Download Free Donald Sultan Book in PDF and EPUB Free Download. You can read online Donald Sultan and write the review.

A critically important series in the oeuvre of American painter, sculptor, and printmaker Donald Sultan, The Disaster Paintings were created between 1984 and 1990. These works feature imposing, man-made structures, whose industrial qualities are reinforced by Sultan's preferred media, Masonite tiles and tar. The paintings' resulting sense of robust permanence is offset by the catastrophes Sultan includes therein, which provoke a jarring sense of fragility, impermanence, and transience. Such unexpected juxtapositions are privileged by the artist's process itself, which merges the industrial materials of Minimalism with representational painting, stylistically combining figuration and abstraction and making simultaneous reference to high and low culture. Painted on a large scale (the majority of the works in this series measure 8' x 8'), The Disaster Paintings embody great physicality in their process, subject matter, and finished form. They also reify the modern experience of industrialized societies with images of fire, accidents, and industrial mishaps, daring us to forget that calamities and adversity are woven into the very fabric of our existence. It is a timely moment in history to reconsider and reassess The Disaster Paintings. - Published to accompany the exhibition of the same name held at Lowe Art Museum, Coral Gables, Florida, 29th September-23rd December 2016; Modern Art Museum of Fort Worth, Texas, February-April 2017; and the Smithsonian American Art Museum, Washington, DC, May 26-September 4, 2017.
A poetic depiction of what keeps you warm when it is cold, from good clothes and steam to the sound of talk and the love that you keep with you wherever you go.
First published in 1992 to wide critical acclaim, Pictures From Home is Larry Sultan's pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan's own writings and other memorabilia. The result is a narrative collage in which the boundary between the documentary and the staged becomes increasingly ambiguous. Simultaneously the distance usually maintained between the photographer and his subjects also slips in an exchange of dialogue and emotion that is unique to this work. Significantly increasing the page count of the original book, this MACK design of Pictures From Home clarifies the multiplicity of voices - both textual and pictorial - in order to afford a fresh perspective of this seminal body of work -- Provided by the publisher.
"American painter, sculptor, and print maker Donald Sultan rose to prominence in the electrified atmosphere of New York's downtown art renaissance in the late 1970S and 1980s. Before the use of graffiti and post-modern figuration appeared in the galleries and art magazines, Sultan's simple iconography and complex technique of gouged, spackled, and painted tar-encrusted grids of linoleum tiles attached to Masonite captured immediate and enthusiastic attention. The works were abstract, erotic, and powerful." "Donald Sultan: The Theater of the Object is the first comprehensive monograph of the artist's distinguished 30-year career. Through the years, Sultan has become a master printmaker as well as a painter and draftsman. This book provides important examples of each medium and is divided into his abiding preoccupations with the industrial, artificial, and natural worlds, and offers insightful comparisons of the marriage of method and image. In 1987 Sultan told art critic Barbara Rose that his mission as an artist was "to haul painting into the 21st century." Now, almost a decade into that century, it is a perfect moment to review his progress. Today, Sultan's work can be found in more than fifty museums worldwide, including the Museum of Modern Art in New York, The Art Institute of Chicago, the National Gallery of Art in Washington, D.C., and the Tate Modern in London. Influenced by artists from Sasetta to Manet, Weston to Warhol, Sultan uses architectonic painting structures as the vehicle for advancing his mission."--BOOK JACKET.
This book is a critical analysis of religion in general and Islam in particular. It covers some common misconceptions about Islam that both Muslims and non-Muslims have. The book starts with a little introduction of the author—how and why he became an ex-Muslim—and it is followed up with the importance of writing the book. The first chapter covers the importance of critical sense over common sense and how we should always invoke critical thinking when it comes to looking at the world around us. The book also covers some arguments for God and some counterarguments against God’s existence. It discusses the importance of God in keeping the morality of the society and the mental well-being of the human species. It also discusses the baggage that comes with religion, leaving our only lives here on planet earth devoid of pleasure and enjoyment. Moreover, it discusses the scientific flaws in the Quran and argues how it looks like a book written by a seventh century Arab warlord rather than the creator of the billions of galaxies. It discusses the critical and sensitive topic of the character of Allah (Muslim God) and Muhammad in light of the Quran, Hadith (collection of Muhammad’s quotes), and the biography of Muhammad. It gives a detailed account of Muhammad’s wives and violence in his life. In the last part of the book, the author discusses the rise of Islamism in the western world and its dangers. Finally, it educates its readers on how to debate with a religious apologist and some common arguments and techniques employed by them. It is a very interesting read into Islam from an ex-Muslim’s point of view and the best guide to learning Islam.
