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If you've ever watched a horror film, you've, no doubt, found yourself covering your eyes to avoid seeing the disaster about to unfold or shouted at the screen, "DON'T GO IN THAT ROOM " In the futile attempt to help the character ward off danger. We can see the crazy train coming when someone says, "I'm going to go check out that dark basement." We joke about how predictably these people get into trouble. The same thing happens in dating and relationships. The crazy train is happening in your dating life when you compromise your standards to get a date, I want to shout, "DON'T GO IN THAT ROOM " If you're driving halfway to meet a man, paying for dates, giving your lady center away too quickly, drinking and dating, or making excuses for his behavior, you are voluntarily walking into a nightmare scenario. I know the statistics on how it's going to end, and it's rarely good. Getting hurt in this dating game is par for the course, but that's why I want to help you set yourself up to win the game, not lose. I don't want to see you open those doors that lead to danger or wander down those dark, scary trails where creeps lurk. I'm going to give you some simple rules for dating based on the worst mistakes character make in scary movies so you can have an easier time venturing out there finding the man of your dreams and avoid relationship nightmares. "Don't Go in that Room " is a humorous relationship guide for good women who want a good man. In this guide, I will show you how to avoid the creeps and not screw it up with the heroes. "Don't Go in that Room " will help you recognize what kind of man you have, and, even more important, learn how to stop yourself from ignoring or missing the signs that you're headed down a treacherous dating path. I walk you through dark, scary places and into the light of day where everything will be clearer and more hopeful. I will show you how to deal with the nightmares you may already be in and can't find your way out of. Then guide you on how to destroy those evil spirits that threaten to drag you back in. Your dating life and romantic relationships don't have to be a nightmare. Let me lead you out of the misery of bad choices and toward the joy of finding the man of your dreams.
Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of ­pagan ­village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women
For use in schools and libraries only. When Mom sends D.W. to her room, a ten-minute time-out seems like forever.
Throughout cinematic history, the buildings characters inhabit--whether stately rural mansions or inner-city apartment blocks--have taken on extra dimensions, often featuring as well developed characters themselves. Nowhere is this truer than in the horror film, where familiar spaces--from chaotic kitchens to forgotten attics to overgrown greenhouses--become settings for diabolical acts or supernatural visitations. Showing readers through a selection of prime movie real estate, this book explores how homes come to life in horror with an analysis of more than sixty films, including interviews and insights from filmmakers and scholars, along with many rare stills. From the gruesome murder in the hallway of The House by the Cemetery (1981) to the malevolent haunting in the nursery of Eel Marsh House in The Woman in Black (2012), no door is left unopened.
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
Understanding consequences is critical to a child's development of character, conscience, and responsibility. Go to Your Room! is not simply a general collection of techniques for discipline but rather a model of "Logical Consequence Possibilities" for each of 59 specific misbehaviours. In preparing this book, Steelsmith polled hundreds of parents and educators to discover the issues that most concerned them.
Jim is a part time archeologist and finds emblems on an old mausoleum in an old part of a cemetery, sees some kind of inscriptions cannot make out the what it is, so he removes one. Jim inadvertly breaks a seal containing an untold evil, and starts to see horrific figures following him, eager to find out what the inscription means Jim does research, and when he does find out its too late.The inscriptions translate "He who breaks the seal is doomed." Jim tries to put back the emblem but to no avail, he is doomed and is taken by the evil tnto the mausoleum never to return. At the same time a young man Jason walking the cemetery reading tombstones sees the door of the mausoleum open, and looks in and sees something not meant to be seen by man, now his life is in danger. Until the ones that put the evil in the mausoleum finds out, now its a battle to save him and other mortals from this evil.
Shadows on the wallNoises down the hallLife doesn't frighten me at all Maya Angelou's brave, defiant poem celebrates the courage within each of us, young and old. From the scary thought of panthers in the park to the unsettling scene of a new classroom, fearsome images are summoned and dispelled by the power of faith in ourselves.Angelou's strong words are matched by the daring vision of artist Jean-Michel Basquiat, whose childlike style reveals the powerful emotions and fanciful imaginings of childhood. Together, Angelou's words and Basquiat's paintings create a place where every child, indeed every person, may experience his or her own fearlessness.Celebrating its successful 25 years in print, this brilliant introduction to poetry and contemporary art features brief, updated biographies of Angelou and Basquiat, an afterword from the editor, and a fresh new look. A selected bibliography of Angelou's books and a selected museum listing of Basquiat's works open the door to further inspiration through the fine arts.