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'Matches, buy my matches, ladies and gents!' calls Luise Pogge, a.k.a. 'Dot', evening after evening, standing on Weidendammer Bridge in the middle of Berlin. Of course, her wealthy parents have no idea of her whereabouts, believing her to be in the safe care of her nanny, Miss Andacht. But Miss Andacht is being blackmailed by her shady fiancé, which is where Dot comes in. Anton, on the other hand, has to beg because he and his mother are paupers, and desperate. When the two children make friends on the streets of Berlin, Dot, who is no fool, has a brilliant idea which is sure to solve both their problems, and in the process they even solve a dastardly crime...
Luise has ringlets. Lottie has braids. Apart from that they look exactly the same. But they are sure that they have never set eyes on each other in their lives. When the two girls meet at a summer camp and discover the secret behind their similarity, they decide to switch places. Everyone is fooled (apart from the dog) and, despite a few mistakes and misadventures, everything goes to plan for Luise as Lottie and Lottie as Luise - until their father meets a young, beautiful woman and things start to unravel... Funny, moving, affectionate and improbable, The Parent Trap has twice been adapted for film - but the book remains one of the great classics of German children's literature. Erich Kästner, writer, poet and journalist, was born in Dresden in 1899. His first children's book, Emil and the Detectives, was published in 1929 and has since sold millions of copies around the world and been translated into around 60 languages. After the Nazis took power in Germany, Kästner's books were burnt and he was excluded from the writers' guild. He won many awards, including the prestigious Hans Christian Andersen Award in 1960. He died in 1974.
The Professor has inherited a house at the seaside, and he invites Emil and the detectives to stay for the summer holidays.
"For almost 300 years, an organisation has quietly tried to change almost every aspect of life in Britain. That organisation is the Royal Society for the Encouragement of Arts, Manufactures and Commerce, often known simply as the Royal Society of Arts. It has acted as Britain's private national improvement agency, in every way imaginable - essentially, a society for the improvement of everything and anything. This book is its history. From its beginnings in a coffee house in the mid-eighteenth century, the Society has tried to change Britain's art, industry, laws, music, environment, education, and even culture. It has sometimes even succeeded. It has been a prize-fund for innovations, a platform for Victorian utilitarian reformers, a convenor of disparate interest groups, and the focal point for social movements. There has never been an organisation quite like it, constantly having to reinvent itself to find something new to improve. The book rewrites many of the old official histories of the Society and updates them to the present day, incorporating over half a century of further research into the periods they covered, along with new insights into the organisation's evolution. The book reveals the hidden and often surprising history of how a few public-spirited people tried to make their country better, offering lessons from their triumphs and their failures for all would-be reformers today"--
"A vintage version of 'Gossip Girl' meets bigger hair." —The Skimm "DiSclafani’s story sparkles like the jumbo diamonds her characters wear to one-up each other. Historical fiction lovers will linger over every lush detail." —People From the bestselling author of The Yonahlossee Riding Camp for Girls comes a story of lifelong female friendship – in all its intimate agony and joy – set within a world of wealth, beauty, and expectation. Joan Fortier is the epitome of Texas glamour and the center of the 1950s Houston social scene. Tall, blonde, beautiful, and strong, she dominates the room and the gossip columns. Every man wants her; every woman wants to be her. Devoted to Joan since childhood, Cece Buchanan is either her chaperone or her partner in crime, depending on whom you ask. But when Joan’s radical behavior escalates the summer they are twenty-five, Cece considers it her responsibility to bring her back to the fold, ultimately forcing one provocative choice to appear the only one there is. A thrilling glimpse into the sphere of the rich and beautiful at a memorable moment in history, The After Party unfurls a story of friendship as obsessive, euphoric, consuming, and complicated as any romance.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY San Francisco Chronicle • Newsweek/The Daily Beast • The Seattle Times • The Economist • Kansas City Star • BookPage On February 14, 1989, Valentine’s Day, Salman Rushdie was telephoned by a BBC journalist and told that he had been “sentenced to death” by the Ayatollah Khomeini. For the first time he heard the word fatwa. His crime? To have written a novel called The Satanic Verses, which was accused of being “against Islam, the Prophet and the Quran.” So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov—Joseph Anton. How do a writer and his family live with the threat of murder for more than nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, how and why does he stumble, how does he learn to fight back? In this remarkable memoir Rushdie tells that story for the first time; the story of one of the crucial battles, in our time, for freedom of speech. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom. It is a book of exceptional frankness and honesty, compelling, provocative, moving, and of vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day. Praise for Joseph Anton “A harrowing, deeply felt and revealing document: an autobiographical mirror of the big, philosophical preoccupations that have animated Mr. Rushdie’s work throughout his career.”—Michiko Kakutani, The New York Times “A splendid book, the finest . . . memoir to cross my desk in many a year.”—Jonathan Yardley, The Washington Post “Thoughtful and astute . . . an important book.”—USA Today “Compelling, affecting . . . demonstrates Mr. Rushdie’s ability as a stylist and storytelle. . . . [He] reacted with great bravery and even heroism.”—The Wall Street Journal “Gripping, moving and entertaining . . . nothing like it has ever been written.”—The Independent (UK) “A thriller, an epic, a political essay, a love story, an ode to liberty.”—Le Point (France) “Action-packed . . . in a literary class by itself . . . Like Isherwood, Rushdie’s eye is a camera lens —firmly placed in one perspective and never out of focus.”—Los Angeles Review of Books “Unflinchingly honest . . . an engrossing, exciting, revealing and often shocking book.”—de Volkskrant (The Netherlands) “One of the best memoirs you may ever read.”—DNA (India) “Extraordinary . . . Joseph Anton beautifully modulates between . . . moments of accidental hilarity, and the higher purpose Rushdie saw in opposing—at all costs—any curtailment on a writer’s freedom.”—The Boston Globe
Test your dot-to-dot solving skills with over 70 puzzles, from 100 to 1,000 dots. Puzzles start easy, but get harder as you progress. Find buried treasure, surf the waves, or go on a dot-to-dot adventure! Challenge yourself to conquer each timed puzzle. Ready? Set? Connect those dots!
"The dot is used for everything in Syriac from tense to gender, number, and pronunciation, and unsurprisingly represents one of the biggest obstacles to learning the language. Using inscriptions, early grammars, and experiments with modern scribes, Dr. Kiraz peels back the evolution of the dot layer by layer to explain each of its uses in detail and to show how it adopted the wide range of uses it has today"--
Explores the murder of the controversial Ojibwe chief who led his people through the first difficult years of dispossession by white invaders--and created a new kind of leadership for the Ojibwe.
Mrs. Worm and Gloomsburg castle are taken over by ghosts.