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190 wood-engraved plates, 120 full-page: charging the windmill, traversing Spanish plains, valleys, mountains, ghostly visions of dragons, knights, flaming lake. Marvelous detail, minutiae, accurate costumes, architecture, enchantment, pathos, humor. Captions.
All 100 original plates from 19th-century classic, including The Massacre of Antioch, The Road to Jerusalem, The Baptism of Infidels, The Battle of Lepanto, many more. Magnificent, royalty-free illustrations with captions.
Great 19th-century illustrator's last major achievement: 208 brooding, surreal illustrations of magnificent, influential Renaissance epic poem. Jousting knights, damsels in distress, and grotesque monsters come to life under Doré's exuberant pen style.
All 50 of Doré's powerful illustrations for Milton's epic poem, recounting mankind's fall from the grace of God through the work of Satan. Appropriate quotes from the text are printed with each illustration.
Dozens of the renowned artist's celestial beings, as created for such great literary works as the Bible, Coleridge's The Rime of the Ancient Mariner, and Milton's classic, Paradise Lost. 75 black-and-white illustrations.
36 splendid illustrations, accompanied by quotes from Tennyson's poem, dramatically recapture the love story of Lancelot and Guinevere, the tale of the fair Elaine, and more.
The exuberant art of Gustave Doré (1832-83) has influenced romantics and realists around the world. A self-taught child prodigy who met with early and resounding success, Doré ranks among the most prolific and popular illustrators of all time. Known as "the master of the fantastic," he excelled in conveying dramatic action in memorable settings. This original collection assembles for the first time Doré's best work depicting knights and their adventures. It features eighty-six captivating scenes of battles, damsels, dragons, and other images from the Age of Chivalry. Advances in science and technology introduced irrevocable changes to the society of Doré and his contemporaries and aroused a nostalgia for simpler times. The moral certitude and stability embodied in Arthurian myths and other medieval romances proved as appealing to Victorians as they do to modern audiences. This collection features highlights from eight volumes that span more than two decades of Doré's career, including scenes from Tennyson's Idylls of the King. Other sources include Don Quixote, Orlando Furioso, Rabelais' The Life of Gargantua and of Pantagruel, and Michaud's History of the Crusades.
All drawings from the 1872 classic, including perceptive sketches of workaday London, thieves gambling, flower girls, waifs and strays, prisoners in the Newgate exercise yard, and a wedding at the Abbey.