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At last, an organized regimen of Reinhardt routines presented in a manner that builds every aspect of your playing: range, endurance, sound, technique, shakes, breathing, articulation, key fluency, tonguing, slurring, multiple tonguing, consistency . . . it's all here.For years people have been asking for a collection of Reinhardt routines that would work without the benefit of studying with Reinhardt. Most dedicated Reinhardt students know that's a tall order, because you can't just turn a player loose with many of the Reinhardt routines ? every routine had a specific purpose and was assigned at a specific time. Reinhardt knew there was no ?one size fits all? way of teaching brass players.But thanks to Dave Sheetz and Rich Willey, a set of routines has been laid out, about half of which are based on his never-before-published revisions to his Manual of Studies. These comprise a rotating Nine Day plan followed by a series of Supplemental Routines (including Reinhardt's now-famous Warm Up #57), all of which players will benefit from simply by reading the instructions and playing the drills accordingly.The Reinhardt Routines'a total embouchure development plan has what it takes to develop that embouchure you've been dreaming of. It's all laid out for you right here, at last.Forty-four pages, printed on high quality paper, GBC comb-bound with heavy (10 ml.) mylar protective covers.
First published in 1971, Roy Steven's Embouchure Self-Analysis and The Stevens-Costello Embouchure Technique (Complete) is considered to be the authoritative text on embouchure analysis incorporating physical laws, scientific principles and muscular physiology in establishing a consistent embouchure for the brass player. This revised second edition by the original editor, William Moriarity, reflects the timelessness and relevance of this book. Can be used as a workbook with audio and video demos at www.roystevens.org
Guide to the Euphonium Repertoire is the most definitive publication on the status of the euphonium in the history of this often misunderstood and frequently under-appreciated instrument. This volume documents the rich history, the wealth of repertoire, and the incredible discography of the euphonium. Music educators, composers/arrangers, instrument historians, performers on other instruments, and students of the euphonium (baritone horn, tenor tuba, etc.) will find the exhaustive research evident in this volume's pages to be compelling and comprehensive. Contributors are Lloyd Bone, Brian L. Bowman, Neal Corwell, Adam Frey, Marc Dickman, Bryce Edwards, Seth D. Fletcher, Carroll Gotcher, Atticus Hensley, Lisa M. Hocking, Sharon Huff, Kenneth R. Kroesche, R. Winston Morris, John Mueller, Michael B. O'Connor, Eric Paull, Joseph Skillen, Kelly Thomas, Demondrae Thurman, Matthew J. Tropman, and Mark J. Walker.
In the last forty years, many elite performers in the arts have gleaned valuable lessons and techniques from research and advances in sport science, psychomotor research, learning theory, and psychology. Numerous "peak performance" books have made these tools and insights available to athletes. Now, professor and performer Frank Gabriel Campos has translated this concept for trumpet players and other brass and wind instrumentalists, creating an accessible and comprehensive guide to performance skill. Trumpet Technique combines the newest research on skill acquisition and peak performance with the time-honored and proven techniques of master teachers and performers. All aspects of brass technique are discussed in detail, including the breath, embouchure, oral cavity, tongue, jaw, and proper body use, as well as information on performance psychology, practice techniques, musicians' occupational injuries, and much more. Comprehensive and detailed, Trumpet Technique is an invaluable resource for performers, teachers, and students at all levels seeking to move to the highest level of skill with their instrument.