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"Trudeau's creation has evolved into a sprawling masterwork." -- The New York Times The ultimate Doonesbury package celebrating a half-century of G.B. Trudeau's celebrated comic strip. This limited-edition deluxe set includes: A USB flash drive with all 50 years of Doonesbury comics, including 26 years of Sunday comics available for the first time in digital format. Includes a searchable calendar archive, character biographies, and a week-by-week description of the strip's contents. The Dbury@50 User's Guide, a 224-page wire-bound book taking readers through each year of the strip's storied history, with historical trivia, milestone strips, featured storylines and characters, and much more. A commemorative 16" x 20" poster featuring a grid with new sketches of all the strip's characters.
The sadly needed sequel to YUGE!—from the cartoonist who’s “practically the court artist of Castle Trump, and no one can beat him” (Boing Boing). From the Pulitzer Prize–winning cartoonist whose acclaimed YUGE!: 30 Years of Doonesbury on Trump blew up the bestseller list, comes the sequel millions prayed would be unnecessary. #SAD!: Doonesbury in the Time of Trump tracks the shocking victory, the inept transition, and the tumultuous eternity of POTUS’s First 500 Days. Citizens who rise every morning in dread, braced for disruptive, Randomly Capitalized, atrociously grammarized, horrably speld, toxic tweeting from the Oval Office, can curl up at night with this clarifying collection of hot takes on the First Sociopath, his enablers, and their appalling legacy. Whether resisting or just persisting, readers will find G. B. Trudeau’s cartoons are just the thing to ease the pain of remorse (“Could I have done more to prevent this?”) and give them a shot at a few hours of unfitful sleep. There are worse things to spend your tax cut on. “#SAD! offers a biting take on turbulent times. Highly recommended!” —Publishers Weekly
"Hilarious!" -- Jake Tapper, ABC News "Hilarious!" -- Karen Tumulty, TIME "Hilarious!" -- Erin Moriarity, CBS News In March of 2009, Doonesbury's intrepid journalist Roland Burton Hedley, III, opened a Twitter account and began to tweet. A lot. Four weeks later, a sampling of his 140-character missives was published in The New Yorker to great acclaim, and his posts were featured in a one-on-one "tweet-off" in the Columbia Journalism Review. Rushed into print, this groundbreaking volume is the first book-length Twitter collection by a single author. With dozens of Doonesbury strips and over 500 tweets, it presents the best of Hedley's work -- frontline micro-blogging from the self-anointed dean of Washington journotwits. Eight months into this project, author G.B. Trudeau can confirm that Twitter is a colossal sinkhole of time, but is gratified that he has found a way to monetize Roland's inane postings. (Follow Roland_Hedley.) When not writing comedy haiku on Twitter, Trudeau writes and draws the Pulitzer-prize-winning comic strip Doonesbury for 1100 newspapers worldwide, and lovingly curates his web presence at Doonesbury.com. He also hosts a milblog called The Sandbox. From the book: "Just spotted colleague Terry Moran in hall. Could wave, but easier to tweet. Hey, dude." 10:49 AM Mar 18th from Tweetdeck "Bumped into an old stalker of mine at Borders. She'd lost some weight and looked terrific, but I tweeted 911 anyway. Cops arrived from 3 states." 1:43 PM Mar7th from Blackberry "I refuse to apologize for making time for my kid's ball games, so I usually end up not going." 9:13 AM May 4th from web "Had close call watching MJ memorial service. They ended 'We are the World' before I could jimmy open my gun closet and blow my brains out." 12:33 PM Jul 7th from web "While speaking last night, someone threw panties on stage. Or boxers. Whatever. Times like that, always ask myself: What would The Boss do?" 5:13 PM Mar 12th from web "Kabul. Awakened by huge blast in hotel lobby. Suicide bomber blew up complimentary breakfast buffet. Off to find bagel." 3:14 PM Apr 8th from Tweetdeck "Accompanying HMMV patrol, used on-board computer to order Ab Rocket. And because I acted when I did, receiving second one absolutely free." 8:01 PM Apr 13th from Blackberry
"What corporations fear most are consumers who ask questions. Naomi Klein offers us the arguments with which to take on the superbrands." Billy Bragg from the bookjacket.
