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Gallows humor is a survival skill for Dilbert and his coworkers in the series that makes “the dronelike world of Kafka seem congenial” (The New York Times). Why is Dilbert such a phenomenon? People see their own dreary, monotonous lives brought to comedic life in the ubiquitous strip. In the twenty-third collection of Scott Adams’ tremendously popular series, Don’t Stand Where the Comet Is Assumed to Strike Oil, suppressed and repressed workers everywhere can follow the latest developments in the so-called careers of Dilbert, power-hungry Dogbert, Catbert, Ratbert, the pointy-haired boss, and other supporting—but don’t you dare call them supportive—characters. Each “funny because it’s true” scenario bears an uncanny, hysterical, and sometimes uncomfortable similarity to cubicle-filled corporate America. “Once every decade, America is gifted with an angst-ridden anti-hero, a Nietzschean nebbish, an us-against-the-universe everyperson around whom our insecurities collect like iron shavings to a magnet. Charlie Chaplin. Dagwood Bumstead. Charlie Brown. Cathy. Now, Dilbert.” —The Miami Herald
Dilbert and the gang are back for this 26th collection, another take-off of office life that will appeal to cubicle dwellers across the globe.
The relationship between faith and reason is multifaceted. Faith transcends reason in that it is more than reason alone can contain or fully guarantee, yet it is neither unreasonable nor something to which reason is irrelevant—and reason says some pretty fine things about it! This volume updates nine previously published articles on faith and reason by a Christian philosopher who has been studying these matters for two decades, alongside one new essay and a philosophical dialogue. These articles explain and integrate key ideas on faith and reason, including Alvin Plantinga’s account of how Christian belief can be knowledge even without evidence; defenses of faith from Augustine and William James; accounts of empirical evidence for faith from different world religions; the distinction between faith and sight in the New Testament; the structure of the evidence for the authority of the Bible; the idea that faith transcends reason because some articles of faith are beyond human comprehension, even if we have evidence that they are true; and the nature of faith as a total commitment beyond what the evidence alone can guarantee.
A collection of Dilbert comics featuring white collar workers and clueless management.
Tegneserie. Presents comic strips featuring the characters of Dilbert, Dogbert, and their friends and co-workers, as they try to survive the day-to-day operations of a large corporation
Jargon-spewing corporate zombies. The sociopath who checks voice mail on his speaker phone. The fascist information systems guy. The sadistic human resources director. The technophobic vice president. The power-mad executive assistant. The pursed-lip sycophant. The big stubborn dumb guy. They're Dilbert's coworkers, and chances are they're yours, too. If you know them, work with them, or dialogue with them about leveraging synergies to maximize shareholder value, then you'll recognize this comic strip as a day at the office, only funnier.
Celebrating "Dilbert's" 20th anniversary this year, Adams presents his latestcollection of the touchstone of office humor.
A collection that riffs on the fodder of everyday office life and technology and features the irrepressible clueless Boss, insane co-workers, and the acerbic Dogbert.
A collection that riffs on the fodder of everyday office life and features the irrepressible clueless Boss, the acerbic Dogbert, and the evil Human Resources director, Catbert.
In his twenty-ninth book, Dilbert and his coworkers prove that PowerPoint presentations are at best perfunctory, CEO's are clueless, and the Office Nemesis will ever be a force to be reckoned with