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Rapunzella is a genre-bending novel that weaves together a young girl's ordinary life and a wildly dangerous fairytale universe, celebrating Black hair and the power of coming into your identity. "Recasting classic fairy tales in the context of Blackness, the marvelous novel Rapunzella, Or, Don't Touch My Hair celebrates Black women's solidarity and the magic that's innate in Black girls. . . . A love letter to Black women." Foreword, STARRED REVIEW Zella is imprisoned in an enchanted forest made of her own Afro, and the might of the evil King Charming seems unstoppable. But is it? Can she use her power to change the future? You're fifteen. You spend your time at school and at Val's hair salon with Baker, Val's son, who has eyes that are like falling off a cliff into space. The salon is a space of safety, but also of possibility and dreams. When you dream, you visit an enchanted forest full of friends and wonder. You dream of witches and magic, of hair so rich and alive that it grow upwards and outwards into a wild landscape, becomes trees and leaves, and houses birds and butterflies and all the secret creatures that belong in such a forest. But when you wake, your memories vanish, and you are just you, trying to navigate relationships and learning who you will grow up to be. Is there a future where your dreams are more than just dreams? Ella McLeod's debut merges poetry and prose in a stunningly lyrical, heart-piercingly honest exploration of a teenager coming into her power as a young woman.
A NEW YORK TIMES BEST SELLER • “A must-read...Phoebe Robinson discusses race and feminism in such a funny, real, and specific way, it penetrates your brain and stays with you.”—Ilana Glazer, co-creator and co-star of Broad City A hilarious and timely essay collection about race, gender, and pop culture from comedy superstar and 2 Dope Queens podcaster Phoebe Robinson Being a black woman in America means contending with old prejudices and fresh absurdities every day. Comedian Phoebe Robinson has experienced her fair share over the years: she's been unceremoniously relegated to the role of “the black friend,” as if she is somehow the authority on all things racial; she's been questioned about her love of U2 and Billy Joel (“isn’t that...white people music?”); she's been called “uppity” for having an opinion in the workplace; she's been followed around stores by security guards; and yes, people do ask her whether they can touch her hair all. the. time. Now, she's ready to take these topics to the page—and she’s going to make you laugh as she’s doing it. Using her trademark wit alongside pop-culture references galore, Robinson explores everything from why Lisa Bonet is “Queen. Bae. Jesus,” to breaking down the terrible nature of casting calls, to giving her less-than-traditional advice to the future female president, and demanding that the NFL clean up its act, all told in the same conversational voice that launched her podcast, 2 Dope Queens, to the top spot on iTunes. As personal as it is political, You Can't Touch My Hair examines our cultural climate and skewers our biases with humor and heart, announcing Robinson as a writer on the rise. One of Glamour's “Top 10 Books of 2016”
Olivia is a young girl from a working-class family background; she comes from a small countryside village, nestled away along with other villages, in the Hope Valley area of Derbyshire, in England. The story follows the events through her life over two decades. Beginning in 1967 as she is brought by an ambulance to a hospital, in Manchester, England, when she is losing an aborted baby, and she endures an inhumane and horrific experience at the hands of a sadistic doctor. Olivia's life then begins to moves forward when she joins a happy 'Hippy-Movement' crowd, before entering into a controversial marriage to a man many years her senior. Then a short time later she experiences with her husband, a very traumatic car accident, where at the hospital the attending doctor's prognosis, predicting that her life will soon be coming to an end!! But her body, soul, and willpower insist on fighting for her survival. A few years later she enters into a second doomed marriage. And in the following years that pass, Olivia's life seems to turn into a big 'ROLLER-COASTER-RIDE!' Now always filled with sex, drugs and rock & roll, as she clings to this wild, and crazy, hedonistic-lifestyle for her own emotional security. Until many years later, when taking an overall, view and stock of her life, which now seems to becoming so totally, out of her control, she finally decides that it's time for her to jump off, all of these fast-fun-filled-rides, which are taking her to nowhere. So after much soul-searching about what she does now really want in her life, she decides that it is time for a reconciliation with her second husband Alex. They decide to go to start a fresh new life, when they go to live together in North America, leaving all of her past behind her in England. So now finally at last Olivia, begins to enjoy the much-needed love of her husband and family, which deep down she had been craving for most of her life. Suddenly from somewhere one night out of the blue in the year of 1987, a deep, dark, hidden force in her life returns, turning twenty-long-lost-hidden-years, into