As the founder and head of Atlantic Records, Ahmet Ertegun signed and/or recorded many of the greatest musical artists of all time, from Ray Charles to Kid Rock. Working alongside his older brother, Nesuhi, one of the preeminent jazz producers of all time, and the legendary Jerry Wexler, Ertegun transformed Atlantic Records from a small independent record label into a hugely profitable multinational corporation. In successive generations, he also served as a mentor to record-business tyros like Phil Spector, David Geffen, and Lyor Cohen. Brilliant, cultured, and irreverent, Ertegun was as renowned for his incredible sense of personal style and nonstop A-list social life as his work in the studio. Blessed with impeccable taste and brilliant business acumen, he brought rock 'n roll into the mainstream while creating the music that became the sound track for the lives of multiple generations.--From publisher description.
The meteoric rise of the largest unregulated financial market in the world -- for contemporary art -- is driven by a few passionate, guileful, and very hard-nosed dealers. They can make and break careers and fortunes. The contemporary art market is an international juggernaut, throwing off multimillion-dollar deals as wealthy buyers move from fair to fair, auction to auction, party to glittering party. But none of it would happen without the dealers-the tastemakers who back emerging artists and steer them to success, often to see them picked off by a rival. Dealers operate within a private world of handshake agreements, negotiating for the highest commissions. Michael Shnayerson, a longtime contributing editor to Vanity Fair, writes the first ever definitive history of their activities. He has spoken to all of today's so-called mega dealers -- Larry Gagosian, David Zwirner, Arne and Marc Glimcher, and Iwan Wirth -- along with dozens of other dealers -- from Irving Blum to Gavin Brown -- who worked with the greatest artists of their times: Jackson Pollock, Andy Warhol, Cy Twombly, and more. This kaleidoscopic history begins in the mid-1940s in genteel poverty with a scattering of galleries in midtown Manhattan, takes us through the ramshackle 1950s studios of Coenties Slip, the hipster locations in SoHo and Chelsea, London's Bond Street, and across the terraces of Art Basel until today. Now, dealers and auctioneers are seeking the first billion-dollar painting. It hasn't happened yet, but they are confident they can push the price there soon.
Like no other medium in which he worked, Picasso's lithography only began to realize its full potential in the decades after 1945. This new volume presents Picasso's entire lithographic oeuvre, consisting of 855 pieces -- for the first time in full color throughout the book. Assembled over the course of three decades, this collection is unmatched, impossible to be repeated or recreated in the same way. Its uniqueness lies in the rarity of its test and state printings, and its numerous single printings and unpublished sheets. Pablo Picasso: The Lithographs is the first collection of such work to list every printed sheet as an individual work and thus constitutes the most reliable reference work for the artist's lithographic oeuvre. An interview with printer Henri Deschamps offers an immediate, contemporary account of the process of creating the sheets, and Erich Franz's illuminating introduction to Picasso's lithography sharpens the viewer's eyes to the innovative diversity of this master artist whose importance has still yet to be completely accounted for.
A memoir of how a small number of British officers led Muslim soldiers in the hard-fought anti-insurgency war that has shaped today’s Gulf. While the Americans were fighting in Vietnam, a struggle of even greater strategic significance was taking place in the Middle East: The Sultanate of Oman stood guard at the entrance to the Arabian Gulf, and thus controlled the movement of oil from that region. In the 1960s and 70s, the Communists tried to seize this artery and, had they succeeded, the consequences for the West and for the Middle East would have been disastrous—and yet, few people have ever heard of this geo-political drama at the height of the Cold War. In the Service of the Sultan “is an enthralling book. In a mere 180 pages, Ian Gardiner, an army officer who fought with the Sultan of Oman’s forces, succeeds in three major objectives. He describes what it is like to be a young officer leading men of different nationalities into combat against wily and courageous guerrillas. He captures the landscape and the spirit of Oman, ‘that entrancing, fascinating, hauntingly beautiful country.’ Finally, he puts the battles he fought in their geopolitical context . . . It should be read with enduring pleasure by anyone who wishes to reaffirm his pride in his country and in its fighting forces” (The Telegraph). “For anyone interested in understanding the ingredients behind a successful counterinsurgency campaign, In the Service of the Sultan is a must read.”—Imperial Armour Blogspot “Politics, history, irregular warfare, religion, and international affairs: all are ingredients in this absorbing, informative read.”—Oxford & Cambridge Club Military History Group