Download Free Dos Passoss Early Fiction 1912 1938 Book in PDF and EPUB Free Download. You can read online Dos Passoss Early Fiction 1912 1938 and write the review.

Focuses on unpublished manuscripts and closely examines Dos Passos's first novels. This book reveals how his practical aesthetics and use of myth come together in a triumph of form that presents an important vision of America.
Praise for the print edition:" ... no other reference work on American fiction brings together such an array of authors and texts as this.
A study of the the role of the 'feminine' in Dos Passos's fiction.
Goldsmith challenges the view that nature is absent in the modern urban novel, and interprets the phrase the interweaving of physical description and symbolism, metaphor and characterization, and theme and imagery that give internal form to external narrative. He provides a textual analysis of seven 20th- century American novels: Manhattan transfer, Studs Lonigan, Call it sleep, The Dollmaker, The Assistant, The Pawnbroker, and Mr. Sammler's planet. Annotation copyrighted by Book News, Inc., Portland, OR
The first study of his little-known screen writing, John Dos Passos and Motion Pictures: Writing Film, Film Writing uses unpublished manuscripts and correspondence to explore how he adapted film aesthetics to structure his modernist novels of the 1920s and 1930s, then, beginning in the 1940s, attempted to revise those novels directly into screenplays reflecting the controversial conservative political shift that redefined his later literary career.
A novel begun in college and then reworked for seven years, this work mirrors the author's experience at Harvard and in greater Boston. The novel reflects young Dos Passos's interests in aestheticism, Greek and Roman culture, and Walt Whitman.
In the late nineteenth and early twentieth centuries, American authors pioneered a mode of musical writing that quite literally resounded beyond the printed page. Novels gained soundtracks, poetry compelled its audiences to sing, and the ostensibly silent act of reading became anything but. The Great American Songbooks is the story of this literature, at once an overview of musical and authorial practice at the century's turn, an investigation into the sensory dimensions of reading, and a meditation on the effects that the popular arts have had on literary modernism. The writings of John Dos Passos, Theodore Dreiser, T.S. Eliot, F. Scott Fitzgerald, Langston Hughes, Jean Toomer, and Walt Whitman are heard in a new key; the performers and tunesmiths who inspired them have their stories told; and the music of the past, long out of print and fashion, is recapitulated and made available in digital form. A work of criticism situated at the crossroads of literary analysis, musicology, and cultural history, The Great American Songbooks demonstrates the importance of studying fiction and poetry from interdisciplinary perspectives, and it suggests new avenues for research in the dawning age of the digital humanities.
Susan Clair Imbarrato, Carol Berkin, Brett Barney, Lisa Paddock, Matthew J. Bruccoli, George Parker Anderson, Judith S.
This book represents the first comparative reading of the Great Novel of American and Arabic literature to date. The Great American Novel, that most elusive and frustrating of concepts, ever-present in film and literary scholarship, has been an object of pursuit, inspiration and contention for more than a century. By reviewing the most serious literary scholarship in the field, this book identifies the work often recognized by critics as the quintessential American novel, the work that best captures the different aspects of American society, and compares and contrasts it with its counterpart in Arabic culture. Intended for both academics and serious readers of literature, the book serves to establish a new trend in cross-cultural literary scholarship, in addition to opening up new vistas for literary exploration in this politically charged field.
This work examines and challenges the traditional transatlantic axis, London-Paris-New York, that marks the intersection between western thinking about the City and the advent of literary modernism.