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The United States military did not lose the Vietnam War! The South Vietnamese government lost the Vietnam War. With many inaccurate books, biased statements, lack of understanding, and facts, I decided to write a Vietnamese history book with emphasis on the Second Indochina War. This book will correct many of those misconceptions about the Vietnam War, answer controversial questions, and give readers a microcosm and basic dynamics of the Vietnam War. I recorded and archived highlights of the Vietnam War and the accounts of American military heroes whose sacrifices and heroic exploits might otherwise be lost to history. The poignant, riveting, and the gripping reality of war and the demons and misfortune of the Vietnam veterans will be depicted in the book. This book is intended for a variety of audiences: veterans, family members, gold star mothers, organizations, agencies, clubs, college students, faculty, and history buffs. Search-and-destroy operations in South Vietnam will be described in comprehensive detail and why President Johnson later changed the name of search-and-destroy operations to reconnaissance in force. This book will show that the worst atrocity of the Vietnam War occurred in the United States when America shunned and discriminated against its Vietnam War veterans and gold star mothers! This book is a first-person account of high school teenyboppers suddenly answering the call for duty and turning into elite combat warriors virtually overnight. Vietnam War veterans saw and experienced horrific savage and direct combat repeatedly that humans aren't intended to see. Testimonies of seasoned combat Airborne Infantry soldiers, Pathfinders, and Special Forces whose average age was twenty-one will be depicted through empirical vignettes. These first-person vignettes will describe the carnage of firefights, mortar attacks, the stench of human decay and flesh torn and broken, and the camaraderie and bonds of men at war. Do not judge these warrior-leader heroes unless you have walked a mile in their jungle boots through a jungle in a combat environment. Remember, once upon a time, we were all like you! Myths of the Vietnam War will be refuted, rebutted, and debunked. Agent Orange and other herbicides used in the Vietnam War will be discussed. This book will help all veterans, their families, and America to better understand and come to some closure and aid in catharsis. We are awesome! It is chic and vogue to be a Vietnam veteran now.
In this unique novel, BENEATH THE ROCK, Tommy Birk evokes the anguish of combat veterans who leave their wars but whose wars don't leave them. He explores their helplessness to stop the strange osmotic process by which their pain passes on to their families. In this passionate and powerful story, Ernie and Gunny Balbach, who had fought on opposite sides during WW2, are now joined by Ernie's son, Timmy—an equally damaged veteran of the still-in-progress Vietnam War—and live as outcasts at Piankashaw Rock, where they feel safe in the company of other misfits. Ernie and Gunny, sustained by the women who love them, and Timmy, in love with the beautiful but conflicted Maria, all prodded by a mystic priest with his own dark secrets, come to realize they and their families will escape the vicious circles of history and find redemption only after they take on and defeat the evil that haunts them.
Guts and Glory: The Making of the American Military Image in Film is the definitive study of the symbiotic relationship between the film industry and the United States armed services. Since the first edition was published nearly two decades ago, the nation has experienced several wars, both on the battlefield and in movie theatres and living rooms at home. Now, author Lawrence Suid has extensively revised and expanded his classic history of the mutual exploitation of the film industry and the military, exploring how Hollywood has reflected and effected changes in America's image of its armed services. He offers in-depth looks at such classic films as Wings, Thirty Seconds Over Tokyo, The Longest Day, Patton, Top Gun, An Officer and a Gentleman, and Saving Private Ryan, as well as the controversial war movies The Green Berets, M*A*S*H, the Deer Hunter, Apocalypse Now, Platoon, Full Metal Jacket, and Born on the Fourth of July.
Miss Saigon (PVG) presents 12 songs from Boublil & Schonberg’s hit musical, Miss Saigon. Each song has been freshly engraved for piano and voice, with accompanying lyrics, allowing you to relive the beauty and drama of the show. With beautiful and faithful transciptions, alongside full-colour photography, this book is an essential purchase for any fan. Songlist: - The Heat Is On In Saigon - The Movie In My Mind - Why God Why? - Sun And Moon - The Last Night Of The World - I Still Believe - I’d Give My Life For You - Bui-doi - What A Waste - Too Much For One Heart - Maybe - The American Dream
Moving to America turns H&à's life inside out. For all the 10 years of her life, H&à has only known Saigon: the thrills of its markets, the joy of its traditions, the warmth of her friends close by, and the beauty of her very own papaya tree. But now the Vietnam War has reached her home. H&à and her family are forced to flee as Saigon falls, and they board a ship headed toward hope. In America, H&à discovers the foreign world of Alabama: the coldness of its strangers, the dullness of its food, the strange shape of its landscape, and the strength of her very own family. This is the moving story of one girl's year of change, dreams, grief, and healing as she journeys from one country to another, one life to the next.
