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Examines the friendship and interrelated thought of the novelist Fedor Dostoevsky and the philosopher Vladimir Soloviev. The text provides biographical detail and a comparative analysis of their principal works from philosophical, literary, historical and religious perspectives.
This study offers a literary analysis and theological evaluation of the Christian themes in the five great novels of Dostoevsky - 'Crime and Punishment', 'The Idiot', 'The Adolescent', 'The Devils' and 'The Brothers Karamazov'. Dostoevsky's ambiguous treatment of religious issues in his literary works strongly differs from the slavophile Orthodoxy of his journalistic writings. In the novels Dostoevsky deals with Christian basic values, which are presented via a unique tension between the fictionality of the Christian characters and the readers' experience of the existential reality of their religious problems.
A collection of works by nineteenth-century Russian religious philosopher V. S. Soloviev, critic of secularization, anti-Semitism, and the religious life of his time.
In 1795 Johann Wolfgang von Goethe produced his tale of tales--The fairytale of "The Green Snake and the Beautiful Lily," an extraordinary masterwork that is unique among Goethe's works. An initiatory fable of transformation, the tale arose out of the Rosicrucian, alchemical impulses that play an important role in Faust and Goethe's other writings. Among those influenced by it was Rudolf Steiner, whose mystery dramas employ similar themes. The authors begin by placing the fairytale against the background of Goethe's life and cultural setting. They then discuss its importance in the development of Steiner's spiritual science. Finally, they describe its visual language, profound mystical insights, and relevance for us today. The book includes Carlyle's classic translation of the tale and illustrations, plus Steiner's essay on its inner meaning. The authors offer a positive look at the possibilities of the twenty-first century. They view Goethe's fairytale as fully relevant to our time, just as it was when Goethe first wrote it.
Fyodor Dostoevsky was not a theologian, and his books are not books of theology. However, there is a “living way” that emerges from the study of his life and work, convictions made manifest in the details of his own life and the lives of his characters. Utilizing James William McClendon’s conception of biography as theology, Dr. Dumitru Sevastian explores the lived convictions that emerge from three distinct periods in Dostoevsky’s life, the pre-Siberian, Siberian, and post-Siberian, each represented by one of his novels, The Poor Folk, The House of the Dead, and The Brothers Karamazov. What emerges is a powerful expression of faith formed in community and tempered in suffering, an example relevant to all Christians seeking to model their lives and relationships on the dying and resurrected Christ.
Vladimir S. Soloviev (1853–1900), moral philosopher, social and literary critic, theologian, and poet, is considered one of Russia’s greatest philosophers. But Soloviev is relatively unknown in the West, despite his close association with Fyodor Dostoevsky, who modeled one of his most famous literary characters, Alyosha Karamazov, on Soloviev. In The Heart of Reality, Vladimir Wozniuk offers lucid translations, a substantive introduction, and careful annotations that make many of Soloviev’s writings accessible for the first time to an English-speaking audience. Soloviev worked tirelessly in the name of the mystical body of the Universal Church. The vast bulk of his writings can be construed as promoting, in one way or another, the cause of ecumenism. His essays also display the influence of Platonic and German Idealism and strands of Thomistic thinking. Wozniuk demonstrates the consistency of Soloviev’s biblically based thought on the subjects of aesthetics, love, and ethics, while at the same time clarifying Soloviev’s concept of vseedinstvo (the unity of spiritual and material), especially as applied to literature. Containing many previously untranslated essays, The Heart of Reality situates Soloviev more clearly in the mainstream of Western religious philosophy and Christian thought.
"This personification of wisdom with golden hair and a radiant aura echoes both the eternal feminine and the world soul. Rooted in Christian and Jewish mysticism, Eastern Orthodox iconography, Greek philosophy, and European romanticism, the Sophiology that suffuses Solovyov's philosophical and artistic works is both intellectually sophisticated and profoundly inspiring. Judith Deutsch Kornblatt brings together key texts from Solovyov's writings about Sophia: poetry, fiction, drama, and philosophy, all extensively annotated and some available in English for the first time (with assistance from the translators Boris Jakim and Laury Magnus)."--Amazon website.
This comprehensive and original survey of Russian theater in the twentieth century and into the twenty-first encompasses the major productions of directors such as Meyerhold, Stanislavsky, Tovostonogov, Dodin, and Liubimov that drew from Russian and world literature. It is based on a close analysis of adaptations of literary works by Pushkin, Dostoevsky, Gogol, Blok, Bulgakov, Sholokhov, Rasputin, Abramov, and many others."The Modern Russian Stage" is the result of more than two decades of research as well as the author's professional experience working with the Russian director Yuri Liubimov in Moscow and London. The book traces the transformation of literary works into the brilliant stagecraft that characterizes Russian theater. It uses the perspective of theater performances to engage all the important movements of modern Russian culture, including modernism, socialist realism, post-moderninsm, and the creative renaissance of the first decades since the Soviet regime's collapse.