Walker accesses the art of Trudeau's comic strip, Doonesbury, and examines the ways that his iconic style has evolved over the past four decades.
The second volume of this retrospective anthology covers the Pulitzer prize-winning cartoon strip from 1980 to 1989. On October 26, 1970, G.B. Trudeau introduced the world to a college jock named B.D. and his inept and geeky roommate, Mike Doonesbury. Fourteen thousand strips later, Doonesbury has become one of the most beloved and acclaimed comic strips in history. Over the years, the world of Doonesbury grew uniquely vast, sustained by an intricately woven web of relationships—over forty major characters spanning three generations. The complete 40: A Doonesbury Anthology presents more than 1,800 comic strips that chart key adventures and cast connections over the last four decades. Dropped in throughout this rolling narrative are twenty detailed essays in which Trudeau contemplates his characters, including portraits of core characters such as Duke and Honey, Zonker, Joanie, and Rev. Sloan, as well as more recent additions, such as Zipper, Alex, and Toggle. Trudeau also includes an annotated diagram that maps the mind-boggling matrix of character relationships. This second volume of the four-volume e-book edition of 40 covers the years 1980 to 1989 for the celebrated cartoon strip.
Despite--or because of--its huge popular culture status, Peanuts enabled cartoonist Charles Schulz to offer political commentary on the most controversial topics of postwar American culture through the voices of Charlie Brown, Snoopy, and the Peanuts gang. In postwar America, there was no newspaper comic strip more recognizable than Charles Schulz's Peanuts. It was everywhere, not just in thousands of daily newspapers. For nearly fifty years, Peanuts was a mainstay of American popular culture in television, movies, and merchandising, from the Macy's Thanksgiving Day Parade to the White House to the breakfast table. Most people have come to associate Peanuts with the innocence of childhood, not the social and political turmoil of the 1960s and 1970s. Some have even argued that Peanuts was so beloved because it was apolitical. The truth, as Blake Scott Ball shows, is that Peanuts was very political. Whether it was the battles over the Vietnam War, racial integration, feminism, or the future of a nuclear world, Peanuts was a daily conversation about very real hopes and fears and the political realities of the Cold War world. As thousands of fan letters, interviews, and behind-the-scenes documents reveal, Charles Schulz used his comic strip to project his ideas to a mass audience and comment on the rapidly changing politics of America. Charlie Brown's America covers all of these debates and much more in a historical journey through the tumultuous decades of the Cold War as seen through the eyes of Charlie Brown, Lucy, Linus, Peppermint Patty, Snoopy and the rest of the Peanuts gang.
The Pulitzer Prize-winning cartoonist takes on politics, war, pop culture—and the absurd ways they intermingle—in this comic strip anthology. While some in the Doonesbury universe seek office, others serve. Alex and her Seattle co-hordes devote their young, restless, and body-pierced energy to hooking up “flash art” with politics. Half a world away in Iraq, a major bad boy from stateside devotes himself to liberating the city of Al Amok, ruling with a steady hand, a full glass, and an economy based on looting. As fate would have it, B.D. finds himself heading upriver on an apocalyptic mission to terminate Al Duke with extreme prejudice, a storyline so made-for-TV that B.D. feels compelled to bang out the screenplay on his laptop in real time. In the homeland, Mark and Zonk join the war against trash politics, but their efforts, alas, come to naught. Walden College's acting coach, Boopstein, lets accusations of way-personal fouls force her football team off the field. Sex parties for recruits? “Who knew we were that competitive?” marvels President King, ending Boopsie's gridiron apprenticeship with two little words: “You're fired.”
Presents almost one hundred selections from the blog The Sandbox, posted by American soldiers stationed in Iraq and Afghanistan, in which they comment on their daily lives and their missions.
Evans's gritty, hard-hitting debut combines war poems, elegies, and high Southern lyrics to create a new understanding of American identity.