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Dorset is full of mythical creatures from Britain's most legendary folk tales, including demons, dragons, Jack-o'-lanterns, giants and mermaids. Read on to bring the landscape of the country's rolling hills and Jurassic coast alive, and let author Tim Laycock inspire you to rediscover the county you thought you knew.
The spectacular and varied landscape of Dorset, with its giants, hill forts, Jurassic coast and ancient buildings is the source and inspiration for many curious stories that have been passed down in families and village communities for generations. This book contains a rich and diverse collection of those ancient legends rooted in the oral tradition. From the absorbing tales of the Old King of Corfe and the Thorncombe Thorn to the intriguing Buttons on a Card and George Pitman and the Dragon, these illustrated stories bring alive the landscape of the county's rolling hills and coastline. Dorset actor, singer and storyteller Tim Laycock has a lifelong interest in the folklore and oral traditions of the county. Many of the stories in this collection have been passed on to him by Dorset residents, and appear here in print for the first time.
Dorset is full of mythical creatures from Britain’s most legendary folk tales, including demons, dragons, Jack-o’-lanterns, giants and mermaids.Read on to bring the landscape of the country’s rolling hills and Jurassic coast alive, and let author Tim Laycock inspire you to rediscover the county you thought you knew.
Christchurch owes its existence to its natural features. The town is surrounded by large wide marshes at the confluence of its two rivers, the Stour and the Avon. This strategic position gave Christchurch its former name Tweoxneam, 'the town between the rivers'. Its harbour was sheltered by nearby Hengistbury Head, an easily defensible site in more turbulent days, as well as an excellent look-out point. Its skyline is dominated by the Priory, founded in AD 994, which was famous in the Middle Ages for its relics and attracted many pilgrims. The importance of the Priory gave the prospering town its new name, 'Crischurche de Twenham'. After the Reformation and, a century later, the Civil War, Christchurch fell into decline and became a small fishing town. A 17th-century scheme to make the Avon navigable up to Salisbury was drawn up, but never materialised. The close proximity of the New Forest led to smuggling activities and several buildings in the town boast their smuggling tales. A more legitimate industry that brough some fame to the town was the manufacture of fusee watch chains, but it was not until the 19th century that significant growth in size began, triggered by the advent of the railway and road improvements. Fortunately, the camera had been invented in time to record the Victorian development of the ancient town's past and to give vivid insight into life in Christchurch up to the outbreak of the Second World War. Christine Taylor's book is as entertaining as it is informative and this new edition will be as popular with the many visitors to the area as it will be fascinating for all who live in the modern town.
Fairy tales are alive with the supernatural - elves, dwarfs, fairies, giants, and trolls, as well as witches with magic wands and sorcerers who cast spells and enchantments. Children into Swans examines these motifs in a range of ancient stories. Moving from the rich period of nineteenth-century fairy tales back as far as the earliest folk literature of northern Europe, Jan Beveridge shows how long these supernatural features have been a part of storytelling, with ancient tales, many from Celtic and Norse mythology, that offer glimpses into a remote era and a pre-Christian sensibility. The earliest stories often show significant differences from what we might expect. Elves mingle with Norse gods, dwarfs belong to a proud clan of magician-smiths, and fairies are shape-shifters emerging from the hills and the sea mist. In story traditions with roots in a pre-Christian imagination, an invisible other world exists alongside our own. From the lost cultures of a thousand years ago, Children into Swans opens the door on some of the most extraordinary worlds ever portrayed in literature - worlds that are both starkly beautiful and full of horrors.
Folklore of Dorset explores the rich heritage of the county's traditions, seasonal customs and songs. Included are saints' lore and smugglers, wife sales, wrecking, witchcraft, wise men and West Gallery Music, hill figures, hempseed divination and holy wells, mummers' plays, May garlands and maypoles, Oosers and Oak Apple Day, bonfires and Beating the Bounds.The sources used include the poems and non-fiction of William Barnes, Thomas Hardy, the historian of Dorset John Hutchins, the Victorian and early twentieth-century folklorist John Udal and the Hammmond Brothers' collection of Dorset folksongs. The authors critically engage with the extent to which Hardy and Barnes can be regarded as primary sources for Dorset folklore. There is also considerable original research and use of oral material. Nearly 100 fascinating photographs illustrate the text and there is an appendix of a full mummers' play.
"A sophisticated yet playful celebration of all things macabre, morbid and marvelous . . . Bannatyne makes a great case for celebrating Halloween everyday, all year long. . . . It's an energetic, thorough and breathless salute to everyone's favorite horror holiday." -Chris Alexander, editor in chief, Fangoria magazine "No one else has delved so deeply-and lovingly-into the mysteries of Halloween." -Dr. Jeanne Keyes Youngson, president and founder, the Vampire Empire It took two years of investigative work for Halloween authority Lesley Pratt Bannatyne to add a fifth book to her collection. Traveling across the country, she visited and talked with fanatics and fang makers, professional haunters, registered mediums, psychologists, and Halloween enthusiasts ranging from NPR's Garrison Keillor to Incubus guitarist Mike Einziger and The Simpsons' "Treehouse of Horror" writer Mike Reiss to find out what the increasingly popular holiday means to people and how they celebrate it. Through the course of her research, Bannatyne attended a seance for Houdini, a Samhain ritual gathering, a World Zombie Day event, and the Haunted Attraction National Tradeshow and Convention (HAuNTcon). Diving right into the heart of how fear turned into a form of entertainment, she asks hard-hitting questions: What kind of community does twenty-first-century Halloween create? Why are we so afraid of dead bodies? In the battle between Christmas and Halloween fought by Zombie Clauses, who deserves to win?
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