In a collective voice calling for peace tracing back to pre-World War II, Don't Call Us Girls follows the protests of women and their allies from the White House to the Arc de Triomphe, heralding their impact on today's world. Don’t Call Us Girls examines the importance of women’s participation in the Civil Rights Movement in the United States, and the international anti-war movement. This collective voice for peace, and an end to nuclear proliferation, reached back to before the Second World War and then firmly embedded itself during the war years when women assumed such important roles in the workplace that Franklin D. Roosevelt called them the ‘Arsenal of Democracy’. When the men returned from war, women were encouraged by forces as powerful as government agencies and eminent psychiatrists to return to their ‘place’ at home. And return home they did, only to realize that they could use the skills they practiced as housewives to begin organizing themselves into groups that would start a wave of protest action that swept through the late 1950s, gathering up the Civil Rights Movement as it hurtled ever forward through the next two decades. In the 1960s and 1970s, no institution or convention was sacred—many aspects of women’s lives were fair game for criticism, protest, and change. In this no-holds-barred era, women debated everything from international nuclear policies, pay equity and child care for women, to reproductive rights and sexual politics. They protested in the streets, outside the White House, in Trafalgar Square, at the Arc de Triomphe, on university campuses, and just about anywhere else they would be heard. They were tired of the role society had cast for them and they would not rest until they saw the substantial change that seemed promising with the emergence of Second Wave Feminism in the 1970s. While we still live in a patriarchal society, we have these women to thank for many of the freedoms we now enjoy. If they have taught us anything, it is never to stop pushing back against the patriarchy and to rest only when we are truly equal. The final chapter of Don’t Call Us Girls reminds us that there is still a lot of work to do.
A Dragon Child: Reflections of a Daughter of Annam in America is the story of a Vietnamese Catholic raised within the structure of the French colonial system. Her upbringing was somewhat privileged as the daughter of a provincial administrator in the central highlands of Vietnam. As a child, and later as a young woman, she embraced French culture and aspired to French ideals. She was educated at a French boarding school for the children of the elite. Subsequently she received a degree in French teaching from the University of Saigon and became a lycee teacher and administrator. In 1975, she left on one of the last military planes accompanied by her four children and entered a new life as a refugee in the U.S. She ultimately resettled in Western Massachusetts. She then went back to school and obtained her Ph.D. in Francophone literature. After seeing to her children's education she began her academic career and started to teach French in the Five College academic community. She has fulfilled the "American dream" as have her children. In the process she has rediscovered her cultural roots and has helped others to negotiate the same path.
Viet Nam veteran S. Brian Willson was so shocked by the diabolical nature of the US war against Viet Nam -- irreversible knowledge, as he describes it -- and his own appalling ignorance from his cultural conditioning, that it sparked a lifetime of anti-war activism. This toxic jolt awakened him to the extent to which he and generations of American citizens had thoughtlessly succumbed to the relentless barrage of lies and propaganda that infest US American culture—from the military and political parties to religious institutions, academic and educational institutions, sports, fraternal and professional associations, the scientific community, the economic system, and all our entertainment—that seek to rationalize its otherwise inexplicable and morally repulsive behavior globally and at home. US American history reveals a unifying theme: prosperity for a few through expansion at any cost, to preserve the “exceptional” American Way of Life (AWOL). This has been structurally guided and facilitated by our nation’s founding documents, including the US Constitution. From the beginning, the US was envisaged as a White male supremacist state serving to protect and advance the interests of private and commercial property. The US-waged war in Viet Nam was not an aberration, but one of hundreds in a long pattern of brutal exploitation. A quick review of the empirical record reveals close to 600 overt military interventions by the US into dozens of countries since 1798, almost 400 since the end of World War II alone, and thousands of covert interventions since 1947. This history overwhelms any rhetoric about the United States as a beacon of freedom and democracy, committed to promoting domestic and global equal justice under law. These interventions have assured de facto subsidies for US American interests, regulated global markets on our terms, and provided us with access to cheap or free labor and to raw materials. Millions of people around the globe have been murdered with virtual impunity as a result of our interventions in a pattern that illustrates what Noam Chomsky calls the “Fifth Freedom”—the freedom to rob and exploit. This freedom is ultimately protected with use of force when a country or movement seeks to protect or advance the domestic needs and desires of its members or citizens for political freedom or economic wellbeing. This book provides an invaluable tool for today’s activists,however they may be similarly shocked into wakefulness.
“Much will be made—and rightly so—of the eloquent commentary [Lam’s] essays provide on Vietnam and the Vietnamese . . . a fascinating and important book.” —Robert Olen Butler, Pulitzer Prize–winning author A PEN American Beyond Margins Award winner In his long-overdue first collection of essays, noted journalist and NPR commentator Andrew Lam explores his lifelong struggle for identity as a Viet Kieu, or a Vietnamese national living abroad. At age eleven, Lam, the son of a South Vietnamese general, came to California on the eve of the fall of Saigon to communist forces. He traded his Vietnamese name for a more American one and immersed himself in the allure of the American dream: something not clearly defined for him or his family. Reflecting on the meanings of the Vietnam War to the Vietnamese people themselves—particularly to those in exile—Lam picks with searing honesty at the roots of his doubleness and his parents’ longing for a homeland that no longer exists. “Lam shatters the assumptions of readers who have encountered the Vietnam experience only through American pop culture . . . He writes with the delicacy and intensity of a poet.” —Los Angeles Times Book Review “Andrew Lam writes with the honesty of a true journalist and the feeling of a born storyteller. On his many journeys between Vietnam and the U.S., he sees first-hand the global consequences of war. Perfume Dreams is a meaningful book for our times.” —Maxine Hong Kingston, national bestselling author of The Woman Warrior “Lam’s insights into Asian American life are reflected in candid, witty anecdotes that reveal much about the difficulties of living in two cultures.” —Audrey Magazine