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In Doors to Ancient Poetical Echoes, his sixth and newest collection of poetry, author George E. shares his thoughts, mind, heart, and poetic words. His verse opens the door of not only the heart but also the mind to hear the word of truth and lightwords that begin the thought processes while offering inspiration. His inspirational poetry will lighten your steps and make them lively; he seeks to offer both healing and daring in his words. From The Dance of Life to Justice Wears a Blindfold, the poet presents his thoughts on the past and the future. This collection will make you fly and be happy at the same time! Justice Wears a Blindfold Justice is blind only so it cant see or be a witness to the past present and future injustices that is to be where truth runs like a horse fleeing from a group of marauding fleas and crimes that are committed in the name of justice. The statue in the court house should be changed to the three monkeys dont see, dont speak, and dont hear and then we can add a fourth monkey one that doesnt care!
Geared toward those who need help or healing, The Song of Life provides twenty-seven lessons to propel you on the path to understanding what is really in your heart and mind. Author George E. Samuels, a spiritual master and coach, can help you become aware of your place in the world. The Song of Life links you with the universe, as well as the universal consciousness with our own individual consciousness. Offering tips and insights, it helps you to see your connection to more than what you currently seeto open and expand your vision so that you recognize the universe as more than a science project, but instead as an introduction to your universal partnership. The lessons focus on topics such as letting go, tasting the bitter, affirming the positive, understanding your mental and physical universe, and realizing the importance of meditation in this mix. The Song of Life seeks to help you heal, to show you your place in the universe, and to create a better universe for all.
In Lovers Should Never Quarrel, his seventh collection of poetry, author George E. Samuels shares his heart and seeks to help others share theirs. His poetry of love expresses those thoughts we want to communicate to our mates and family. He explains that the universe is full of love and that it is a waste of time for everyone to quarrel when what they really want to do is love each other. Love is a pure emotion that exists like a single thread among all of us and beyond that knows no bounds; we must simply embrace love and nurture it. Tell your loved ones that you love them, and try to never quarrel. This poetry collection offers a path directly to the heart. The Loving Song Being of one is the being of another Leaving one Only to be with another Only smiles and laughter make you feel You have what you have been after. A very special Love A touch of your lips warm waves, vibrations of breath Kisses when you came Kisses when you left playing that Song forming a place of Love A place of care, Loving can't be wrong For loving is a Song. ...
In Calm is the Water, we endeavor to still the outside noises so we can listen to the sound of our own heart sound, our own being, and the heart sound of the Universe. Calm is the Water beckons us to let go of the stress and tension of life and take hold of the calm and tranquility that is waiting for us to experience and nurture. We all enjoy the high waves at the seashore but not so much when we feel like we are one in the proverbial waves, beating on the shore or on our very being. Therefore, we must practice the way of inner peace to begin to enjoy the calm and peace we know is there for us, if we seek it. Like happiness, we can create inner peace and know it will calm the waves in our hearts and minds to a point of centering us and, at the same time, helping us to be as calm as the peaceful sea. Calm is the Water provides tips and insights to assist you in gaining understanding, techniques, and assistance. It will spur you to a greater understanding of how we can travel from shore to shore, relaxed, calm, and at peace, no matter what is transpiring around us, helping us to stay centered, relaxed, and to enjoy the quiet, even as we enjoy the music and sometimes the noise. Calm is the Water will help us to obtain that quest of longevity as we calm the seas and avoid burning the bridges at the same time. Be at peace, OM TAT SAT!
Anti-Portraits: Poetics of the Face in Modern English, Polish and Russian Literature (1835-1965) is a study of a-physiognomic descriptions of the face. It demonstrates that writers such as George Eliot, Leo Tolstoy, Edgar Allan Poe, Nicolay Gogol, Virginia Woolf and Witold Gombrowicz vigorously resisted the belief that facial features reflect character. While other studies tend to focus on descriptions which affirm physiognomy, this book examines portraits which question popular face-reading systems and contravene their common premise – the surface-depth principle. Such portraits reveal that physiognomic formula is a cultural construct, invented to abridge, organise and regulate legibility of the human face. Most importantly, strange and ‘unreadable’ fictional faces frequently expose the connection between physiognomic judgement and stereotyping, prejudice and racism.
Bringing to bear his expertise in the early modern emblem tradition, William E. Engel traces a series of self-reflective organizational schemes associated with baroque artifice in the work of Herman Melville and Edgar Allan Poe. While other scholars have remarked on the influence of seventeenth-century literature on Melville and Poe, this is the first book to explore how their close readings of early modern texts influenced their decisions about compositional practice, especially as it relates to public performance and the exigencies of publication. Engel's discussion of the narrative structure and emblematic aspects of Melville's Piazza Tales and Poe's "The Raven" serve as case studies that demonstrate the authors' debt to the past. Focusing principally on the overlapping rhetorical and iconic assumptions of the Art of Memory and its relation to chiasmus, Engel avoids engaging in a simple account of what these authors read and incorporated into their own writings. Instead, through an examination of their predisposition toward an earlier model of pattern recognition, he offers fresh insight into the writers' understandings of mourning and loss, their use of allegory, and what they gained from their use of pseudonyms.
Emperor Taizong (r. 626-49) of the Tang is remembered as an exemplary ruler. This study addresses that aura of virtuous sovereignty and Taizong's construction of a reputation for moral rulership through his own literary writings--with particular attention to his poetry. The author highlights the relationship between historiography and the literary and rhetorical strategies of sovereignty, contending that, for Taizong, and for the concept of sovereignty in general, politics is inextricable from cultural production. The work focuses on Taizong's literary writings that speak directly to the relationship between cultural form and sovereign power, as well as on the question of how the Tang negotiated dynastic identity through literary stylistics. The author maintains that Taizong's writings may have been self-serving at times, representing strategic attempts to control his self-image in the eyes of his court and empire, but that they also become the ideal image to which his self was normatively bound. This is the paradox at the heart of imperial authorship: Taizong was simultaneously the author of his representation and was authored by his representation; he was both subject and object of his writings.