a "FULL-CIRCLE!" Motivating her now to visit the world-down-under in Australia, forcing her to now confront and deal, with her dark, secret, hidden past, which tragically ends, with sad, dramatic consequences! "WHO IS OLIVIA?" The writer has portrayed in this woman's fiction novel a person that is as far removed from anything in Hollywood as possible! She's just an ordinary girl, who could be living next door to you, or anyone-else in the North of England. The life of Olivia has been portrayed and written in colourful, vivid, imaginary, and detailed true to life form so that the readers can visualise Olivia, as a real true to life person, that they could possibly identify with in part. While at times understanding and feeling that some of the things that happened in her life, could also have possibly happened in their own. But no matter what trauma, hardship, heartache or crisis arrives in Olivia's life, she not only challenges it, grows from it and flourishes, she is also very determined to survive it all, whatever life throws her way. And the readers will soon realize, that no matter how tough Olivia's going gets, she will never give up, even when she feels that her world is crashing as it begins to crumble down all around her, she will keep on striving until she perseveres. Yes Olivia is a true survivor and will always manage to keep on swimming, until she reaches and gets herself across to the other side of the shore! So come on you ladies--- And make yourselves very comfortable for this controversially, absorbing story, about the reality of a woman who could be you, or one of your friends!!!! As Olivia dares u-all to take this positively exciting and emotionally charged 'ROLLER-COASTER-RIDE' with her, hoping you can hang on until the end, as you deal with what her life has in store as it turns into a 'FULL-CIRCLE!'
Frank Brandt is the descendant and only heir of a whole lineage. Arrogant, stubborn, ruthless, and cocky as hell, yet so handsome, charming and smart-mouthed at the same time. He is a feared and powerful man. He runs the whole city without even trying. He does it like no other... A man like him doesn't need just any girl, he needs a queen, a fire so hot that can keep up with his own. Someone who can show him what he's been missing for so long. He never thought an auction would change his life. Little did he know his world would give a complete turn when he meets… Grace. "Hearing his voice leaves me frozen, it is deep and hoarse. Everyone laughs at his comment which makes me look at him angrily. He puts one hand in his pants pocket while he covers his lips with the other. I am sure he is laughing at me. If he thinks I'm going to shut my mouth, he is incredibly wrong - Are you deaf too? - I say with sarcasm. Everyone keeps silent and waits for the fool to speak. - …. Didn't you hear me? you belong to me. I don't think there's any other deaf person here other than you. - Yeah? What makes you think I'm your property? - Baby. You have been bought, how any clearer can I make it, in simple words, you are my gift... - And what? Do you think I'll take that as a reason? Let me tell you something. We are in the twenty-first century, you can't buy me, no matter what your half a neuron thinks. Everyone murmurs with indignation. The fool changes that smile into an angry and serious grimace, he hurries over to me. I close my eyes tightly to wait for the blow, but it never comes. I feel a hand on my waist and another on the back of my neck. I open my eyes quickly and before I can reason, those lips collide with mine. He moves them quickly over mine. I hit his chest hard to push him away, but he puts both hands on my waist and draws me closer to his body. He kisses me and at the same time looks at me with mockery. A spark of anger ignites in me and without hesitation I bite his lower lip, hard. He lets out a whimper of pain and walks away from me. His hand goes to his lip… he bleeds. He gently touches the injured part and grimaces in pain. He smiles at me even as the blood paints his lips. Everyone is stunned." This Standalone Dark Mafia Romance is guaranteed to leave your kindle steaming. All books from the series are connected with each other but can be read as Standalones
Life has never been easy for Holly; every day is a struggle to survive the hurt and pain she feels. Not only does she feel all alone, but, she's also dealing with a horrible secret about what happens to her almost daily behind closed doors. While Holly knows that she needs to tell someone, she can't bear the thought of not being believed. Her whole life, people have called her a liar, a troublemaker, and a bad influence, and in more ways than one, she has lived up to those labels. Determined to hide her secret, Holly goes to school each day angry and confused. She takes her anger and frustrations out on others, especially those who she feels have more than her. She becomes a bully, determined to hide her vulnerabilities by being a self-proclaimed mean girl. Matt Shulman is the new kid from LA and to Holly; he seems to have it all. However, contrary to what Holly believes, Matt does not have a perfect life. Confused and plagued with thoughts of wanting to rid themselves of their pain, Matt and Holly are drawn into events that end in unspeakable tragedy and heartache for both teens and their families.
