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Dorothy Thompson (1893-1961) was America’s first internationally famous female foreign correspondent. Born outside of Buffalo, New York, she graduated from Syracuse University in 1914 and honed her writing and interviewing skills in the women’s suffrage movement before heading for Europe as a freelance journalist. Reporting from Vienna, Budapest and Berlin during the rise of Nazism, she was the first western journalist to be expelled from Germany by Adolf Hitler after denigrating him in a profile. Her later columns in the Ladies’ Home Journal and radio broadcasts for CBS (published as Listen, Hans) made her, next to Eleanor Roosevelt, the most influential woman in the United States. Thompson was married three times: her second marriage was to the American novelist, Nobel Prize-winner, and alcoholic Sinclair Lewis; her third and happiest, to Czech artist Maxim Kopf. She also had several lesbian relationships. Avidly interested in everything from sustainable farming to the fine arts, she divided her later years between New York City and her farm in Barnard, Vermont. “A skillful exploration of the life and personality of the formidable foreign correspondent” — New York Times “[readers] will be pleased to meet a fascinating, driven and indomitable woman who richly deserves this fine biography” — Thomas Griffith, New York Times “Sensationally good ... Kurth’s vividly detailed and dramatic portrayal of Thompson’s life fully compensates for the memoirs she planned but never lived to write. Here was a one-of-a-kind incarnation of energy, honesty and commitment; a woman we must not forget.” — USA Today “Kurth guides us through the tumultuous complexities of the time-the rise of Nazism in Germany; isolationism in America; the Second World War; the establishment of Israel and other issues that Thompson took over as her personal battleground. His daunting task is to show us a mind at work, and he pulls it off.” — Washington Post “In a day of dime-a-dozen pundits jabbering on the talk shows, Thompson’s diligence and influence are worth recalling. Mr. Kurth’s compulsively readable account allows us to re-live an age and do just that.” — Wall Street Journal “Kurth has a surprising grasp of Thompson’s emotional makeup, strictly avoiding the kind of supercilious or paternalistic attitude that such a character invites in male authors. His biography is insightful without being sentimental, warm without being sycophantic.” — Toronto Star “An important asset of this big, solid book is author Kurth’s prolific use of Thompson’s own words. She left 150 file cases of published and unpublished writings — chunks of private thoughts and musings on her three husbands and her own sexuality one would have expected her to burn... Kurth has battled through this paper blizzard and emerged with a clear-as-ice-water picture of a turbulent, complex personality.” —Baltimore Sun “Peter Kurth, author of the haunting Anastasia: The Riddle of Anna Anderson, proves once again that he is the equal of Stefan Zweig as a biographer of women. His fairness, his control of his material and his eye for the revealing quotation are such that he makes us empathize with Miss Thompson even when we feel like strangling her.” — Washington Times
An examination of the modern journalist's interests, relationships, and career, based on her private papers and interviews with friends and associates.
Born in the 1890s on opposite sides of the Atlantic, friends for more than forty years, Dorothy Thompson and Rebecca West lived strikingly parallel lives that placed them at the center of the social and historical upheavals of the twentieth century. In Dangerous Ambition, Susan Hertog chronicles the separate but intertwined journeys of these two remarkable women writers, who achieved unprecedented fame and influence at tremendous personal cost. American Dorothy Thompson was the first female head of a European news bureau, a columnist and commentator with a tremendous following whom Time magazine once ranked alongside Eleanor Roosevelt as the most influential woman in America. Rebecca West, an Englishwoman at home wherever genius was spoken, blazed a trail for herself as a journalist, literary critic, novelist, and historian. In a prefeminist era when speaking truth to power could get anyone—of either gender—ostracized, blacklisted, or worse, these two smart, self-made women were among the first to warn the world about the dangers posed by fascism, communism, and appeasement. But there was a price to be paid, Hertog shows, for any woman aspiring to such greatness. As much as they sought voice and power in the public forum of opinion and ideas, and the independence of mind and money that came with them, Thompson and West craved the comforts of marriage and home. Torn between convention and the opportunities of the new postwar global world, they were drawn to men who were as ambitious and hungry for love as themselves: Thompson to the brilliant, volatile, and alcoholic Nobel Prize winner Sinclair Lewis; West to her longtime lover H. G. Wells, the lusty literary eminence whose sexual and emotional demands doomed any chance they may have had at love. Tragically, both arrangements produced troubled sons, whose anger and jealousy at their mothers’ iconic fame eroded their sense of personal success. Brimming with fresh insights obtained from previously sealed archives, this penetrating dual biography is a story of twinned lives caught up in the crosscurrents of world events and affairs of the heart—and of the unique trans-Atlantic friendship forged by two of the most creative and complex women of their time.
