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Zerofriends co-founder Alex Pardee returns with a collection of some of the most horrifying and iconic characters of film, video games and comics with Doppelgangers. The monograph displays a parade of serial killers, demons, aliens and psychopaths, from early Universal monsters in melancholy black and white to modern horrors captured in full bloody color. The freaks of cult classics rub shoulders with the slick killers of modern blockbusters, all captured with Pardees signature deranged style and a sense of childlike delight. Nostalgia and terror mix with the blood, guts and slime that drip from the collections pages, but above all, Pardees tongue-in-cheek humor shines through, with characters like Space Balls Dark Helmet jostling for space alongside the Thing, Hannibal Lector and Godzilla. In Doppelgangers, Pardee invites us to get cozy with the evil twins and dark doubles of pop culture.
Cinema's Doppelgängers is a counterfactual history of the cinema - or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it's a history of the movies written from an alternative unfolding of historical time - a world in which neither the Bolsheviks nor the Nazis came to power, and thus a world in which Sergei Eisenstein never made movies and German filmmakers like Fritz Lang never fled to Hollywood, a world in which the talkies were invented in 1936 rather than 1927, in which the French New Wave critics didn't become filmmakers, and in which Hitchcock never came to Hollywood. The book attempts, on the one hand, to explore and expand upon the intrinsically creative nature of all historical writing; like all works of fiction, its ultimate goal is to be a work of art in and of itself. But it also aims, on the other hand, to be a legitimate examination of the relationship between the economic and political organization of nations and film industries and the resulting aesthetics of film and thus of the dominant ideas and values of film scholarship and criticism. Doug Dibbern's first book, Hollywood Riots: Violent Crowds and Progressive Politics in American Film, won the 2016 Peter Rollins Prize. He has published scholarly essays on classical Hollywood filmmakers, film criticism for The Notebook at Mubi.com, and literary essays for journals like Chicago Quarterly Review and Hotel Amerika. He has a Ph.D. in Cinema Studies from New York University, where he teaches now in the Expository Writing Program.
The Bible says that YHWH alone is God and that there is none like him—but texts and artwork from antiquity show that many gods looked very similar. In this volume, scholars of the Hebrew Bible and its historical contexts address the problem of YHWH’s ancient look-alikes, providing recommendations for how Jews and Christians can think theologically about this challenge. Sooner or later, whether in a religion class or a seminary course, students bump up against the fact that God—the biblical God—was one among other, comparable gods. The ancient world was full of gods, including great gods of conquering empires, dynastic gods of petty kingdoms, goddesses of fertility, and personal spirit guardians. And in various ways, these gods look like the biblical God. Like the God of the Bible, they, too, controlled the fates of nations, chose kings, bestowed fecundity and blessing, and cared for their individual human charges. They spoke and acted. They experienced wrath and delight. They inspired praise. All of this leaves Jews and Christians in a bind: how can they confess that the God named YHWH was (and is) the true and living God, in view of this God’s profound similarities to all these others? The essays in this volume address the theological challenge these parallels create, providing reflections on how Jews and Christians can keep faith in YHWH as God while acknowledging the reality of YHWH’s divine doppelgängers. It will be welcomed by undergraduates studying religion; seminarians and graduate students of Bible, theology, and the ancient world; and adult education classes.
Doppelgangers are monsters, hardwired for murder. They are not supposed to have doubts, but this one does. He wishes he could be different. More human, maybe. But even that can't stop him from killing people so he can take their places and live their lives. He has to do it; it's who he is. But when the doppelganger murders a small-town teenager, assumes his shape, and takes over his life, he's shocked by the world he steps into. Engulfed in a whirlwind of peer pressure, messy family dynamics, and a provocative relationship with a beautiful girl, he quickly learns that there's more than one way to be human, and many ways to be a monster. Told in the tortured voice of a most extraordinary teen, this contemporary gothic romance brews a captivating combination of violence, desire, and atonement. Here is the story of a monster yearning for a human life.
