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A groundbreaking exposé of racism in the American taxation system from a law professor and expert on tax policy NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND FORTUNE • “Important reading for those who want to understand how inequality is built into the bedrock of American society, and what a more equitable future might look like.”—Ibram X. Kendi, #1 New York Times bestselling author of How to Be an Antiracist Dorothy A. Brown became a tax lawyer to get away from race. As a young black girl growing up in the South Bronx, she’d seen how racism limited the lives of her family and neighbors. Her law school classes offered a refreshing contrast: Tax law was about numbers, and the only color that mattered was green. But when Brown sat down to prepare tax returns for her parents, she found something strange: James and Dottie Brown, a plumber and a nurse, seemed to be paying an unusually high percentage of their income in taxes. When Brown became a law professor, she set out to understand why. In The Whiteness of Wealth, Brown draws on decades of cross-disciplinary research to show that tax law isn’t as color-blind as she’d once believed. She takes us into her adopted city of Atlanta, introducing us to families across the economic spectrum whose stories demonstrate how American tax law rewards the preferences and practices of white people while pushing black people further behind. From attending college to getting married to buying a home, black Americans find themselves at a financial disadvantage compared to their white peers. The results are an ever-increasing wealth gap and more black families shut out of the American dream. Solving the problem will require a wholesale rethinking of America’s tax code. But it will also require both black and white Americans to make different choices. This urgent, actionable book points the way forward.
Discover the story behind The Wonderful Wizard of Oz, the book that inspired the iconic film, through the eyes of author L. Frank Baum’s intrepid wife, Maud, in this richly imagined novel from the #1 New York Times bestselling author of The Eighty-Dollar Champion and The Perfect Horse. “A breathtaking read that will transport you over the rainbow and into the heart of one of America’s most enduring fairy tales.”—Lisa Wingate, author of Before We Were Yours Hollywood, 1938: As soon as she learns that M-G-M is adapting her late husband’s masterpiece for the screen, Maud Gage Baum, now in her seventies, sets about trying to finagle her way onto the set. Nineteen years after Frank’s passing, Maud is the only person who can help the producers stay true to the spirit of the book—she’s the only one left who knows its secrets. But the moment she hears Judy Garland rehearsing the first notes of “Over the Rainbow,” Maud recognizes the yearning that defined her own life story, from her youth as a suffragist’s daughter to her hardscrabble prairie years with Frank, which inspired The Wonderful Wizard of Oz. Judy reminds Maud of a young girl she cared for in South Dakota, a dreamer who never got a happy ending. Now, with the young girl under pressure from the studio as well as from her ambitious stage mother, Maud resolves to protect Judy—the way she tried so hard to protect the real Dorothy.
From the New York Times bestselling author Meg Wolitzer, a “devastatingly on target” (Elle) novel about a young woman's accidental death and its effect on her family and friends. For years, Sara Swerdlow was transported by an unfettered sense of immortality. Floating along on loving friendships and the adoration of her mother, Natalie, Sara's notion of death was entirely alien to her existence. But when a summer night's drive out for ice cream ends in tragedy, thirty-year-old Sara—"held aloft and shimmering for years"—finally lands. Mining the intricate relationship between love and mourning, acclaimed novelist Meg Wolitzer explores a single, overriding question: who, finally, "owns" the excruciating loss of this young woman—her mother or her closest friends? Depicting the aftermath of Sara's shocking death with piercing humor and shattering realism, Surrender, Dorothy is the luminously thoughtful, deeply moving exploration of what it is to be a mother and a friend, and, above all, what it takes to heal from unthinkable loss.
Behind every closed door, there is a story waiting to be told. It may be sad or happy, but most of the time it is a little bit of both. The readers of the book are going to realise that they too have stories to tell and there are people out there just waiting to read them.
Afterword by Peter Glassman. "Dorothy is called back to Oz by Glinda, the Good Witch of the South, because the Tin Woodman, the Scarecrow, and the Cowardly Lion need help....The great-grandson of L. Frank Baum here adds to the Oz canon with a story that is true to the originals....Oz fans will welcome this new adventure."--Booklist.
“Suzanne Scanlon enters the inverted space of grief and near-madness with courage, intelligence, and wit—and with a small, sharp light for us to follow.” —Dawn Raffel A series of fragmentary tales tells the story of Lizzie, a young woman who, in her early twenties, unexpectedly embarks on a journey through psychiatric institutions, a journey that will end up lasting many years. With echoes of Sylvia Plath, and against a cultural backdrop that includes Shakespeare, Woody Allen, and Heathers, Suzanne Scanlon’s first novel is both a deeply moving account of a life of crisis and a brilliantly original work of art.
For the legions of readers who enjoy books that celebrate life’s simple pleasures, eighty-seven-year-old Dorothy Jean Wetstra and her beloved farming town of Partonville, Illinois, will become instant favorites. In this hilarious, touching series, Charlene Ann Baumbich introduces readers to Dearest Dorothy, who tools around town in a 1976 Lincoln Continental nicknamed “The Tank,” plays bunco regularly with her pals, and grabs a stool at Harry’s counter often enough to stay on top of the latest-breaking news—which she is often creating. In the series debut, Dearest Dorothy, Are We There Yet?, Dorothy faces a decision that may change her town forever, and her gift for shaking things up comes in handy. In the second book, Dearest Dorothy, Slow Down, You're Wearing Us Out!, the town’s irresistible cast of characters is back in full swing as they confront some of the many surprises life sends their way. So pull up a chair and get ready for fireworks, laughter, and we’ll-get-through-it-all-with-faith friendships.
Trash, Allison's landmark collection, laid the groundwork for her critically acclaimed Bastard Out of Carolina, the National Book Award finalist that was hailed by The New York Times Book Review as "simply stunning...a wonderful work of fiction by a major talent." In addition to Allison's classic stories, this new edition of Trash features "Stubborn Girls and Mean Stories," an introduction in which Allison discusses the writing of Trash and "Compassion," a never-before-published short story. First published in 1988, the award-winning Trash showcases Allison at her most fearlessly honest and startlingly vivid. The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.
Meet Ann, an independent little girl who knows what she likes. Everyone tries to persuade her to buy a blue dress, brown hat and tan sandals, but Ann likes red instead. Red! Red! Red!