Download Free Dostoyevskys Notes From The Underground And Gorkys The Confession Book in PDF and EPUB Free Download. You can read online Dostoyevskys Notes From The Underground And Gorkys The Confession and write the review.

Russian short stories are known for being melancholy, often dealing with suffering. However, they can also be funny and absurd. Some common subjects include class distinctions, the plight of the underdog, and a rejection of authoritarianism and bureaucracy. This collection of Russian short stories includes: Fyodor Dostoevsky Notes from the Underground The Dream of a Ridiculous Man The Beggar Boy at Christ's Christmas Tree Leo Tolstoy: The Death of Ivan Ilyich Kholstomer, the Story of a Horse Alyosha the Pot A Letter to a Hindu A Confession God Sees the Truth, but Waits A Russian Christmas Party Anton Chekhov: Kashtanka Gusev The Darling The Lady with the Dog A Slander The Horse-Stealers The Petchenyeg A Dead Body A Happy Ending The Looking-Glass Old Age Darkness The Beggar In Trouble Frost Minds in Ferment Gone Astray An Avenger The Jeune Premier A Defenceless Creature An Enigmatic Nature A Happy Man A Troublesome Visitor An Actor's End A Story Without a Title Vanka Ivan Turgenev: First Love The District Doctor Mumu Nikolay Gogol: The Mantle Memoirs of a Madman The Nose A May Night The Cloak The Viy Christmas Eve Alexsandr Pushkin: The Queen of Spades Maxim Gorky: One Autumn Night Her Lover Leonid Andreyev: Lazarus The Little Angel Aleksandr Kuprin: The Outrage Mikhail Bulgakov: The Cup of Life Komarov Case Moscow Settings Psalm Moonshine Springs Seance Shifting Accommodation The Beer Story The Embroidered Towel Ivan Bunin: The Gentleman from San Francisco The Grammar of Love Gentle Breathing Son An Unknown Friend Mikhail Saltykov-Shchedrin: How a Muzhik Fed Two Officials
Exploring many of the themes contained in Dostoevsky's novels, this unique collection of short masterpieces illuminates the author's astonishing depth and current relevance.
"First Published in 1998, Routledge is an imprint of Taylor & Francis, an informa company."
The short story "Konovalov" (1897) is an example of Maxim Gorky’s autobiographical writing, depicting the suicide of a quiet prisoner, Konovalov, whom Gorky decides to immortalize on the page. The narrative follows the chronological life of the main character, constructed from the memory of the narrator himself, adding a tinge of authenticity. The story brings some existentialist philosophies to mind, coating the ordinary situations with an air of nostalgia and universality, so characteristic of Gorky’s entire oeuvre. Maxim Gorky has its place among the most talented and original Russian modern writers. A five-time Nobel Prize nominee, Gorky’s position in Russian literature is undisputable. He led a turbulent life of an exile, a dissenter, and a Bolshevik associate, which severely marked his literary endeavours. A strong supporter of Russia’s political, social, and cultural transformation, Gorky’s name still echoes in the annals of history. His best-known works include "The Lower Depths", "My Childhood,", "Mother", and "Children of the Sun".
"You people put importance on your lives. Well, my life has never been important to anyone. I haven't got any guilt about anything," bragged the mass-murderer Charles Manson. "These children that come at you with knives, they are your children. You taught them. I didn't teach them. . . . They are running in the streets--and they are coming right at you!" When a real murderer accuses the society he has brutalized, we are shocked, but we are thrilled by the same accusations when they are mouthed by a fictional rebel, outlaw, or monster. In Bitter Carnival, Michael Andr Bernstein explores this contradiction and defines a new figure: the Abject Hero. Standing at the junction of contestation and conformity, the Abject Hero occupies the logically impossible space created by the intersection of the satanic and the servile. Bernstein shows that we heroicize the Abject Hero because he represents a convention that has become a staple of our common mythology, as seductive in mass culture as it is in high art. Moving from an examination of classical Latin satire; through radically new analyses of Diderot, Dostoevsky, and Cline; and culminating in the courtroom testimony of Charles Manson, Bitter Carnival offers a revisionist rereading of the entire tradition of the "Saturnalian dialogue" between masters and slaves, monarchs and fools, philosophers and madmen, citizens and malcontents. It contests the supposedly regenerative power of the carnivalesque and challenges the pieties of utopian radicalism fashionable in contemporary academic thinking. The clarity of its argument and literary style compel us to confront a powerful dilemma that engages some of the most central issues in literary studies, ethics, cultural history, and critical theory today.
The collection includes the best works of famous Russian writers: Fyodor Dostoevsky NOTES FROM THE UNDERGROUND THE DREAM OF A RIDICULOUS MAN THE BEGGAR BOY AT CHRIST'S CHRISTMAS TREE Leo Tolstoy THE DEATH OF IVAN ILYICH A LETTER TO A HINDU A CONFESSION GOD SEES THE TRUTH, BUT WAITS A RUSSIAN CHRISTMAS PARTY Anton Chekhov THE LADY WITH THE DOG A SLANDER THE HORSE-STEALERS THE PETCHENYEG A DEAD BODY A HAPPY ENDING THE LOOKING-GLASS OLD AGE DARKNESS THE BEGGAR IN TROUBLE FROST MINDS IN FERMENT GONE ASTRAY AN AVENGER THE JEUNE PREMIER A DEFENCELESS CREATURE AN ENIGMATIC NATURE A HAPPY MAN A TROUBLESOME VISITOR AN ACTOR'S END A STORY WITHOUT A TITLE VANKA Ivan Turgenev FIRST LOVE THE DISTRICT DOCTOR MUMU Nikolay Gogol THE MANTLE MEMOIRS OF A MADMAN THE NOSE A MAY NIGHT THE CLOAK THE VIY CHRISTMAS EVE THE VIY Alexsandr Pushkin THE QUEEN OF SPADES Maxim Gorky ONE AUTUMN NIGHT HER LOVER Leonid Andreyev LAZARUS THE LITTLE ANGEL Aleksandr Kuprin THE OUTRAGE Mikhail Bulgakov THE EMBROIDERED TOWEL Ivan Bunin THE GENTLEMAN FROM SAN FRANCISCO Mikhail Saltykov-Shchedrin HOW A MUZHIK FED TWO OFFICIALS
How does Dostoevsky’s fiction illuminate questions that are important to us today? What does the author have to say about memory and invention, the nature of evidence, and why we read? How did his readings of such writers as Rousseau, Maturin, and Dickens filter into his own novelistic consciousness? And what happens to a novel like Crime and Punishment when it is the subject of a classroom discussion or a conversation? In this original and wide-ranging book, Dostoevsky scholar Robin Feuer Miller approaches the author’s major works from a variety of angles and offers a new set of keys to understanding Dostoevsky’s world. Taking Dostoevsky’s own conversion as her point of departure, Miller explores themes of conversion and healing in his fiction, where spiritual and artistic transfigurations abound. She also addresses questions of literary influence, intertextuality, and the potency of what the author termed "ideas in the air.” For readers new to Dostoevsky’s writings as well as those deeply familiar with them, Miller offers lucid insights into his works and into their continuing power to engage readers in our own times.
Profiles the careers of Russian authors, scholars, and critics and discusses the history of the Russian treatment of literary genres such as drama, fiction, and essays