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Born in England in 1898, Dorothy Douglas emigrated to the United States in her early teens, graduating Summa Cum Laude from the University of California at Berkeley. She then studied art in Belgium, taught school in the Philippine Islands, and traveled through the world. After recieving her master's degree, Dorothy spent the next several years as a social worker in the San Francisco area. It was there she met my father, Bob Graham Brown, who had emigrated to Canada from England in 1920. Dorothy married Bob in San Francisco in 1930 after a long courtship and moved to Kootenay Lake in British Columbia where Bob had purchased property. Dorothy's life of privilege and refinement had ill-prepared her for the rigors of rural life in a sparsely populated, has-been mining region where they depended on a small creek for electricity and water. Their only means of transport was a small boat on a very large and stormy lake. Dorothy's deep love for her husband, her positive attitude and her eagerness to learn made up for her lack of domestic experience, and she welcomed the challenges of her new life with enthusiasm and a quick wit. In detailed letters, my mother told of learning to cook, mend and attend to the dozens of daily chores necessary in order to survive. She described the unique and sometimes eccentric people who lived around the lake, and she revealed the occasional loneliness she accepted as part of living in an isolated area. Dorothy saved a copy of each letter she wrote, and these copies comprise her colorful, insightful and personal record of life in the backwoods.
This first book of a new series opens the curtain on a high school theater group putting on a production of "The Wizard of Oz." However, a mystery unfolds as cast members begin dropping out one by one.
Can a murdered person come back from the grave to tell her autobiography through the voice of a psychic medium? During the summer of 1980, a young Canadian beauty, Dorothy Stratten, and her husband, Paul Snider, were murdered in Los Angeles under mysterious circumstances and a shroud of cover-up. Many lives would change drastically as people abandoned the Playboy ship en masse in the aftermath. This book offers theological insight into sexual abuse, hedonism, PTSD trauma, stress-related illness, human trafficking, codependence and forgiveness.
A family memoir--as written by her granddaughter--of this prominent Catholic, writer, social activist, and co-founder of a movement dedicated to serving the poorest of the poor, offering a intimate portrait of this complicated woman and exploring the effects of her legacy on her daughter and grandchildren. --Adapted from publisher description.
During World War II, 110,000 citizens and resident aliens of Japanese ancestry were banished from their homes and confined behind barbed wire for two and a half years. No more blatant violation of civil rights has ever been decreed by an American president, yet so strong were the currents of bigotry and war time hysteria that effective political opposition was impossible. However, a group of University of California social scientists, sensing the enormity of the outrage, organized in 1942 to record and analyze the causes, legal and social consequences, and long-term effects of the detention program. The Spoilage, one of a series of books which resulted, analyzes the experiences of that part of the detained group-some 18,000 in total-whose response was to renounce America as a homeland; it shows the steps by which these "disloyal" citizens were inexorably pushed toward the disaster of denationalization. Essentially the result of years of research by participant observers of Japanese ancestry, it is a factual record of enduring value to the student of America's troubled ethnic relations.
The Wonderful Wizard of Oz is a children's novel written by L. Frank Baum and illustrated by W. W. Denslow. Originally published by the George M. Hill Company in Chicago on May 17, 1900, it has since been reprinted numerous times, most often under the name The Wizard of Oz, which is the name of both the popular 1902 Broadway musical and the well-known 1939 film adaptation. The story chronicles the adventures of a young girl named Dorothy Gale in the Land of Oz, after being swept away from her Kansas farm home in a cyclone.[nb 1] The novel is one of the best-known stories in American popular culture and has been widely translated. Its initial success, and the success of the 1902 Broadway musical which Baum adapted from his original story, led to Baum's writing thirteen more Oz books. The original book has been in the public domain in the US since 1956. Baum dedicated the book "to my good friend & comrade, My Wife," Maud Gage Baum. In January 1901, George M. Hill Company, the publisher, completed printing the first edition, which totaled 10,000 copies.
The New York Times bestselling first book in a dark series that reimagines the Oz saga, from debut author Danielle Paige. Start at the beginning and discover your new series to binge! My name is Amy Gumm—and I'm the other girl from Kansas. I've been recruited by the Revolutionary Order of the Wicked. I've been trained to fight. And I have a mission: Remove the Tin Woodman's heart. Steal the Scarecrow's brain. Take the Lion's courage. And—Dorothy must die. I didn't ask for any of this. I didn't ask to be some kind of hero. But when your whole life gets swept up by a tornado—taking you with it—you have no choice but to go along, you know? Sure, I've read the books. I've seen the movies. I know the song about the rainbow and the happy little blue birds. But I never expected Oz to look like this. To be a place where Good Witches can't be trusted, Wicked Witches may just be the good guys, and winged monkeys can be executed for acts of rebellion. There's still a road of yellow brick—but even that's crumbling. What happened? Dorothy. They say she found a way to come back to Oz. They say she seized power and the power went to her head. And now no one is safe.
Leading us on a journey through familiar twentieth-century American films, this engaging and provocative book proposes that Hollywood has created an imaginary cinematic geography filled with people and places we recognize and to which we are irresistibly drawn. Each viewing of a film stirs, in a very real and charismatic way, feelings of home. The comfort of returning to films like familiar haunts is at the core of our nostalgic desire. Elisabeth Bronfen examines the different ways home is constructed in the development of cinematic narrative, offering close readings of crucial scenes in classic films.
Winner of the Pulitzer Prize in Fiction Winner of the William Dean Howells Medal Shortlisted for the Man Booker Prize Over One Year on the New York Times Bestseller List A New York Times Notable Book and a Washington Post, Time, Oprah Magazine, Newsweek, Chicago Tribune, and Kirkus Reviews Best Book of the Year "The best novel ever written about trees, and really just one of the best novels, period." —Ann Patchett The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of—and paean to—the natural world. From the roots to the crown and back to the seeds, Richard Powers’s twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.