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This biography tells the true story of one of history's forgotten women, a Englishwoman named Alice Seeley Harris who has also been called the Mother of Human Rights. She has been hidden by her husband's shadow since she started her African journey near the end of the Victorian era, but now her story is brought to light by author Judy Pollard Smith in Don't Call Me Lady: The Journey of Lady Alice Seeley Harris. Armed with her Bible, zeal, and a camera, Harris arrived in the steaming African jungle of Congo and documented the worst atrocities known to humanity. She captured enough evidence on her glass lantern slides to bring down the Belgian King Leopold, who ruled the colony of the Congo Free State. In this biography, Smith uses imagined conversations based on in-depth research to tell Harris's story of her work. She also provides questions that allow her book to be used in classes or discussion groups. The world gave credit to the men in this story, but Smith provides evidence that it was the young, English missionary and photographer whose bravery truly changed history.
This biography tells the true story of one of historys forgotten women, a Englishwoman named Alice Seeley Harris who has also been called the Mother of Human Rights. She has been hidden by her husbands shadow since she started her African journey near the end of the Victorian era, but now her story is brought to light by author Judy Pollard Smith in Dont Call Me Lady: The Journey of Lady Alice Seeley Harris. Armed with her Bible, zeal, and a camera, Harris arrived in the steaming African jungle of Congo and documented the worst atrocities known to humanity. She captured enough evidence on her glass lantern slides to bring down the Belgian King Leopold, who ruled the colony of the Congo Free State. In this biography, Smith uses imagined conversations based on in-depth research to tell Harriss story of her work. She also provides questions that allow her book to be used in classes or discussion groups. The world gave credit to the men in this story, but Smith provides evidence that it was the young, English missionary and photographer whose bravery truly changed history.
Koala is NOT a bear! (Or is he?) Find out why Koala is so mad in this new, irresistibly funny picture book from Aaron Blabey, the bestselling creator of Pig the Pug! "G'day, my name is Warren and I've got something to share... Just because I'm furry DOESN'T MEAN THAT I'M A BEAR."Koala is sick of being called the wrong thing. Koalas are NOT bears, and it is time that everyone knows it! Follow this feisty little koala as he explains why he is certainly NOT a bear (and why no one ever seems to believe him).Rich with author-illustrator Aaron Blabey's hysterical text and unforgettably wacky illustrations -- plus nonfiction facts woven throughout -- Don't Call Me Bear! is a hilarious story about making sure everyone knows exactly who you are!
The Broadview Anthology of Drama: Plays from the Western Theatre is a chronological presentation of 43 plays in two volumes, ranging from the ancient theatre world to the present day. Each chapter focuses on a specific period and begins with an insightful introduction sketching the historical and theatrical landscape of that period. Contextualization for each play is provided through a thorough account of the literary and dramatic background of the play along with clear and comprehensive annotation. In addition, the editors have provided a glossary of terms used in the anthology to better equip students with a vocabulary for discussing the world of the stage.
New National Theatre, sole manager W.H. Rapley. Henry W. Savage offers "The Merry Widow," (Die Lustige Witwe) a Viennese operetta, in three acts, music by Franz Lehar, book by Victor Leon and Leo Stein, English lyrics by Adrian Ross (Orchestra under the direction of Louis F. Gottschalk).
When a Salvation Army officer learns that her father, a wealthy armaments manufacturer, has donated lots of money to her organization, she resigns in disgust but ultimately realizes that through wealth, people can help each other.
By the time ninth grade begins, Ishmael Leseur knows it won't be long before Barry Bagsley, the class bully, says, "Ishmael? What kind of wussy-crap name is that?" Ishmael's perfected the art of making himself virtually invisible. But all that changes when James Scobie joins the class. Unlike Ishmael, James has no sense of fear - he claims it was removed during an operation. Now nothing will stop James and Ishmael from taking on bullies, bugs and Moby Dick, in the toughest, weirdest, most embarrassingly awful - and the best - year of their lives.