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A picture book biography about an ordinary New York City couple and their extraordinary collection of art In the heart of Manhattan lived a librarian and a postal clerk who loved art so much that they collected it. Over the years, Dorothy and Herbert brought home hundreds of works of art—from little-known SoHo artists to luminaries such as Chuck Close and Christo and Jeanne-Claude—to their small, empty-walled apartment, much to the curiosity and delight of their eight cats and tank of fish. Their passion for art and support of artists was so impressive, Dorothy and Herbert became famous themselves. And when they gifted their extraordinary collection to the National Gallery of Art, their art became ours, inspiring new generations of artists.
Includes bibliographies.
Early in 1937, a young film editor went on-location to St. George, Utah, for the filming of Republic's The Painted Stallion. Rain and cast problems put the production hopelessly behind schedule. The studio summarily fired the director and replaced him with the film editor. Thus was born the career of one of Hollywood's most famous serial directors, Bill Witney. Witney went on to direct or codirect 23 Republic serials, working with such stars as William Benedict, Hoot Gibson, Bela Lugosi, and Noah Beery, Sr. Witney's output included some of the most famous cliffhangers of the era, such as Adventures of Red Ryder, Spy Smasher, Drums of Fu Manchu, The Lone Ranger, and The Lone Ranger Rides Again. Though he enjoyed a long career as a feature film and television director, it is the Republic serials for which he is best remembered. This engaging story is a behind-the-scenes look at the heyday of the Hollywood cliffhanger, the making of the movies, and the people involved in them.
The second volume of the set (see Item 531) covers more families from the early counties of Virginia's Lower Tidewater and Southside regions. With an index in excess of 10,000 names.
Since its inception in 1872, the Greatest Show on Earth has continually transformed itself to meet changing tastes and cultural shifts. Over the course of its long existence, it has been at various times a biblical spectacle and historical pageant, a ceremonial introduction to the peoples and cultures of the world, and a fairy tale masque. It has also featured sights ranging from gladiatorial combat and aerial daredevils to oddities of nature and foolhardy wonders. This work chronicles the colorful artistry of the Greatest Show on Earth from its beginning to 2010, revealing how each of 12 changes in management brought about changes in style and content. More than 50 photographs bring the flamboyant performers and amazing spectacles to life in this informative appreciation of the circus and its evolution.
During the years 1880 to 1940, the glory days of the American circus, a third to a half of the cast members were women--a large group of very visible American workers whose story needs telling. This book, using sources such as diaries, autobiographies, newspaper accounts, films, posters, and route books, first considers the popular media's presentation of these performers as unnatural and scandalous--as well as romantic and thrilling. Next are the stories told by circus women, which contradict and complicate other versions of their lives. Across America in those years an array of acts featured women, such as tableaux, freak shows, girlie shows, tiger acts, and aerial performances, all involving special skills and all detailed here. The book offers a unique and fascinating view of not just the circus but of what it meant to be an American woman at work.