Drawing on archaeological findings and an unusual combination of Greek and Egyptian evidence, Dorothy Thompson examines the economic life and multicultural society of the ancient Egyptian city of Memphis in the era between Alexander and Augustus. Now thoroughly revised and updated, this masterful account is essential reading for anyone interested in ancient Egypt or the Hellenistic world. The relationship of the native population with the Greek-speaking immigrants is illustrated in Thompson's analysis of the position of Memphite priests within the Ptolemaic state. Egyptians continued to control mummification and the cult of the dead; the undertakers of the Memphite necropolis were barely touched by things Greek. The cult of the living Apis bull also remained primarily Egyptian; yet on death the bull, deified as Osorapis, became Sarapis for the Greeks. Within this god's sacred enclosure, the Sarapieion, is found a strange amalgam of Greek and Egyptian cultures.
The Chartists is a major contribution to our understanding not just of Chartism but of the whole experience of working-class people in mid-nineteenth century Britain. The book looks at who the Chartists were, what they hoped for from the political power they strove to gain, and why so many of them felt driven toward the use of physical force. It also studies the reactions of the middle and upper classes and the ways in which the two sides - radical and establishment - influenced each other's positions. This book is a uniquely authoritative discussion of the questions that Chartism raises for the historian; and for the historian, student and general reader alike it provides a vivid insight into the lives of working people as they passed through the traumas of the industrial revolution.
This book focuses on Dorothy Thompson's opposition to Hitler and totalitarianism. It relates her prolific engagement on behalf of refugees, persecuted Jews, and exiled writers to friendships and ideas formed in Vienna and Berlin during the Weimar Republic.
This book brings together Dorothy Thompson's most important essays on English social history, written over the last 25 years, many previously unpublished. Thompson analyzes the Chartist movement, not simply as a political programme, however significant, but as the mass phenomenon which offers the focus for an "elucidation of the concept of class". Thompson is also concerned with Queen Victoria: how did a woman holding the highest office in the land affect British women and was it a factor in the non-republican stance of radical politics of the time? The essays are complemented by an introduction in which Dorothy Thompson reflects on the politics of the period in which she wrote them, on her own political involvements and on the relationship of her work as a historian to that of her husband, E.P. Thompson. The book should make a useful introductory text for students of history. It includes Thompson's essays on women's activism in early radical politics and 19th century popular politics. The book should also attract a wide general readership.
“The novel that foreshadowed Donald Trump’s authoritarian appeal.”—Salon It Can’t Happen Here is the only one of Sinclair Lewis’s later novels to match the power of Main Street, Babbitt, and Arrowsmith. A cautionary tale about the fragility of democracy, it is an alarming, eerily timeless look at how fascism could take hold in America. Written during the Great Depression, when the country was largely oblivious to Hitler’s aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a president who becomes a dictator to save the nation from welfare cheats, sex, crime, and a liberal press. Called “a message to thinking Americans” by the Springfield Republican when it was published in 1935, It Can’t Happen Here is a shockingly prescient novel that remains as fresh and contemporary as today’s news. Includes an Introduction by Michael Meyer and an Afterword by Gary Scharnhorst
The essays in this collection span the whole range of nineteenth- and twentieth-century British social history. There are contributions on Chartism, feminism and the emancipation of women, rural resistance, the treatment of lunatics, and immigration and immigrant communities. The Duty of Discontent is indeed a rich and valuable collection of essays, which will please all those who take an interest in modern British social history.