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The vivid true story of one of the biggest stars in Britain during the 1920s and 30s, and the inspiration for Downton Abbey's Jack Ross Born in Grenada in 1900, Leslie "Hutch" Hutchinson went to America in 1916 to study medicine, but soon escaped to Harlem where he witnessed the birth of "stride" jazz piano and began playing and singing in bars himself. Moving to France in 1923, he became the protege and lover of Cole Porter before coming to London where he was soon topping the bills in variety and on radio. Immaculate in white tie and tails, Hutch had enormous sex appeal, his velvet voice and superb piano improvisation attracting legions of fans, including the then Prince of Wales and, most famously, Edwina Mountbatten. Despite his success, Hutch was a profoundly insecure man with insatiable appetites for sex, drink, gambling and social status which precipitated his fall from fame to a squalid existence by the late 1960s.
Popular music was a powerful and persistent influence in the daily life of millions in interwar Britain, yet these crucial years in the development of the popular music industry have rarely been the subject of detailed investigation. For the first time, here is a comprehensive survey of the British popular music industry and its audience. The book examines the changes to popular music and the industry and their impact on British society and culture from 1918 to 1939. It looks at the businesses involved in the supply of popular music, how the industry organised itself, and who controlled it. It attempts to establish the size of the audience for popular music and to determine who this audience was. Finally, it considers popular music itself - how the music changed, which music was the most popular, and how certain genres were made available to the public.
Chilton details the work of musicians from every era of British jazz, ranging from those who played professionally before 1920 to today's young jazz stars.
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Jazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.
TheInternational Who's Who in Popular Music 2002offers comprehensive biographical information covering the leading names on all aspects of popular music. It brings together the prominent names in pop music as well as the many emerging personalities in the industry, providing full biographical details on pop, rock, folk, jazz, dance, world and country artists. Over 5,000 biographical entries include major career details, concerts, recordings and compositions, honors and contact addresses. Wherever possible, information is obtained directly from the entrants to ensure accuracy and reliability. Appendices include details of record companies, management companies, agents and promoters. The reference also details publishers, festivals and events and other organizations involved with music.
In The Women of Rothschild, Natalie Livingstone reveals the role of women in shaping the legacy of the famous Rothschild dynasty, synonymous with wealth and power. From the East End of London to the Eastern seaboard of the United States, from Spitalfields to Scottish castles, from Bletchley Park to Buchenwald, and from the Vatican to Palestine, Natalie Livingstone follows the extraordinary lives of the Rothschild women from the dawn of the nineteenth century to the early years of the twenty-first. As Jews in a Christian society and women in a deeply patriarchal family, they were outsiders. Excluded from the family bank, they forged their own distinct dynasty of daughters and nieces, mothers and aunts. They became influential hostesses and talented diplomats, choreographing electoral campaigns, advising prime ministers, advocating for social reform, and trading on the stock exchange. Misfits and conformists, conservatives and idealists, performers and introverts, they mixed with everyone from Queen Victoria to Chaim Weizmann, Rossini to Isaiah Berlin, and the Duke of Wellington to Alec Guinness, as well as with amphetamine-dealers, suffragists and avant-garde artists. Rothschild women helped bring down ghetto walls in early nineteenth-century Frankfurt, inspired some of the most remarkable cultural movements of the Victorian period, and in the mid-twentieth century burst into America, where they patronized Thelonious Monk and drag-raced through Manhattan with Miles Davis. Absorbing and compulsive, The Women of Rothschild gives voice to the complicated, privileged, and gifted women whose vision and tenacity shaped history.
Draws on new research to recover the fascinating histories of the artists, poets, musicians, film-makers and cultural visionaries of the Communist Party in Great Britain, placing them in a broader historical context and providing an introduction to British social and cultural history in the 20th century. Eleven essays attempt to unravel the achievements and failures of communist artists who, though mostly forgotten now, once had an extraordinary impact on British cultural life quite aside from the Party's political influence. Distributed by Stylus Publishing, Inc. Annotation copyrighted by Book News, Inc., Portland, OR