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Respected scholar Dorothy Lee considers evidence from the New Testament and early church to show that women's ministry is confirmed by the biblical witness. Her comprehensive examination explores the roles women played in the Gospels and the Pauline corpus, with a particular focus on passages that have been used in the past to limit women's ministry. She argues that women in the New Testament were not only valued as disciples but also given leadership roles, which has implications for the contemporary church.
Dorothy Lee is best remembered for her screen appearances with the popular comedy team of Bert Wheeler and Robert Woolsey. She went from being a struggling vaudeville performer to the female vocalist in one of the most successful bands in the country to a star in the new-fangled "talking pictures" all within the span of a few short years. During the Great Depression, she lived a fairy-tale existence, rubbing shoulders with Hollywood luminaries and earning an income that most people could only dream of. She retired and balanced domestic life with charity work. And she saw, to her amazement, a revived interest in the movie career she had written off long ago. Based on years of conversations between the authors and Dorothy Lee, this book is an informative biography filled with revealing insights on navigating the studio system during Hollywood's Golden Age and the ephemeral nature of fame.
Dorothy Lee argues passionately for restoring the study of The Transfiguration to the centre of the theological stage, and she succeeds triumphantly. Whereas a theology of transfiguration has long been an essential part of the Eastern theologoical tradition, it has often seemed strange to our Western rational minds. The book argues that the transfiguration functions as an epiphany revealing Jesus' true identity and also an apocalyptic vision, depicting God's transforming future. A chapter is devoted to each of the four New Testament narratives of the transfiguration, setting the story within the wider literary and theological framework of the text. Traces of the transfiguration are examined in other parts of the New Testament, particularly in The Gospel of John, where the symbolism is close to that of the transfiguration. Finally, the author draws out the symbolism and theological implications of the transfiguration for an understanding of Christ, God's radical future and the transformation of all creation, drawing on the icons of Eastern Christianity and Western theologies of beauty. This book is a small masterpiece and a model of clarity and lucid exposition.
A general’s wife and a slave girl forge a friendship that transcends race, culture, and the crucible of Civil War. Mary Anna Custis Lee is a great-granddaughter of Martha Washington, wife of Confederate General Robert E. Lee, and heiress to Virginia’s storied Arlington house and General Washington’s personal belongings. Born in bondage at Arlington, Selina Norris Gray learns to read and write in the schoolroom Mary and her mother keep for the slave children and eventually becomes Mary’s housekeeper and confidante. As Mary’s health declines, Selina becomes her personal maid, strengthening a bond that lasts until death parts them. Forced to flee Arlington at the start of the Civil War, Mary entrusts the keys to her beloved home to no one but Selina. When Union troops begin looting the house, it is Selina who confronts their commander and saves many of its historic treasures. In a story spanning crude slave quarters, sunny schoolrooms, stately wedding parlors, and cramped birthing rooms, novelist Dorothy Love amplifies the astonishing true-life account of an extraordinary alliance and casts fresh light on the tumultuous years leading up to and through the wrenching battle for a nation’s soul. A classic American tale, Mrs. Lee and Mrs. Gray is the first novel to chronicle this beautiful fifty-year friendship forged at the crossroads of America’s journey from enslavement to emancipation.
A noted anthropologist examines our own & other cultures to show how individuality can either be enhanced or smothered by the community.
This beautifully written book shows that the Gospel of John is not a collection of dry fragments but a rich, unified text that continues to inspire believers.
This study explores the spirituality of one group of NewTestament writings - those associated with the name ofJohn: the Fourth Gospel, the three Johannine Epistles, and the Book of Revelation. Largely focused on the Gospel, the book explores various Johannine themes that together form a distinct and unique spirituality: Jesus as the Word, the place of worship, the role of the Spirit, images of discipleship, the five senses, the place of love, the realityof absence. The book examines these and other themes through the symbols that dominate the Johannine text, articulating its spirituality in vivid, concrete languag
The book examines six long narratives of the Fourth Gospel, arguing that they are best understood as 'symbolic narrative'. They display a unique cohesion of symbol and narrative: the narrative unfolds the symbol and the symbol draws out the narrative. This process occurs as the character struggles to understand the symbolic meaning. The structure develops in five Stages: the establishing of a 'sign', image or feast (Stage 1); misunderstood in materialistic terms (Stage 2); the struggle to understand the symbolic meaning (Stage 3); the acceptance or rejection of that meaning (Stage 4); a confession of faith or statement of rejection (Stage 5). The symbolic narratives reveal how material reality becomes symbolic of the divine. Just as the flesh of Jesus is the symbol of divine glory, so material reality now has the potential for symbolizing God. Flesh has no independent existence; its value lies in its symbolic role. This parallels the cohesion between form and meaning. Just as the flesh is given value in symbolizing the divine, so narrative form is of value in disclosing theological meaning. The implied reader is drawn into the drama of the symbolic narratives to make the authentic response of faith.
Much of the history of women, in religion as in other fields, is lost because it was overlooked or considered unimportant. It is therefore surprising that so many fragments of women's stories survive in the New Testament texts composed by men. Why did they include so many references to women and why are women, as a group, treated so positively by the male New Testament writers? Women in the New Testament shows how the stories of women are an integral part of the Gospel and its meaning for us. It also relays how we can respond to the challenge these women represent, whether we are men trying to understand or women trying to find our voices within the tradition of faith found in the New Testament. Chapter one discusses three women of expectant faith. Chapters two and three deal with women who are changed by Jesus. Chapter four focuses on New Testament women of influence. Chapters five and six show how women disciples spread and gave shape to the gospel message. Chapters are "Women of Expectant Faith," “Women Changed by Jesus,” “More Women Changed by Jesus,” “Women of Prominence,” “Women and Discipleship,” and “More Women and Discipleship.” Mary Ann Getty-Sullivan, PhD, teaches at St. Vincent College and St. Vincent Seminary, Latrobe, Pennsylvania. She is the author of First and Second Corinthians from the Collegeville Bible Commentary series, author of the God Speaks to Us series of children's books, and editor of the Zacchaeus Studies: New Testament series published by The Liturgical Press. "