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'Great two-fisted writing from the far side of hell.' - John Birmingham, bestselling author of He Died with a Felafel in his Hand 'A unique look at a gritty game. Relentlessly funny and obsessively readable.' - Phillip Noyce, director of The Quiet American and Clear and Present Danger Paul Carter has been shot at, hijacked and held hostage. He's almost died of dysentery in Asia and toothache in Russia, watched a Texan lose his mind in the jungles of Asia, lost a lot of money backing a mouse against a scorpion in a fight to the death, and been served cocktails by an orang-utan on an ocean freighter. And that's just his day job. Taking postings in some of the world's wildest and most remote regions, not to mention some of the roughest oil rigs on the planet, Paul has worked, gotten into trouble and been given serious talkings to in locations as far-flung as the North Sea, Middle East, Borneo and Tunisia, as exotic as Sumatera, Vietnam and Thailand, and as flat out dangerous as Columbia, Nigeria and Russia, with some of the maddest, baddest and strangest people you could ever hope not to meet. Strap yourself in for an exhilarating, crazed, sometimes terrifying, usually bloody funny ride through one man's adventures in the oil trade. When not getting into trouble on the rigs Paul lives a quiet life in Sydney.
He's back on the rigs and back in trouble. Picking up right where he left off, Paul Carter pulls out more tall tales of a mad, bad and dangerous life in the international oil trade. Starting with action and mayhem galore This Is Not A Drillsets an unrelenting pace that just doesn't let up, as Paul almost drowns when the Russian rig he's working on begins to capsize; is reunited with his Dad - another adrenaline junkie; gets married; hangs out with his rig pig buddies in exotic locations; gets hammered on vodka in Sakhalin; and spends a couple of interesting weeks in Afghanistan with some mates who run an outfit that just happens to contract out mercenaries for hire . . . This is the next fast, furious and very funny book from Paul Carter, the author of the best selling Don't Tell Mum I Work on the Rigs, She Thinks I'm a Piano Player in a Whorehouse.
This book describes my life and experiences as a Fly In Fly Out (FIFO) worker in the oil and gas industry, from trainee to fifteen-year veteran. My career - so far - has included stints on four offshore facilities and one major onshore LNG (Liquefied Natural Gas) project. I currently work on the World's largest floating object which I helped build in South Korea over a three year period. These experiences have been unique in many ways, but are conveyed in a very human way; I was not interested in writing a technical book, a history of the industry, or an environmental tome of monumental importance. This is just a story of my life as a FIFO worker during one of the busiest and most interesting times in the industry, particularly Australia. For example, my current facility was the first floating LNG plant ever designed, and is a game changer for the industry, but the process is described in laymen's terms, easy to understand. We have also seen major upheaval caused by the Covid-19 pandemic; border restrictions, enforced separation and isolation, falls in oil prices and increased Unionism. In short, this is a description of a unique way of working and living. It involves a cast of hundreds of characters, places and events, most of them amusing, some of them sad or possibly even exciting, a lot of them are things that are small in their own way but have never been presented in a book, with the possible exception of "Don't Tell Mum I Work on the Rigs, She Thinks I'm a Piano Player in a Whorehouse ". It is what we do on a day-to-day basis when we are at work, and I believe that a large amount of "normal" people are very interested in this lifestyle, apart from the 150,000 plus FIFO workers based in Australia, Canada and elsewhere. It also openly and honestly describes my descent into depression, sometimes so bad I wanted to suicide. FIFO can be hard. FIFO is a different life altogether, it comes with its own issues and problems, from distances travelled, the method of getting there, fatigue, dangerous conditions, depression, anxiety, separation from family and The World, huge relationship hurdles, as well as the concept of being trapped by the lifestyle and the large salaries, the Golden Handcuffs as we call it. In fact, this book is a study of Australian working culture in many ways with all its blemishes. The lifestyle is not for everyone, especially offshore, and many people have crashed and burned in the time I have been in the job. We do a minimum of 12 hour days, 7 days a week, up to 28 days straight, sometimes longer when storms hit or choppers fail. At the same time a lot of us get paid well and we get decent breaks where we spend that money we earn. And we work with some of the best people on the planet, even if the Companies and their management structures leave a lot to be desired. I hope you enjoy it and find it interesting.
