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A school janitor teaches children to sing and have confidence in themselves.
With abundant background and enticing images, this work covers more than just the gorgeous harmonies of the unforgettable doo wop groups. The landmark volume traces the development of the music, politics, art, architecture, and popular culture of the 1950s.
A must for all lovers of vocal group harmony and foo-wop music. Contains a collector's checklist of the Top 1000 foo-wop songs of all time. Other lists include the best leads, the best basses, the best of the female groups, white groups, schoolboy sound, gang sound, pop sound, etc.
Fun, colorful survey of Doo Wop architectural style unique to resorts in The Wildwoods, New Jersey.
The Chicago Tribune's Bill Dahl praised Robert Pruter's Doowop for "vividly describ ing] an enchanting time on the local music scene, when a handful of teenagers could taste rock 'n' roll stardom with harmonies they cooked up on a street corner." Pruter foraged sources from fanzines to the Chicago Defender and conducted extensive interviews in cooking up Doowop, which chronicles the careers of such legendary 1950s groups as the Flamingos, the Moonglows, the Spaniels, and the El Dorados, along with virtually every other Chicago doowop group that contributed to that era.
Provides an extensive history of doo-wop from 1950 through the early 1970s and gives definitions and illustrations of the music that falls between rhythm and blues and rock 'n' roll. It also features 150 photos, 64 sheet-music covers and prices for 1000 top doo-wop records.
Prologue -- La Veinte: a Santa Monica barrio -- Rubén Ladrón de Guevara Sr., 1914-2006 -- 1742 22nd Street, Barrio La Veinte, Santa Monica -- Palm Springs / Cathedral City / Las Vegas -- Binnie -- La Gatita -- Las Vegas : breakup of the family -- Sue Dean -- Beverly -- Shindig! with Tina Turner and Bo Diddley, 1965 -- The Sunset Strip riots -- The southern belle -- LACC / The New Revelations Gospel Choir -- Miss Santa Barbara -- Frank Zappa / Ruben And The Jets / Rock 'n' Roll Angels / 1972-1974 -- Miss Pamela & the G.T.O.'s (Girls Together Outrageously) -- Miss Claremont -- Miss Chino -- The mutiny -- The movie star and Miss Blue Eyes -- We open for Zappa at Winterland, San Francisco, April, 1973 -- Con Safos the album -- Mexico / Hollywood / The Whisky / Eastside Revue / Zyanya Records -- La gypsy -- The Star Spangled Banner / America the Beautiful -- The Whisky / Con Safos the band, 1980 -- Miss Aztlán -- Gotcha -- Zyanya Records -- Cristina / Día de Los Muertos / Chicano Heaven -- Born in East L.A.--the movie -- HBO/Cinemax special -- Performance art : Mexico and France -- La quemada -- La rebel -- Jammin' with Johnny -- Arts 4 City Youth -- UCLA -- Journey to New Aztlán -- Miss San Francisco : the enchantress -- Miss Mongolia -- Metropolitan State Hospital -- Trinity Elementary School -- Teaching at UCLA -- Miss Tokyo -- Mexamérica the CD -- The Eastside Revue : a musical homage to Boyle Heights, 1922-2002 -- Boyle Heights, LA Times -- Collaborations with Josh Kun -- The Iraq war -- Collaborations with Nobuko Miyamoto / Great Leap / NCRR / MPAC -- Manzanar pilgrimage -- Yellow Pearl remix -- Minutemen protest in Baldwin Park -- Rock 'n' rights : rockin' for the mentally disabled -- Resistance & respect : Los Angeles muralism & graff art -- Miss Bogotá -- Word up! a performance and theater summit at the Ford, 2006 -- Meeting my Okanagan brothers from Westbank First Nation, B.C. Canada -- Epiphany at Joshua Tree -- Miss Altar in the sky -- Rubén Guevara & the Eastside Luvers -- The Tao of Funkahuatl -- The Tao of Funkahuatl the CD -- Mex/LA -- Opening for Los Lobos at the House of Dues -- Fifty years in show biz / The Madeleine Brand Show, NPR, 2011 -- Miss Beijing -- Miss Monterey Park -- End of ten year sex drought -- My 70th birthday party -- Platonic homegirls -- Joseph Trotter -- A Boyle Heights cultural treasure -- The new face of Boyle Heights -- ¡Angelin@s presente! -- Sara Guevara -- Confessions of a radical Chicano Doo Wop singer : the solo, multi-media theater piece -- The fall -- Reflections on L.A
After Hollywood and Tin Pan Alley’s iron grip on the movie musical began to slip in the face of pop’s cultural dominance, many believed that the musical genre entered a terminal decline and finally wore itself out by the 1980s. Though the industrial model of the musical was disrupted by the emergence of pop, the Hollywood musical has not gone extinct. Many Hollywood productions from the 1960s to the present have revisited the forms and conventions of the classic musical—except instead of drawing from showtunes and jazz standards, they employ the styles and iconography of pop. Alberto Mira offers a new account of how pop music revolutionized the Hollywood musical. He shows that while the Hollywood system ceased producing large-scale traditional musicals, different pop strains—disco, rock ’n’ roll, doo-wop, glam, and hip-hop—renewed the genre, giving it a new life. While the classical musical presented a world light on conflict, defined by theatricality and where effortless talent can shine through, the introduction of pop spurred musicals to address contemporary social and political conditions. Mira traces the emergence of a new set of themes—such as the painful hard work depicted in Dirty Dancing (1987); the double-edged fandom of Velvet Goldmine (1998); and the racial politics of Dreamgirls (2006)—to explore why the Hollywood musical has found renewed relevance.
'Stanley is both a fine writer and an impassioned celebrant of pop in all its mongrel, misfit glory.' STUART MACONIE, THE TIMES There have been many books on pop music but none have attempted to chart its entire story, from the dawn of the charts in the fifties to pop's digital switchover in the year 2000, from Billy Fury and Roxy Music to TLC and Britney via Led Zeppelin and Donna Summer. Audacious and addictive, Yeah Yeah Yeah is a landmark work that will remind you while you fell in love with it in the first place.