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Discover 10 favorite folk tales, all epitomizing the special charm and enchantment of the Irish imagination. Capturing the distinct flavor and language of old Ireland, the stories include "Hookedy-Crookedy" and "The Snow, the Crow and the Blood." Includes 33 full-page illustrations by Frank Verbeck, one of L. Frank Baum's favorite artists.
10 lighthearted tales, brought to life in Irish dialect. "Hookedy-Crookedy," "The Snow, the Crow and the Blood," etc. MacManus' best. 33 illus.
Eight charming tales, newly reset in large, easy-to-read type: "Hudden and Dudden and Donald O'Neary," "Conal and Donal and Taig," "The Old Hag's Long Leather Bag," "The Field of Boliauns," and more.
And so it was that when he met Aoife, a stranger to those parts, he was struck by her beauty and blind to her evil.
Since the beginning of the nineteenth century folklorists, and the general public in their wake, have assumed the orality of fairy tales. Only lately have more and more specialists been arguing in favour of at least an interdependence between oral and printed distribution of stories. This book takes an extreme position in that debate: as far as Tales of magic is concerned, the initial transmission proceded exclusively through prints. From a historical perspective, this is the only viable approach; the opposite assumption of a vast unrecorded and thus inaccessible reservoir of oral stories, presents a horror vacui. Only in the course of the nineteenth century, when folklorists started collecting in the field and asked their informants for fairy tales, was this particular genre incorporated into a then feeble oral tradition. Even then story tellers regularly reverted to printed texts. Every recorded fairy tale can be shown to be dependent on previous publications, or to be a new composition, constructed on the basis of fragments of stories already in existence. Tales of magic, tales in print traces the textual history of a number of fairy tale clusters, linking the findings of literary historians on the sixteenth to eighteenth centuries to the material collected by nineteenth- and twentieth-century field workers. While it places fairy tales as a genre firmly in a European context, it also follows particular stories in their dispersion over the rest of the world.
"The Other Crowd," "The Good People," "The Wee Folk," and "Them" are a few of the names given to the fairies by the people of Ireland. Honored for their gifts and feared for their wrath, the fairies remind us to respect the world we live in and the forces we cannot see. In these tales of fairy forts, fairy trees, ancient histories, and modern true-life encounters with The Other Crowd, Eddie Lenihan opens our eyes to this invisible world with the passion and bluntness of a seanchai, a true Irish storyteller.
The Little Book of Donegal is a compendium of fascinating, obscure, strange and entertaining facts about County Donegal. Here you will find out about Donegal's folklore and customs, its proud sporting heritage, its castles, forts and stone circles, its famous (and occasionally infamous) men and women. Through quaint villages and historic towns and along the 'Wild Atlantic Way', this book takes the reader on a journey through County Donegal and its vibrant past. A reliable reference book and a quirky guide, this can be dipped into time and time again to reveal something new about the people, the heritage and the secrets of this ancient county.