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My cathedral is in an isolated wilderness, away from contemporary blight. After several years of marriage my wife describes me as odd. I prefer eccentric. She calls me a cheapskate. I am frugal. I also choose to be different; we put way too much emphasis on the words; Hall of Fame, legend, glamour, champion, celebrity, and famous. I may admire but never idolize, Heroes arent on golf courses nor in stadiums but in the uniforms of our firefighters, military and police officers. There are no idols in my life. Stars are to be revered only in the night sky, not in Hollywood. Rather than sit in a night-club involved in inane conversations I would rather see hummingbirds performing aerobatics, canoe a rogue river, watch a moose cavorting with her calf in a turbulent stream, see the Aurora Borealis fire streamers of color across a darkening sky, study undulating lines of snow geese, buffeted by lofty winds, honking their way to their mysterious destinations. There are yet unseen wonders in nature. My adventurous nature was established when I lived for a month on a Chipewyan reservation in Manitoba hunting seal and bear from a dog sled, using harpoons and bow and arrows, living the way of their ancestors. Frogs in a well have a limited view of the limitless sky. Beyond every horizon there is a horizon. I have canoed the Mackenzie River in Canadas Northwest Territory, the Churchill in Manitoba, Fraser River in British Columbia, the Deschutes in Oregon and the Wolverine in Nunavut. I lust to explore each wilderness on earth where overpopulation has not contaminated the environment. Time away from the fallacies of civilization is regenerative.
When Megan must collect twenty-five insects for a school project, her little brother's interference and a classmate's teasing make the task difficult, and reveal that she does not know either of them as well as she thought.
Winner of the Maine Literary Award for Fiction A literary novel set on the coast of Maine during the 1960s, tracing the life of a family and its matriarch as they negotiate sharing a home. Eleanor Morse's Margreete’s Harbor begins with a fire: a fiercely-independent, thrice-widowed woman living on her own in a rambling house near the Maine coast forgets a hot pan on the stovetop, and nearly burns her place down. When Margreete Bright calls her daughter Liddie to confess, Liddie realizes that her mother can no longer live alone. She, her husband Harry, and their children Eva and Bernie move from a settled life in Michigan across the country to Margreete’s isolated home, and begin a new life. Margreete’s Harbor tells the story of ten years in the history of a family: a novel of small moments, intimate betrayals, arrivals and disappearances that coincide with America during the late 1950s through the turbulent 1960s. Liddie, a professional cellist, struggles to find space for her music in a marriage that increasingly confines her; Harry’s critical approach to the growing war in Vietnam endangers his new position as a high school history teacher; Bernie and Eva begin to find their own identities as young adults; and Margreete slowly descends into a private world of memories, even as she comes to find a larger purpose in them. This beautiful novel—attuned to the seasons of nature, the internal dynamics of a family, and a nation torn by its contradicting ideals—reveals the largest meanings in the smallest and most secret moments of life. Readers of Elizabeth Strout, Alice Munro, and Anne Tyler will find themselves at home in Margreete’s Harbor.
"Scribble, the book's main character, never thought he was different until he met his first drawing. Then, after being left out because he didn't look like everyone else, Scribble teaches the drawings how to accept each other for who they are which enables them to create amazing art together!"--Provided by publisher.
Is something bugging you? Bestselling award-winner David Shannon shows the funny side of waging war against -- oh no! -- head lice. This book is guaranteed to make you laugh -- and itch! From the opening picture of a happy, oversized louse appearing with his suitcases, you know these bugs are determined to stay, and Mom is about to go nuts! Nobody talks about them, but they are everywhere. (Some estimate 20 million children a year host them.) Oh the shame and humiliation of having bugs in your hair! But if you go to school, or have play dates, chances are good you might meet them someday. Maybe you already have! Lucky for you, the unwelcome bugs in this story are so funny you will be laughing aloud -- even when Mom attacks them with battle-tested anti-lice weapons.Shannon peppers his hilarious scenes with fun, "nitpicking" facts about these "lousy" critters and pokes fun at common denial: "It's probably ash from that volcano in Pogo Pogo."Soon the party's over -- Bye bye, Little Nasties! Once again Shannon has created a fresh, highly entertaining read-aloud classic that begs to be read again and again.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
A #1 New York Times bestseller, this innovative and wildly funny read-aloud by award-winning humorist/actor B.J. Novak will turn any reader into a comedian—a perfect gift for any special occasion! You might think a book with no pictures seems boring and serious. Except . . . here’s how books work. Everything written on the page has to be said by the person reading it aloud. Even if the words say . . . BLORK. Or BLUURF. Even if the words are a preposterous song about eating ants for breakfast, or just a list of astonishingly goofy sounds like BLAGGITY BLAGGITY and GLIBBITY GLOBBITY. Cleverly irreverent and irresistibly silly, The Book with No Pictures is one that kids will beg to hear again and again. (And parents will be happy to oblige.)
Richard Rushfield takes us on an unforgettable and hilarious trip through higher alternative education in the eighties. Don't Follow Me, I'm Lost is a strange and salacious memoir about life at the ultimate New England hippie college at the height of Reaganomics. Opening its doors in 1970, Hampshire College was an experiment in progressive education that went hilariously awry. Self- proclaimed nerd Richard Rushfield enrolled with the freshman class of 1986, hoping to shed his wholesome California upbringing in this liberal hideout, where overachievement and preppy clothes were banned. By turns hilarious, ironic, and steeped in history, Don't Follow Me, I'm Lost takes readers to a campus populated by Deadheads, club kids, poets, and insomniac filmmakers, at a time when America saw the rise of punk and grunge alongside neoconservatism, earnest calls for political correctness, and Take Back the Night vigils. Imagine Lord of the Flies set on a college campus and you have Richard Rushfield's alma mater experience.