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Winfred Rembert grew up in the 1950s in rural Georgia as the child of sharecroppers whose lives were little better than slavery. As a young man, he was nearly lynched, and served seven years in jail and on a chain gang. Yet he constantly found ways to create, to invent, to uplift. As a child, he made toys from pieces of junk at the town dump. In prison, he watched a leather worker and learned to carve and paint the leather himself. Now, in his own voice and through his powerful paintings, he shares with a new generation of young people his story and his passionate commitment to self-improvement. Reminiscent of the work of Jacob Lawrence and Horace Pippin, the paintings? rich, deep colors and poignant details powerfully narrate a story of personal courage and exceptional talent. At the same time, Rembert shows how the civil rights movement was not just a matter of famous speechs and marches, but was a product of the bonds of the black community and the unbreakable spirit of individuals
A catch phrase is a well-known, frequently-used phrase or saying that has `caught on' or become popular over along period of time. It is often witty or philosophical and this Dictionary gathers together over 7,000 such phrases.
This book—the culmination of forty years of friendship between J. Hillis Miller and Jacques Derrida, during which Miller also closely followed all Derrida’s writings and seminars—is “for Derrida” in two senses. It is “for him,” dedicated to his memory. The chapters also speak, in acts of reading, as advocates for Derrida’s work. They focus especially on Derrida’s late work, including passages from the last, as yet unpublished, seminars. The chapters are “partial to Derrida,” on his side, taking his part, gratefully submitting themselves to the demand made by Derrida’s writings to be read—slowly, carefully, faithfully, with close attention to semantic detail. The chapters do not progress forward to tell a sequential story. They are, rather, a series of perspectives on the heterogeneity of Derrida’s work, or forays into that heterogeneity. The chief goal has been, to borrow a phrase from Wallace Stevens, “plainly to propound” what Derrida says. The book aims, above all, to render Derrida’s writings justice. It should be remembered, however, that, according to Derrida himself, every rendering of justice is also a transformative interpretation. A book like this one is not a substitute for reading Derrida for oneself. It is to be hoped that it will encourage readers to do just that.
How can seemingly unrelated events that include the perils of one friendly couple’s unnerving issues, the conflicts of two very different boyfriends and a violent earthquake all resolve during one summer at Yellowstone National Park? Perhaps they can’t. But twenty-two year old Ellie Sue Clayton is confronted with all of these obstacles during the summer of 1959. Ellie has come to the park to work at Old Faithful Village as a waitress for the summer. She seeks courage and independence to begin a new life. But being in Yellowstone distracts her with exotic landscapes, wildlife, and people that seem to have their own purpose for her. A best friend sets her up with a bad date for questionable reasons. One boyfriend seems to feel he should control her social calendar. And her mother challenges the choice Ellie makes to remain in the West. Determined to find solutions and continue making her own choices, Ellie finds unexpected help from strangers seated at one of the tables she serves. Then, just as she begins to succeed at finding solutions, nature’s violence in the form of a major earthquake disrupts her objectives with a horror that pulls her in still another direction. Now she must make complicated decisions in the remaining time cut short by tragedy. Can she resolve her own choices without hurting those she loves? Has she acquired the maturity and foresight she needs for this final hurdle? It is all up to her. Disrupts her objectives with a horror that pulls her in still another direction. Now/ she must make complicated decisions in the brief span of time left. Can she resolve her own choices without hurting those she loves? Has she acquired the maturity and foresight she needs for this final hurtle? It is all up to her.
From playwright, novelist, spoken-word star, and the youngest-ever winner of the Ted Hughes Award, an electrifying poem-sequence based on the myth of the gender-switching prophet Tiresias. My heart throws its head against my ribs, / it's denting every bone it's venting something it has known since I arrived and felt it beat. Walking in the forest one morning, a young man disturbs two copulating snakes--and is punished by the goddess Hera, who turns him into a woman. So begins Hold Your Own, a riveting tale of youth and experience, wealth and poverty, sex and love, that draws ancient figures into a fiercely contemporary vision. Weaving elements of classical myth, autobiography and social commentary, Tempest uses the story of the blind, clairvoyant Tiresias to create four sequences of poems, addressing childhood, manhood, womanhood, and late life. The result is a rhythmically hypnotic tour de force--and a hugely ambitious leap forward for one of the most broadly talented and compelling young writers today.
For as long as Halley Steen has known her husband Nathan, he has carried a handful of stones in his pocket. Each day he uses those stones to remind him to follow the Golden Rule, moving a stone from one pocket to the other with each act of kindness. So it's not unusual that Nathan stops to help a stranger on the side of the highway while on his way to his son's football game one Friday evening. But that one act will change all of their lives forever, when a car hydroplanes off the road, killing Nathan instantly. As Halley and her children Ty and Alice struggle with their grief, Nathan's spiritual legacy lives on. A Facebook page appears, where countless stories about Nathan's selfless acts are shared. But among them is one that stands out, from a woman who says that Nathan saved her life. Neither Halley nor her children have ever heard of Madeline Zuckerman. But soon Halley discovers years of e-mails from this woman to her husband on his computer that refer to "our little girl." How could her husband have kept the secret of this other child for their entire marriage? Why had he lied to her? Was he not the man she thought he was? Only thirteen-year-old Alice maintains unwavering faith in her father. She knows there's an explanation. When she sets out to find Madeline and learn the truth, she will start to unravel the complex story of The One Good Thing Nathan Steen did that had the greatest impact of all.
This book offers a diverse collection of poems, lyrics, and thoughtful jottings suitable for readers of all ages. It explores a wide array of themes, from the intricacies of relationships to the wonders of transport, the changing seasons of life, and the beauty of animals and plants – essentially, there’s a poem for almost every occasion. Crafted from my reflections on the world and events around me, including topical issues from the news, each piece resonates with a unique perspective. Some entries are written as lyrics, complete with choruses that reinforce their messages. While readers are encouraged to create their own melodies as they read, it’s worth noting that these lyrics already have tunes, which are copyrighted, adding an extra layer of creativity to the experience. Reading this book is an invitation to enjoy the rhythm and flow of the words, enhancing your experience as a reader. I share this collection with the hope that you find as much joy and inspiration in reading these pieces as I have found in writing them.