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Alongside images of racing chuckwagons, cowboys on bucking broncos and Aboriginal people in full regalia, one of the most recognizable and enduring symbols of the Calgary Stampede is a trio of pretty cowgirls wearing white-hat crowns. Not surprisingly, modern-day Stampede Queens and Princesses make more than 450 public appearances per year promoting the show and the city of Calgary both at home and abroad. But the fair was nearly six decades old before it appointed a royal representative to promote its interests. In 1946 Patsy Rodgers became the Stampede's first rodeo queen. The following year, a local service club raised funds by sponsoring a contest for "Queen of the Stampede." Although it bore little resemblance to its modern counterpart, this early competition based on ticket sales was widely popular and over the next few decades raised the equivalent of one million dollars for local charities and service projects. From the beginning, the Stampede recognized the promotional potential of the royal figureheads and worked to ensure that winners were credible representatives of what quickly became a year-round public relations job. In 1966 the Stampede officially took over and modernized the contest, but it would take many decades of trial and error evolution to perfect the process of selecting and training its royalty. Against a backdrop of changing times, and drawing on contemporary sources and personal interviews, the author traces the origin and development of the Calgary Stampede Queen contest and profiles its lucky young winners over seven exciting decades. Complete with a large selection of archival photos, Calgary's Stampede Queens tells the story from this fascinating corner of The Greatest Outdoor Show on Earth.
"Published originally by Plume in 1991, Rodger L. Brown's Party Out of Bounds is a cult classic. This twenty-fifth anniversary edition includes new photographs, a foreword by Charles Aaron, former editor and writer at SPIN magazine, and an essay on Athens, GA since the 'golden age' of Brown's story. Party Out of Bounds offers an insider's look at the phenomenon of an underground rock music culture springing from the Georgia college town of Athens. Brown uses his half-remembered memories to chronicle the 1970s and the 80s in Athens, and the spawning of such supergroups as The B-52's, Pylon, and R.E.M."--
A pampered Long Island princess hits the road in a converted bus with her wilderness-loving husband, travels the country for one year, and brings it all hilariously to life in this offbeat and romantic memoir. Doreen and Tim are married psychiatrists with a twist: She’s a self-proclaimed Long Island princess, grouchy couch potato, and shoe addict. He's an affable, though driven, outdoorsman. When Tim suggests “chucking it all” to travel cross-country in a converted bus, Doreen asks, “Why can’t you be like a normal husband in a midlife crisis and have an affair or buy a Corvette?” But she soon shocks them both, agreeing to set forth with their sixty-pound dog, two querulous cats—and no agenda—in a 340-square-foot bus. Queen of the Road is Doreen’s offbeat and romantic tale about refusing to settle, about choosing the unconventional road with all the misadventures it brings (fire, flood, armed robbery, and finding themselves in a nudist RV park, to name just a few). The marvelous places they visit and delightful people they encounter have a life-changing effect on all the travelers, as Doreen grows to appreciate the simple life, Tim mellows, and even the pets pull together. Best of all, readers get to go along for the ride through forty-seven states in this often hilarious and always entertaining memoir, in which a boisterous marriage of polar opposites becomes stronger than ever.
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What is the writer's method? How does she or he get strings of inspired words down on a page or onto a monitor screen? Not very damn well if you're Ben Halaby, filled with dedication but suffering the throes of chronic Writer's Block. The spiritual Kaopectate that gets Ben aflow at long last is Julia Cameron's The Artist's Way (an actual book for those of you who don't know). It's dictum is to begin each day by writing-3-pages-of-anything-that-pops-into-your-head-no-matter-how-mediocre-for-84-days -- morning pages. Through this process, or rather along with it, out from Ben's harvesting mind spring anecdotes from his past, or derivations of same. It doesn't matter! Ben Halaby can write again -- There's hope for us all! Sutton's amusing, wise, and inspirational book is not intended to sell more copies of Cameron's. But, convincing as it is, it just might.
“Evanovich…with a dash of CSI.” – Publishers Weekly (review of Lucky Stiff) Who would want to kill a clown? Lucky O’Toole, Chief Problem Solver for the Babylon Hotel, the primo property on the Las Vegas Strip, isn’t in any mood to find out. For one, it’s New Year’s Day and Lucky’s birthday. And she hasn’t caught her breath after a chase to the death in Hong Kong and Macau. Her French chef is pushing to set the wedding date. Her former lover, wounded in the China chase, needs TLC. A young woman, in town with the rodeo, shows up at her office with a secret that could blow the lid off Lucky’s life as she knows it. And Lucky’s mother starts acting like the secret could be true. Could it? What if everything Lucky thought she knew about her family was built on a lie? And why would someone kill a clown? A light, funny, romantic mystery providing a Vegas escape appropriate for anyone looking for a good laugh. Get your copy today! AN INTERVIEW WITH DEBORAH COONTS Why did you decide to write humor? I’m not sure I decided to add snark to the Lucky books, specifically to Lucky’s own voice, it just happened that way. When I was a kid, my mouth always got me into trouble. Finally, I’ve found a way to harness the sarcasm for the Forces of Good—or at least in a way not to anger my grandmother. And when Lucky started talking to me, she had a strong dose of sass in her. The Lucky O'Toole Vegas Adventure series is hard to categorize. Is that by design? When I set out to write Wanna Get Lucky?, I knew I wanted to write a romp through Las Vegas. I had the characters and the setting but no real understanding of narrative drive. So, I threw a young woman out of a tour helicopter into the middle of the Pirate Show and let the story unfold. A bit of murder to keep the plot moving, some wisecracking and Vegas mischief to make you laugh, and some romance to keep it interesting. A bit of a mash up, but it works. PRAISE FOR THE LUCKY O’TOOLE VEGAS ADVENTURE SERIES “Lucky’s story is funny, fast-paced, exuberant and brilliantly realized.” - Susan Wiggs, #1 New York Times bestselling author “Get ready to win big--with a novel that will keep you glued to the pages all the way to the end.” - Brenda Novak, New York Times & USA Today bestselling author "More fun than a winning streak in Vegas. Lucky O’Toole is a character with brains, beauty, and a wry sense of humor. Readers will want to meet her again—and soon." - Diane Mott Davidson, New York Times bestselling author "Deborah Coonts...entrusts the sleuthing to a brainy beauty who sees the lighter side of human folly." - New York Times Book Review "Las Vegas is the perfect setting for this witty tale of misdirection and larger-than-life characters. Fans of J. A. Konrath's Jack Daniels series will love this." - Library Journal, starred review “A whirlwind of a kooky crime novel, and readers will enjoy every minute of it. Coonts provides the perfect solution for readers waiting for the next Stephanie Plum book.” - Booklist