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Freud’s Dora case and contemporary debates on gender, sexuality and queer theory ‘Dora’ is one the most important and interesting case studies Sigmund Freud conducted and later described. It constitutes a key text in his oeuvre and finds itself at the crossroads of his studies in hysteria, the theory of sexuality and dream interpretation. The Dora case is both a literary and theoretically ground-breaking text and an account of a ‘failed’ treatment. In Dora, Hysteria and Gender renowned Freud scholars reflect on the Dora case, presenting various innovative and controversial perspectives and elaborating the significance of the text for contemporary debates on gender, sexuality and queer theory. This volume is of interest for psychoanalysts and scholars working on psychoanalysis, sexuality, gender, queer theory, philosophical anthropology and literary studies. Contributors: Rachel B. Blass (Heythrop College, University of London), Daniela Finzi (Sigmund Freud Foundation), Esther Hutfless (University of Vienna), Ulrike Kadi (Medical University of Vienna), Ilka Quindeau (Frankfurt University of Applied Sciences), Beatriz Santos (University Paris VII Diderot), Philippe Van Haute (Radboud University Nijmegen), Herman Westerink (Radboud University Nijmegen), Jeanne Wolff-Bernstein (Sigmund Freud University in Vienna)
-- The Women's Review of Books
'I very soon had an opportunity to interpret Dora's nervous coughing as the outcome of a fantasized sexual situation.' A Case of Hysteria, popularly known as the Dora Case, affords a rare insight into how Freud dealt with patients and interpreted what they told him. The 18-year-old 'Dora' was sent for psychoanalysis by her father after threatening suicide; as Freud's enquiries deepened, he uncovered a remarkably unhappy and conflict-ridden family, with several competing versions of their story. The narrative became a crucial text in the evolution of his theories, combining his studies on hysteria and his new theory of dream-interpretation with early insights into the development of sexuality. The unwitting preconceptions and prejudices with which Freud approached his patient reveal his blindness and the broader attitudes of turn-of-the-century Viennese society, while his account of 'Dora's' emotional travails is as gripping as a modern novel. This new translation is accompanied by a substantial introduction which sets the work in its biographical, historical, and intellectual context, and offers a close and critical analysis of the text itself. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
"She's hysterical." For centuries, the term "hysteria" has been used by physicians and laymen to diagnose and dismiss the extreme emotionality and mysterious physical disorders presumed to bedevil others—especially women. How did this medical concept assume its power? What cultural purposes does it serve? Why do different centuries and different circumstances produce different kinds of hysteria? These are among the questions pursued in this absorbing, erudite reevaluation of the history of hysteria. The widely respected authors draw upon the insights of social and cultural history, rather than Freudian psychoanalysis, to examine the ways in which hysteria has been conceived by doctors and patients, writers and artists, in Europe and North America, from antiquity to the early years of the twentieth century. In so doing, they show that a history of hysteria is a history of how we understand the mind. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.
Freud's Dora case and contemporary debates on gender, sexuality and queer theory. 'Dora' is one the most important and interesting case studies Sigmund Freud conducted and later described. It constitutes a key text in his oeuvre and finds itself at the crossroads of his studies in hysteria, the theory of sexuality and dream interpretation. The Dora case is both a literary and theoretically ground-breaking text and an account of a 'failed' treatment. In Dora, Hysteria and Gender renowned Freud scholars reflect on the Dora case, presenting various innovative and controversial perspectives and elaborating the significance of the text for contemporary debates on gender, sexuality and queer theory. This volume is of interest for psychoanalysts and scholars working on psychoanalysis, sexuality, gender, queer theory, philosophical anthropology and literary studies. Contributors: Rachel B. Blass (Heythrop College, University of London), Daniela Finzi (Sigmund Freud Foundation), Esther Hutfless (University of Vienna), Ulrike Kadi (Medical University of Vienna), Ilka Quindeau (Frankfurt University of Applied Sciences), Beatriz Santos (University Paris VII Diderot), Philippe Van Haute (Radboud University Nijmegen), Herman Westerink (Radboud University Nijmegen), Jeanne Wolff-Bernstein (Sigmund Freud University in Vienna) Bron: Flaptekst, uitgeversinformatie.
We seem to be living in hysterical times. A simple Google search reveals the sheer bottomless well of “hysterical” discussions on diverse topics such as the #metoo movement, Trumpianism, border wars, Brexit, transgender liberation, Black Lives Matter, COVID-19, and climate change, to name only a few. Against the backdrop of such recent deployments of hysteria in popular discourse––particularly as they emerge in times of material and hermeneutic crisis––Performing Hysteria re-engages the notion of “hysteria”. Performing Hysteria rigorously mines late 20th- and early 21st-century (primarily visual) culture for signs of hysteria. The various essays in this volume contribute to the multilayered and complex discussions that surround and foster this resurgent interest in hysteria––covering such areas as art, literature, theatre, film, television, dance; crossing such disciplines as cultural studies, political science, philosophy, history, media, disability, race and ethnicity, and gender studies; and analysing stereotypical images and representations of the hysteric in relation to cultural sciences and media studies. Of particular importance is the volume's insistence on taking the intersection of hysteria and performance seriously.
In a book both brilliant and lucid, Evelyne Ender explores the issue of sexual identity in the fiction, criticism, and psychoanalytic writings of the nineteenth century. She focuses on the figure of the hysteric, which, she says, came to represent a mind haunted by the questioning of gender.
The Birth House is the story of Dora Rare, the first daughter to be born in five generations of Rares. As a child in an isolated village in Nova Scotia, she is drawn to Miss Babineau, an outspoken Acadian midwife with a gift for healing. Dora becomes Miss B.’s apprentice, and together they help the women of Scots Bay through infertility, difficult labours, breech births, unwanted pregnancies and even unfulfilling sex lives. Filled with details as compelling as they are surprising, The Birth House is an unforgettable tale of the struggles women have faced to have control of their own bodies and to keep the best parts of tradition alive in the world of modern medicine.
In Impious Fidelity, Suzanne Stewart-Steinberg investigates the legacy of Anna Freud at the intersection between psychoanalysis as a mode of thinking and theorizing and its existence as a political entity. Stewart-Steinberg argues that because Anna Freud inherited and guided her father's psychoanalytic project as an institution, analysis of her thought is critical to our understanding of the relationship between the psychoanalytic and the political. This is particularly the case given that many psychoanalysts and historians of psychiatry charge that Anna Freud's emphasis on defending the supremacy of the ego against unconscious drives betrayed her father's work. Are the unconscious and the psychoanalytic project itself at odds with the stable ego deemed necessary to a democratic politics? Hannah Arendt famously (and influentially) argued that they are. But Stewart-Steinberg maintains that Anna Freud's critics (particularly disciples of Melanie Klein) have simplified her thought and misconstrued her legacy. Stewart-Steinberg looks at Anna Freud's work with wartime orphans, seeing that they developed subjectivity not by vertical (through the father) but by lateral, social ties. This led Anna Freud to revise her father's emphasis on Oedipal sexuality and to posit a revision of psychoanalysis that renders it compatible with democratic theory and practice. Stewart-Steinberg gives us an Anna Freud who "betrays" the father even as she protects his legacy and continues his work in a new key.