A short, holiday-themed play takes place entirely in a church basement shortly before Christmas; a lonely, intense time of the year for some. During a meeting of a special support group for people with pop music related ailments, three regulars welcome a new member, a Jew with a secret penchant for Christmas songs. Together they share and try to manage their rock related "issues." "Marc Spitz is one of my favorite playwrights; I have been to at least half of his dozen plays, and I have never been disappointed. He knows how to shake people up; make them laugh, gasp and gag. Expect bad taste, bad language, snappy dialogue, theatrical surprises and maybe something that really grosses you out." -Tom Murrin, Paper Magazine
Now available in paperback, "Tom Perrotta meets Curtis Sittenfeld in this razor-sharp debut by Alison Espach, who weaves a wry, devastatingly perceptive coming-of-age tale set in Connecticut's affluent suburbs" (Marie Claire). In her ruefully funny and wickedly perceptive debut novel, Alison Espach deftly dissects matters of the heart and captures the lives of children and adults as they come to terms with life, death, and love. At the center of this affluent suburban universe is Emily Vidal, a smart and snarky teenager, who gets involved in a suspect relationship with one of the adults after witnessing a suicide in her neighborhood. Among the cast of unforgettable characters is Emily's father, whose fiftieth birthday party has the adults descending upon the Vidal's patio; her mother, who has orchestrated the elaborate party even though she and her husband are getting a divorce; and an assortment of eccentric neighbors, high school teachers, and teenagers who teem with anxiety and sexuality and an unbridled desire to be noticed, and ultimately loved. An irresistible chronicle of a modern young woman's struggle to grow up, The Adults lays bare--in perfect pitch--a world where an adult and a child can so dangerously be mistaken for the same exact thing.
It's Cougar's birthday. He's having a party. And the gift he'd kill for is youth… In a strange room in East London the party preparations are under way. Everything has been planned to the last detail. Surely nothing can go wrong? After all, there's the specially made birthday cake, the specially written cards, the specially chosen guest of honour… and a very, very sharp knife. Philip Ridley's edgy and provocative drama caused a sensation when it premiered at Hampstead Theatre in 1992, winning the Evening Standard Award for Most Promising Newcomer to the Stage and the Meyer Whitworth Prize. It is now regarded as a contemporary classic. 'A bit like a ride on a ghost train… you find yourself shuddering with shock and laughing uproariously… horror has rarely been so much fun' Daily Telegraph 'Scorchingly nasty… fingers an age and its icons with terrifying accuracy' Guardian
This volume contains Ridley's first three plays, which heralded the arrival of a unique and disturbing voice in the world of contemporary drama. They are seminal works in the development of the 'in yer face' theatre that emerged in Britain during the mid-1990s.The three plays here all manifest Ridley's vivid and visionary imagination and the dark beauty of his outlook. They resonate with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own. The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. The Fastest Clock in the Universe is a multi-award-winning play which caused a sensation when it premiered at Hampstead Theatre in 1992. An edgy and provocative drama, it is now regarded as a contemporary classic. Ghost from a Perfect Place is a scorchingly nasty blend of comedy, spectacle and terror where a monster from the past meets the monsters of the present. The volume contains the definitive version of the plays, plus an extended and updated introduction and three monologues (Bloodshot, Angry and Voosh), published here for the first time.
After the death of their father, two sisters struggle with various issues, including their family history, personal relationships, and an extreme eating disorder.