From the two defining personalities of post-cyberpunk SF, a brilliant collaboration to rival 1987's The Difference Engine by William Gibson and Bruce Sterling
'This isn't just a holiday diary. It's a huge great blockbusting book!' I'm Sadie and I'm nearly nine. Mum's a childminder, but she doesn't have to mind me. I can mind myself, easy-peasy! Lucky for Mum, because now she's got the flu, so I've got to mind her - and help with all the babies! A hilarious, entertaining and lively account, of one chaotic week in the life of a young girl whose mother is a childminder, with a special introduction by bestselling author Jacqueline Wilson.
The next eagerly awaited, high octane, seat-of-your-pants adventure from the author of the bestselling Don't Tell Mum I Work on the Rigs (she thinks I'm a piano player in a whorehouse) sees (the surely a bit bonkers) Paul Carter circumnavigating Australia on a bio-diesel motorcycle.
FROM THE PULITZER PRIZE-WINNING AND MAN BOOKER-SHORTLISTED AUTHOR 'Sparkles with brilliant observations on art and architecture, friendship and loss' Guardian 'Everybody should get to spend a month with Mr. Matar, looking at paintings' Zadie Smith, Wall Street Journal, Books of the Year _______________________________________________ Matar was nineteen years old when his father was kidnapped. In the year following he found himself turning to art, particularly the great paintings of the Sienese School. They became a refuge and a way to think about the world outside the urgencies of the present. A quarter of a century later, having found no trace of his father, Matar finally visits the birthplace of those paintings. A Month in Siena is the encounter between the writer and the city. It is an immersion in painting, a consideration of love, grief and a profoundly moving contemplation of the relationship between art and life. _______________________________________________ 'A dazzling exploration of art's impact on his life and writing, and a moving contemplation of grief' Financial Times 'I can think of no better expression of the humane than this economical, modest, yet altogether breathtaking book' New Statesman, Books of the Year 'Bewitching, intensely moving' The Economist, Books of the Year
Sibella Court describes New York as 'the most exciting, contained, energy-filled city in the world' - a city she spent ten years exploring while working as an interior stylist for the very best American magazines and brands.
Robert Walls had just turned 60. It was time to take stock of his life so far. A successful Australian Rules football playing and coaching career had transformed into an equally successful media career. But it was time for change. Following the sad passing of his first wife, Robert had met someone new. Her name was Julie and for his birthday she had bought him a boxer puppy named Gus. Sensing a need to shake life up a bit, Robert and Julie decided they would leave Australia behind and fulfil a dream of spending a year living in southern France in Saint-Rémy-de-Provence. And they would be taking Gus with them. Gus & Wallsy's French Revelation is the story of that French experience, and it's all told from Gus' point of view. It's a unique and highly entertaining account of a beautiful adventure had by a man, woman and their dog.
Correspondence between Joy Hester and Sunday Reed. Love's intention and the reverse of love's inention slowly mark my life...and on the banks of these dark rivers we become - become what we are to each other and become what we are to ourselves. Sunday Reed I am so conscious of my own limitations that I'm afraid I'll never do the things I dream of - but always I think of you and wonder what you'd think...And how you have always given me so much pleasure because you bothered to follow what my silly dreams were... Joy Hester Joy Hester was the only woman member of Angry penguins, Melbourne's radical art coterie of the war years, and the wife of Albert Tucker. Sunday Reed was her closest friend, a wealthy, charismatic patron of the arts. Their correspondence follows the ebb and flow of their creativity, struggles with illness and poverty, losses and gains in love, and their heated intellectual and artistic debates. Friends and loved ones cross the pages of their letters, among them, Albert Tucker, Max Harris, Sidney Nolan, Barrett Reid, John Percival and the Boyds. Dear Sun is both the intimate portrait of a friendship between two extraordinary women and a fascinating insight into a remarkable period in Australian art. 'A rare and compelling record of a passionate friendship...' The Sunday Age 'More than anything, Joy and Sunday talk of love...Another kind of love sustains this book: the intense commitment to a project, the complex attachment to a subject, of a biographer.' The Age