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Don`t be afraid, Mr. Hippo! What makes you scared and what you wish you could change? "Mr. Hippo was afraid of the ocean, so he had never been there..." Getting scared is a normal and important part of development. Because when you get scared you learn to understand risk, evaluate threat and manage your emotions. "He climbed into a boat for the first time in his life, and he sailed out into the sea." You can "be" brave! Pick Up Your Copy Now! Click On The BUY NOW Button At The Top Of The Page!
This is Mr. Hippo and he's excited to play with you! Mr. Hippo will take you his natural habitat with the intention of inspiring you to take care of it too. This picture book is loaded with interesting facts to grow your knowledge on the environment and how changes affect the hippos. Go ahead and secure your copy today!
Major literary figure and “master of language” (The New York Times) John Edgar Wideman uses his unique generational perspective to explore what he calls the “slaveroad,” a daunting, haunting reality that runs throughout American history. John Edgar Wideman’s “slaveroad” is a palimpsest of physical, social, and psychological terrain, the great expanse to which he writes in this groundbreaking work that unsettles the boundaries of memoir, history, and fiction. The slaveroad begins with the Atlantic Ocean, across which enslaved Africans were carried, but the term comes to encompass the journeys and experiences of Black Americans since then and the many insidious ways that slavery separates, wounds, and persists. In a section of “Slaveroad,” called “Sheppard”, William Henry Sheppard, a descendant of enslaved Virginians, travels back to Africa where he works as a missionary, converting Africans to Christianity alongside his Southern white colleague. Wideman imagines drinking afternoon tea with Lucy Gant Sheppard, William’s wife, who was on her own slaveroad, as she experienced her husband’s adultery with the African women he was trying to convert. In “Penn Station,” Wideman’s brother, after being confined forty-four years in prison, travels from Pittsburgh to New York. As Wideman awaits his brother, he asks, “How will I distinguish my brother from the dead. Dead passengers on the slaveroad.” An impassioned, searching work, Slaveroad is one man’s reckoning with a uniquely American lineage and the ways that the past haunts the present: “It’s here. Now. Where we are. What we are. A story compounded of stories told, retold, untold, not told.”
In the jungle of animals, where everyone is compelled to live on edge, not knowing what to expect the next moment, misfortunes and sufferings of all types,when they befall individuals, are accepted as a natural and blessed necessity for the continuation and sustaining of life. Once in a while, however, this rule is overturned in the anguish of the pain caused by such a dreadful reality. In Jungle Revolt, the merciless slaughter of the family of Mr Pig before his own very eyes compels him, in his humbleness, to dare this long established and fast rule of the survival of the fittest in the jungle. And notwithstanding the obviously formidable challenges to such an unprecedented undertaking, he manages, at the expense of his own life, to shake the foundations of the rule leaving behind a lasting legacy that does not necessarily annul the rule, but brings relief to many. Jungle revolt tries to explain a peculiar and age old human phenomenon. On account of different abilities and natures, stronger human beings tend to lord it on the weaker ones who, on account of their weakness are generally resigned to the undesirable fate. Occasionally, however, because of this unpleasant reality, these weak ones stand up in revolt, yearning for a better life, and even though they may not reap exactly what they desire, their situation, compelled by a Higher Power could not be exactly the same again.
"Handy Mr. Hippo gets a call from the mean Hairy Giant who needs quite a few things fixed at his house. Mr. Hippo helps the giant repair his house and teaches him how to properly treat other people. Social and emotional learning concepts include being helpful, politeness, and being friends. Book includes a note to caregivers and story coaching activities. A Reader's Theater version is available online so that children can benefit from dramatic interpretation."
Go to the Ark is a fascinating story on how the animals made their way to the Ark to escape God's judgment. All throughout their journey, the animals encounter some of the common stumbling blocks Christians face in their walk with Jesus. This story is an allegory of apologetics that will identify these stumbling blocks and help equip the believer to counteract them. This story will also cause you to think deeply about what you believe in light of God's judgment. As you journey with the animals you will be encouraged as your faith is strengthened with each encounter. Relax, get comfortable, and begin reading a story like no other!
The hilarious, colorful #1 New York Times bestselling phenomenon that every kid wants! Gift a copy to someone you love today. Poor Duncan just wants to color. But when he opens his box of crayons, he finds only letters, all saying the same thing: His crayons have had enough! They quit! Blue crayon needs a break from coloring all those bodies of water. Black crayon wants to be used for more than just outlining. And Orange and Yellow are no longer speaking—each believes he is the true color of the sun. What can Duncan possibly do to appease all of the crayons and get them back to doing what they do best? With giggle-inducing text from Drew Daywalt and bold and bright illustrations from Oliver Jeffers, The Day the Crayons Quit is the perfect gift for new parents, baby showers, back-to-school, or any time of year! Perfect for fans of Don't Let the Pigeon Drive the Bus by Mo Willems and The True Story of the Three Little Pigs by Jon Sciezka and Lane Smith. Praise for The Day the Crayons Quit: Amazon’s 2013 Best Picture Book of the Year A Barnes & Noble Best Book of 2013 Goodreads’ 2013 Best Picture Book of the Year Winner of the E.B. White Read-Aloud Award * “Hilarious . . . Move over, Click, Clack, Moo; we’ve got a new contender for the most successful picture-book strike.” –BCCB, starred review “Jeffers . . . elevates crayon drawing to remarkable heights.” –Booklist “Fresh and funny.” –The Wall Street Journal "This book will have children asking to have it read again and again.” –Library Media Connection * “This colorful title should make for an uproarious storytime.” –School Library Journal, starred review * “These memorable personalities will leave readers glancing apprehensively at their own crayon boxes.” –Publishers Weekly, starred review “Utterly original.” –San Francisco Chronicle