antonio to middle-of-nowhere Aura, Texas, Caitlyn tries to stay positive, focusing on meeting new people and having new adventures. Cassie, on the other hand, is convinced that it’s only a matter of time until they’ll be sick of Aura and ready to move back to the big city. But being the new kids isn’t their only challenge. The girls start experiencing strange visions, and they must work together to change the future before it can happen. Tia Mowry-Hardrict and Tamera Mowry-Housley gained initial fame on the ’90s sitcom Sister, Sister. Tia can now be seen starring in and producing the Nickelodeon series Instant Mom and on the Cooking Channel’s show Tia Mowry at Home. Tamera is a host and producer on the hit daytime talk show The Real, currently airing on FOX. Together they’ve created a magical series about twin sisters with a powerful gift and an even stronger connection.
After a harrowing experience in Bosnia, war photographer Mitch Coltrane makes a vow. From now on, he will only take those pictures that celebrate life; that document hope instead of despair. Still, wartorn images continue to haunt him. He learns to shield himself by fixating on a beautiful woman in an old photograph. But slowly he grows obsessed. Who is she? He must know. And as Coltrane searches for answers, he falls hopelessly in love, forgetting that the past can sometimes intrude on the present, with terrifying consequences.
Almost two decades ago a car accident thrust Rina Morrell’s life into darkness.
An unsung classic of nineteenth-century Russian literature, Karolina Pavlova’s A Double Life alternates prose and poetry to offer a wry picture of Russian aristocratic society and vivid dreams of escaping its strictures. Pavlova combines rich narrative prose that details balls, tea parties, and horseback rides with poetic interludes that depict her protagonist’s inner world—and biting irony that pervades a seemingly romantic description of a young woman who has everything. A Double Life tells the story of Cecily, who is being trapped into marriage by her well-meaning mother; her best friend, Olga; and Olga’s mother, who means to clear the way for a wealthier suitor for her own daughter by marrying off Cecily first. Cecily’s privileged upbringing makes her oblivious to the havoc that is being wreaked around her. Only in the seclusion of her bedroom is her imagination freed: each day of deception is followed by a night of dreams described in soaring verse. Pavlova subtly speaks against the limitations placed on women and especially women writers, which translator Barbara Heldt highlights in a critical introduction. Among the greatest works of literature by a Russian woman writer, A Double Life is worthy of a central place in the Russian canon.
**NAMED ONE OF THE BEST ART BOOKS OF THE DECADE BY ARTNEWS** The first and definitive biography of the celebrated collectors Dominique and John de Menil, who became one of the greatest cultural forces of the twentieth century through groundbreaking exhibits of art, artistic scholarship, the creation of innovative galleries and museums, and work with civil rights. Dominique and John de Menil created an oasis of culture in their Philip Johnson-designed house with everyone from Marlene Dietrich and René Magritte to Andy Warhol and Jasper Johns. In Houston, they built the Menil Collection, the Rothko Chapel, the Byzantine Fresco Chapel, the Cy Twombly Gallery, and underwrote the Contemporary Arts Museum. Now, with unprecedented access to family archives, William Middleton has written a sweeping biography of this unique couple. From their ancestors in Normandy and Alsace, to their own early years in France, and their travels in South America before settling in Houston. We see them introduced to the artists in Europe and America whose works they would collect, and we see how, by the 1960s, their collection had grown to include 17,000 paintings, sculptures, drawings, photographs, rare books, and decorative objects. And here is, as well, a vivid behind-the-scenes look at the art world of the twentieth century and the enormous influence the de Menils wielded through what they collected and built and through the causes they believed in.
Ever since its literary coinage in Jean Paul's novel, Siebenkäs (1796), the concept of Doppelgänger has had significant influence upon representations of the self in German literature. This study charts the development of the double from its origins in the Romantic period, through its more marginal - but nonetheless significant - manifestations in the post-Romantic culture, to its revival at the fin-de-siècle and transfer to the silent screen. The book features an introduction to the practice and theory underlying the use of the Doppelgänger, with particular reference to psychoanalysis, followed by chapters on Jean Paul, Hoffmann, Kleist, poetic realism (Droste-Hülshoff, Keller, Storm) and modernism (Kafka, Rilke, Hoffmannsthal, Schnitzler, Meyrink, Werfal). This study shows that the often underestimated figure of the double may provide a key to the epistomological, aesthetic and psychosexual structures of the texts it visits and revisits, with a particular focus on its effects in the fields of vision and language.
Everything has a price. Eden has an ironclad five-year plan. In three months, she's saying good riddance to Los Angeles and returning to the Pacific Northwest for medical school. Nothing is going to get in her way. Nothing... but the impossible. When she glimpses her doppelgänger at a party, the seemingly accidental meeting turns her life in a direction she never imagined, shredding everything she knows about herself and where she comes from. The one constant in her collapsing world is Liam Rourke, a man whose dark desires are matched only by his tenderness. But Liam is more than a master in the bedroom--he's a master of lies. Uncovering the truth might cost Eden her love. Her family. Her life. Some things are worth dying for. Note from the Author: Double Vision is dark, romantic suspense.