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Nell Langley needs a job so bad she'll take one from the big, bad wolf. Josh Sharpe doesn't look like a wolf, but she's dealt a predator before. And she is not sleeping with anyone she works for ever again. EVER AGAIN. Josh doesn't accept no easily. Not when he knows the woman saying it doesn't mean it. Not when she submits so easily to his commands. Not when she's the only one he can trust in the office.
North American Edition of the UK Bestseller How identity politics failed one particular identity. ‘a must read and if you think YOU don’t need to read it, that’s just the clue to know you do.’ SARAH SILVERMAN ‘This is a brave and necessary book.’ JONATHAN SAFRAN FOER ‘a masterpiece.’ STEPHEN FRY
A brilliant, hilarious, and ultimately devastating debut novel about how racial discord grows in America In late-1980s rural Ohio, bright but mostly friendless Barry Nadler begins his freshman year of high school with the goal of going unnoticed as much as possible. But his world is upended by the arrival of Gurbaksh, Gary for short, a Sikh teenager who moves to his small town and instantly befriends Barry and, in Gatsby-esque fashion, pulls him into a series of increasingly unlikely adventures. As their friendship deepens, Barry’s world begins to unravel, and his classmates and neighbors react to the presence of a family so different from theirs. Through darkly comic and bitingly intelligent asides and wry observations, Barry reveals how the seeds of xenophobia and racism find fertile soil in this insular community, and in an easy, graceless, unintentional slide, tragedy unfolds. How I Learned to Hate in Ohio shines an uncomfortable light on the roots of white middle-American discontent and the beginnings of the current cultural war. It is at once bracingly funny, dark, and surprisingly moving, an undeniably resonant debut novel for our divided world.
It is now difficult to imagine that, in the years before Whitman's death in 1892, there was real doubt in the minds of Whitman and his literary circle whether Leaves of Grass would achieve lasting fame. Much of the critical commentary in the first decade after his burial in Camden was as negative as that in Boston's Christian Register, which spoke of Whitman as someone who “succeeded in writing a mass of trash without form, rhythm, or vitality.”That the balance finally tipped toward admiration, culminating in Whitman's acceptance into the literary canon, was due substantially to the unflagging labor of Horace Traubel, famous for his nine volumes of Whitman conversations but less well known for his provocative monthly journal of socialist politics and avant-garde culture, the Conservator.Conserving Walt Whitman's Fame offers a generous selection from the enormous trove of Whitman-related materials that Traubel included in the 352 issues of the Conservator. Among the revelatory, perceptive, and often entertaining items presented here are the most illuminating of the Conservator's more than 150 topical essays on Whitman and memoirs by many of his friends and literary cohorts that shed new light on the poet, his work, and his critical reception. Also important is the richer understanding these pages afford of Horace Traubel's own sophisticated, deeply humane, and feisty views of America.
What Tennis Pros Dont Teach encompasses a World of information threading Tennis and life at work. It talks about the forces of Tennis under all different scenarios. This book is based on the love of Tennis as the foundation to tackle philosophy, mental toughness, discipline, strategy, the meaning of momentum, technique, player development, politics in sports, etc What Tennis Pros Dont Teach also shows us how to make Tennis a special friend and use it to help forge our lives and destiny. What Tennis Pros Dont Teach is somewhat anecdotal using storytelling to illustrate lessons learned on the Tennis courts. There is something for everyone in this book, Tennis player or not. This book is easily one of the most comprehensive treatises in Tennis written to date. There is more wisdom and information in this book than in any other Tennis book ever written!
This great Central Asian epic, passed down through generations and now brought to life in a new translation, carries the reader into a world of nomads, warriors and horselords 'I am a steel-fanged lion, a dragon ready to pounce, a mighty poplar with golden branches rising up to the sky' The bard Saghïmbay Orozbaq uulu composed his oral telling of the great Central Asian Manas epic in the early twentieth century, although it draws on far older sources. This vivid episode from his narrative tells the bravura story of an uncertain new khan, Boqmurun, who holds a great feast to commemorate his predecessor, Kökötöy. From east and west, warriors and their turbulent retinues come to compete in horse races, jousting and wrestling, and soon insults are hurled and scores settled violently. Yet none can beat the supreme hero, the mighty, truculent Manas. By turns earthy, stirring, bombastic and funny, Saghïmbay's work stands as a monument to the oral culture of a nomadic people. Daniel Prior's landmark translation includes a 'How to Read the Epic' section, commentary, maps and illustrations. Composed in oral performance by Saghïmbay Orozbaq uulu Translated by Daniel Prior