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The orphan twins, Donald and Donalda, overcome loss and sorrow through their persistent courage. They depend on each other and on those who befriend them to triumph over the dangers they encounter. Once under the care of their grandfather, they find they must protect him.
Featuring the story of the little dog from his first appearance in Greyfriars kirkyard. Based on press reports of the time, the story tells how the terrier meets Colour Sergeant Scott who feeds him and allows him to sleep in his flat at night. When Bobbys life is threatened, the Lord Provost of the City of Edinburgh comes to his rescue and buys him a licence and collar. Now a celebrity, visitors including Baroness Burdett-Coutts the richest woman in the U.K. arrive from all over the world to see the little dog go for his dinner when the One oclock Gun fires from Edinburgh Castle.
THE STORIES: HIGH SIGN. This is a play about a search for personal identity by seeking out the identity of God. It takes place in Al's Gayway Bar, a refuge for derelicts. Guido, agnostic and a broken down self-styled actor, works here, performing s
I guess, in truth, “Reno by the/in the Lake” is my “Autobiography Light.” The material is indeed autobiographical in that little has been gleaned from any outside source and it is definitely light both in serious content and the serious nature often portrayed by an autobiography. So read on just for fun. Reno Beach was a magical place in the 1920s, ’30s, ’40s and ’50s, a resort town that never really quite reached its prime. It had, however attained great stature in the hearts and minds of all it entertained, especially in the imagination of a young boy who could see adventure, even in the smallest buttonhole or banal blemish. In his mind a vegetable garden became a wilderness plantation. An overturned rowboat became a fortress, a pirate’s treasure cave or a magician’s maudlin mansion. A willow tree only recently uprooted by the wind and waves of an angry possessive lake trying desperately to reclaim its own; this became the perfect home for “Tarzan (Jimmie) of the Apes.” The fact that I’m even writing this book belies the fact that the place and that little boy still live, if only in my imagination. The stories you’re about to read are about that small waterfront community just east of Toledo Ohio on the western end of Lake Erie and how it’s life; death and frequent revitalizations affected the life of one small boy, namely me. The stories are absolutely true except as altered by an aging memory, wishful thinking and delusions of grandeur, not necessarily in that order, and they represent some of the very best days of my life. I’ve been told that it’s good to share your very best. I hope you enjoy reading my stories nearly as much as I enjoyed living them. The writing’s been fun too. Some names and places may have been altered to protect the innocent and/or the guilty, but not many. Some may also be changed just because I’ve forgotten or don’t really know what I’m talking about. Please forgive me. Many may recognize themselves, a friend or family member in some of these stories and each one probably deserves whatever treatment or attention they received, either good or bad. This book is intended to be a “Bathroom Book.” This is not a negative. For those unable to grasp this creative terminology I provide the following explanation in the form of a prescription: Take in small doses. Continuous exposure could be hazardous to your health and could lead to an abrasive situation requiring an immediate application of Preparation “H.” This does not imply that either you the reader or the writer is full of . . . Anything. Should you disapprove of any of the material in this book please feel free to remove the offending pages and put them to better use right there in the “Reading Room” solving the problems of the moment. I’m sure you understand. Enjoy. Life is short. Don’t waste it on seriousness.
How engineers and clinicians developed the ultrasound diagnostic scanner and how its use in obstetrics became controversial. To its proponents, the ultrasound scanner is a safe, reliable, and indispensable aid to diagnosis. Its detractors, on the other hand, argue that its development and use are driven by the technological enthusiasms of doctors and engineers (and the commercial interests of manufacturers) and not by concern to improve the clinical care of women. In some U.S. states, an ultrasound scan is now required by legislation before a woman can obtain an abortion, adding a new dimension to an already controversial practice. Imaging and Imagining the Fetus engages both the development of a modern medical technology and the concerted critique of that technology. Malcolm Nicolson and John Fleming relate the technical and social history of ultrasound imaging—from early experiments in Glasgow in 1956 through wide deployment in the British hospital system by 1975 to its ubiquitous use in maternity clinics throughout the developed world by the end of the twentieth century. Obstetrician Ian Donald and engineer Tom Brown created ultrasound technology in Glasgow, where their prototypes were based on the industrial flaw detector, an instrument readily available to them in the shipbuilding city. As a physician, Donald supported the use of ultrasound for clinical purposes, and as a devout High Anglican he imbued the images with moral significance. He opposed abortion—decisions about which were increasingly guided by the ultrasound technology he pioneered—and he occasionally used ultrasound images to convince pregnant women not to abort the fetuses they could now see. Imaging and Imagining the Fetus explores why earlier innovators failed where Donald and Brown succeeded. It also shows how ultrasound developed into a "black box" technology whose users can fully appreciate the images they produce but do not, and have no need to, understand the technology, any more than do users of computers. These "images of the fetus may be produced by machines," the authors write, "but they live vividly in the human imagination."
The first full-length critical study of the genius who created Duckburg and Uncle Scrooge
Of Orphans and Warriors explores the social and cultural history of largely urban, American-born Chinese from the 1930s through the 1990s, focusing primarily on those living in California. Chun thus opens a window onto the ways in which these Americans born of Chinese ancestry negotiated their identity over a half century.