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Kim and Harry are total opposites who happen to have the same favorite people in the world: Kim's older sister, Eva, and her young son, Otis. Kim has never seen what her free-spirited big sister sees in a stuck-up banker like Harry and has spent her childhood trying to keep him out (must he always drive the most ostentatious cars and insist on charming everyone he meets?), while Harry's favorite occupation is provoking Kim. Both Harry and Kim are too stuck in their prejudices to care about what's really going on beneath the surface of each other's lives. They'll never understand each other--until the worst of all tragedy strikes. Faced with the possibilities of losing the person they both love most, long-buried secrets come to a head in ways that will change both Harry and Kim forever.
Proceed with caution ... to Mexico ... ... or at least Mexico as Lemmy Caution sees it: 'It's hot as hell. Away down the dirt road some guy's playin' one of them wailin' Mexican fandangles which give me that twilight feelin' ... maybe it'd be a relief to start dyin' ...? Across the road some guy in a funny hat is handin' out a spiel to a dame about what a great bullfighter he used to be. Maybe she's his wife. If she is, then all I can say is she's a bad picker ... Me, I'd have married the bull ...'
He can't deny his need to claim her as his… After ten long months away on a dig, archaeology professor Dr. Nick Sanders comes home to Brazen Bay surprised his house is still standing since he left his irresponsible younger brother in charge. Tired, dirty, and hungry, he collapses into bed sans pajamas only to wake up wrapped around a luscious, fuming woman. She says she's just the house-sitter and he pulled her into bed when she was trying to wake him up. He says he's just found his future wife. She's off-limits—too young, too sweet, too innocent and a student at his university. But he's one naughty professor who doesn't care what the world says. She belongs with him. Author Confession: This story goes back to my filthy, sweet roots readers have been asking for. Insta-love, a heaping dose of immediate OTT attraction, a wildly implausible (yet completely romantic) scenario, and enough alphamallow goodness to singe your eReader. Pick up this guilty indulgence about love so wrong it's right. You know it's got the tropes you love—older man/younger woman, bad professor, possessive hero, nerdy heroine, small-town romance, and what's a Brazen Bay book without a cameo from Stella?
Photographs of hands gestures show the differences between cultures around the world.
From the New York Times bestselling author of Steal Like an Artist and Show Your Work! comes an interactive journal and all-in-one logbook to get your creative juices flowing, and keep a record of your ideas and discoveries. The Steal Like an Artist Journal is the next step in your artistic journey. It combines Austin Kleon’s unique and compelling ideas with the physical quality that makes journals like Moleskines so enormously popular. Page after page of ideas, prompts, quotes, and exercises are like a daily course in creativity. There are lists to fill in—Ten Things I Want to Learn, Ten Things I Probably Think About More Than the Average Person. Challenges to take. Illustrated creative exercises—Make a Mixtape (for someone who doesn’t know you) and Fill in the Speech Balloons. Pro and con charts—What Excites You?/What Drains You? The journal has an elastic band for place-marking and a special pocket in the back—a “swipe file” to store bits and pieces of inspiration. Because if you want to steal like an artist, you need a place to keep your loot.
To err is human. Yet most of us go through life assuming (and sometimes insisting) that we are right about nearly everything, from the origins of the universe to how to load the dishwasher. In Being Wrong, journalist Kathryn Schulz explores why we find it so gratifying to be right and so maddening to be mistaken. Drawing on thinkers as varied as Augustine, Darwin, Freud, Gertrude Stein, Alan Greenspan, and Groucho Marx, she shows that error is both a given and a gift—one that can transform our worldviews, our relationships, and ourselves.
A collection of essays extended from The New York Times' most-read article of 2016. Anyone we might marry could, of course, be a little bit wrong for us. We don’t expect bliss every day. The fault isn’t entirely our own; it has to do with the devilish truth that anyone we’re liable to meet is going to be rather wrong, in some fascinating way or another, because this is simply what all humans happen to be – including, sadly, ourselves. This collection of essays proposes that we don’t need perfection to be happy. So long as we enter our relationships in the right spirit, we have every chance of coping well enough with, and even delighting in, the inevitable and distinctive wrongness that lies in ourselves and our beloveds.
Includes the Yearbook of the American short story, 1978-1980.
Conflict is an opportunity to learn and grow–and often to grow closer to one another. Brad Hirschfield knows what it means to be a fanatic; he was one. A former activist in the West Bank, he was committed to reconstructing the Jewish state within its biblical borders. Now he is devoted to teaching inclusiveness, celebrating diversity, and delivering a message of acceptance. In You Don’t Have to Be Wrong for Me to Be Right, Rabbi Hirschfield uses his own spiritual journey to help people of all faiths find acceptance and tolerance, as well as a path to peace, understanding, and hope that will appeal to the common wisdom of all religions.