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Down below the flowers, deep in the dirt where few people look, something unusual is about to happen. Will the ants believe what they can see and touch, or will they believe what the queen tells them to believe?
It can be surprising which objects float and which don't. An apple floats, but a ball of aluminum foil does not. If that same ball of foil is shaped into a boat, it floats! Why? And how is it possible that a huge ship made of steel can float? Answering these questions about density and flotation is David A. Adler's clear, concise text, paired with Anna Raff's delightful illustrations. Activities that demonstrate the properties of flotation are included.
Olivofonics (Oh-Lee-Vo-Fawn-Ecks) Small Business Management & Philosophy for Beginners. Small business management is nothing more than philosophies. It covers business ethics, business reality, marketing philosophies, logic, and much more. As individuals, the only thing that we own is our beliefs. If you believe something to be true, you consider it to be your knowledge. If, however, you don't believe something to be true, you have very little knowledge of it. So knowledge is power, but only if you believe it to be true. If one side of the coin says, "Man has no guarantees in life," then it's safe to assume that the opposite side of the coin guarantees man one thing, "No individual can live forever." Yet, people flip the coin every day. Even though I cannot offer you any guarantees, we already have our guarantee. Let me say that if you believe the philosophies in this book, then my philosophies will become your knowledge. If, however, you don't believe the philosophies in this book, you'll have very little knowledge of small business management. Regards, Frank.
Explains how to choose equipment, teaches the basic strokes and maneuvers, and discusses the ins and outs of whitewater kayaking and slalom racing.
Author bio: Francis A Olivo is an auxiliary member of the APPA, American Philosophical Practitioners Association. Book Description: Olivononics (Oh-Lee-Vo-Non-Eks) Two is a short but effective way to get into a philosopher’s way of thinking. I’ve been a philosopher for years and I’m here to tell you it makes a difference in my life. In How to Think Like a Philosopher, I’m going to look at the questions that philosophy tries to examine. In doing so I hope to help people who are thinking about taking philosophy in college get a better idea of what philosophical or critical thinking is. By the same token, it is my hope that if you a person who is unsure of what they want or how to get it, Olivononics Two: How to Think Like a Philosopher will help. Philosophy is like a breath of fresh air that blows away the haze that sometimes blurs our vision. Studying philosophy opens a new door and new possibilities for people to examine. After all, it’s been said, “Success is getting what you want, but happiness is wanting what you get.”
Chosen by Randall Mann as a winner of the Jake Adam York Prize, Brian Tierney’s Rise and Float depicts the journey of a poet working—remarkably, miraculously—to make our most profound, private wounds visible on the page. With the “corpse of Frost” under his heel, Tierney reckons with a life that resists poetic rendition. The transgenerational impact of mental illness, a struggle with disordered eating, a father’s death from cancer, the loss of loved ones to addiction and suicide—all of these compound to “month after / month” and “dream / after dream” of struck-through lines. Still, Tierney commands poetry’s cathartic potential through searing images: wallpaper peeling like “wrist skin when a grater slips,” a “laugh as good as a scream,” pears as hard as a tumor. These poems commune with their ghosts not to overcome, but to release. The course of Rise and Float is not straightforward. Where one poem gently confesses to “trying, these days, to believe again / in people,” another concedes that “defeat / sometimes is defeat / without purpose.” Look: the chair is just a chair.” But therein lies the beauty of this collection: in the proximity (and occasional overlap) of these voices, we see something alluringly, openly human. Between a boy “torn open” by dogs and a suicide, “two beautiful teenagers are kissing.” Between screams, something intimate—hope, however difficult it may be.
Just the mention of St. Andrews stirs excitement in the heart of every golfer. But to young Angus MacKay, living in the Swilken Bank Hotel, overlooking the eighteenth hole of St. Andrews Old Course was not particularly awe inducing. But it was, an adventure. Dont Call Me Angus is a mixture of fiction and memoir that recounts the story of a Scottish family during the 1960s and 1970s. In this pleasant and amusing collection of tales, author Gus Mackenzie writes of the emotions and moderate dramas generated by years of telling and retelling family tales. With beautifully descriptive narratives tinged with an ever-present humorous wink and a nod, the adventures begin with the MacKay family; Angus, the youngest son, his brother, sister, parents, and assorted relatives who live in and manage the Swilken Bank Hotel. Despite encounters with Bing Crosby, Sean Connery, Tony Jacklin, and Christopher Lee, Anguss real adventures stemmed from the fire in room 9 and eventful trips to his grandmothers house in Kirkcaldy. Layered with light hearted insight, Angus delves into the posh and unique life of the family Mackay as they live in the shadow of the iconic St. Andrews.