Throughout history and in fables and pop culture, every underdog has possessed a vital asset that led to success: passion. The same can be said about art and apparel brands Zerofriends. Originally a small group of imaginative artists who shared a desire to create obscure, unique and borderline demented artwork, Zerofriends has grown into a collective whose work has gained worldwide recognition. This book showcases the artists and illustrators who have played a major role in establishing the Zerofriends brand as one of the most unique collections in the industry.
The Doppelgänger or Double presents literature as the "double" of philosophy. There are historical reasons for this. The genesis of the Doppelgänger is literature's response to the philosophical focus on subjectivity. The Doppelgänger was coined by the German author Jean Paul in 1796 as a critique of Idealism's assertion of subjective autonomy, individuality and human agency. This critique prefigures post-War extrapolations of the subject as decentred. From this perspective, the Doppelgänger has a "family resemblance" to current conceptualizations of subjectivity. It becomes the emblematic subject of modernity. This is the first significant study on the Doppelgänger's influence on philosophical thought. The Doppelgänger emerges as a hidden and unexplored element both in conceptions of subjectivity and in philosophy's relation to literature. Vardoulakis demonstrates this by employing the Doppelgänger to read literature philosophically and to read philosophy as literature. The Doppelgänger then appears instrumental in the self-conception of both literature and philosophy.
Being a dragon is a death sentence. Being a Tasker might be worse. Jean-Michel is BOTH. Jean-Michel Raudine has been his name for centuries, thanks to an oath that bound his dragon soul to a human body. A specialized operative called a Tasker, Jean works for Crimson, the very organization that hunts dragons and kills them on sight. What better place to hide than among your enemy? Gabriel Kennedy is a well-known businessman with secrets - one of which is that he’s a Councilor in the supernatural justice system. He decides the fate of paranormal beings that break the laws of Crimson. What will he do when he realizes his Tasker is breaking the law by simply existing? Life for the dragon Tasker has become one hideous mission after another. Life for the human Councilor is one lonely meeting after another. That is until doppelgängers are discovered in this world, and powerful people begin acting strangely, even dangerously. Are doppelgängers responsible for something sinister? With lives on the line, Jean-Michel finds himself walking a tightrope to help Gabriel solve the mystery before the Council & Crimson fall into chaos - while also keeping his scaled ass from being found out or worse - killed. Doppelgängers & Deceit is Book One of The Dragon Tasker Series. It's a wild urban fantasy and paranormal romance that introduces you to a chorus of paranormal characters connected to a dejected dragon and introverted human trying to solve not only the mystery surrounding the doppelgängers but are also piecing their own puzzle together.
David Blue and his girlfriend Deanne Byrd are ready for a peaceful Labor Day party at his farm in Port Clinton, Ohio. Theyve invited five of their friends from college to share in the festivities, but events take a strange turn when a freak blizzard descends upon the peaceful Midwestern countryside. Trapped at the farm, unexpected guests soon appear, people definitely not invited. David believes one of the arrivals is actually his doppelgnger his evil twinhere to destroy David and his friends. But is the doppelgnger real or is David suffering from post-traumatic stress disorder? Can David convince his friends that there really is a doppelgnger in the house, or will they just think him mad? When guests begin to disappear, the tension increases, and no one knows whom to trust. Has David led his friends into a death trap? If so, he is the only person who can save them from his own worst enemy.
Complete Guide to Doppelgangers
Eight outre tales of the doubly weird by J. Sheridan LeFanu, E.T.A. Hoffmann, Algernon Blackwood, Guy de Maupassant, Honore de Balzac, Hans Christian Andersen, Henry James, and Charlotte Perkins Gilman. . . . The face in the mirror is yours, but ever so slightly different. A shadow haunts your house, but it walks in places you've never gone. You grew up with a boy who had your face and your name, except he always did everything right, while you never could. Evil twins, double images: these are the tales of the Doppelganger.