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Focusing on pictorial, literary, screen, and operatic representations of Juana of Castile, this is the first interdisciplinary book that incorporates both sides of the coin (history and myth; fact and fiction) that shaped the enigmatic image of this much maligned Spanish queen. Even though the fictional reinvention of Juana of Castile has been the subject of sporadic articles, this is the first time that an English-language reader has access to a book that takes an in-depth look at the panorama of literary, pictorial, musical, and cinematic recreations of this historical character. The editors' aim is to incorporate works of authors from different countries (Spain, Mexico, the Dominican Republic, France) and an entire spectrum of literary genres (narrative, poetry, theater, essay), as well as opera and the visual arts. --From publisher's description.
This is the first major study on Azorin to appear in two decades. The first part explores parallels between the cultural milieus in France and Spain when both countries lost their colonies in the second half of the nineteenth century. The second part studies the fiction and essays of Jose Martinez Ruiz (Azorin). Illustrated.
In this stunning novel, C. W. Gortner brings to life Juana of Castile, the third child of Queen Isabel and King Ferdinand of Spain, who would become the last queen of Spanish blood to inherit her country’s throne. Along the way, Gortner takes the reader from the somber majesty of Spain to the glittering and lethal courts of Flanders, France, and Tudor England. Born amid her parents’ ruthless struggle to unify and strengthen their kingdom, Juana, at the age of sixteen, is sent to wed Philip, heir to the Habsburg Empire. Juana finds unexpected love and passion with her dashing young husband, and at first she is content with her children and her married life. But when tragedy strikes and she becomes heir to the Spanish throne, Juana finds herself plunged into a battle for power against her husband that grows to involve the major monarchs of Europe. Besieged by foes on all sides, Juana vows to secure her crown and save Spain from ruin, even if it costs her everything. BONUS: This edition contains an excerpt from C. W. Gortner's The Queen's Vow. Praise for The Last Queen “This moving tale of Juana la Loca (the Mad) vividly re-creates the passion, politics, and betrayals that drove a smart and spirited queen to the brink of insanity . . . or perhaps, as C. W. Gortner suggests, to the pretense of insanity–a pretense that baffled Juana’ s enemies and led to triumph for her children and her country. The Last Queen is an absorbing account of one of history’s most fascinating women, from her never-before-told point of view.”—Donna Woolfolk Cross, author of Pope Joan “I ached for this intelligent, one-of-a-kind queen. Her struggle and passion kept me up until the early hours of the morning. A page-turner, a nail-biter, an eye-opener: I loved being possessed by The Last Queen!”—Ki Longfellow, author of The Secret Magdalene “A vibrant tapestry of love and hate . . . brings to life an extraordinary queen at an unforgettable time in history.”—Sandra Worth, author of Lady of the Roses “An exquisite evocation of a dangerous era and of a forgotten queen.”—Holly Payne, author of The Virgin’ s Knot “Gripping and unforgettable . . . captures Juana of Castile’s electrifying drama.”—Judith Merkle Riley, author of The Water Devil
"Drawing upon recent scholarship and years of archival research, Bethany Aram offers a new vision of Juana's life. In this part biography, part study of royal authority, Aram asserts that Juana was more complicated than her contemporaries and biographers have portrayed her. Not the frail and unstable woman usually depicted, Juana employed pious practices to defend her own interests as well as those of her children. As queen, she worked tirelessly to assure the succession of her son Charles V to the throne and thereby to establish the Habsburg dynasty in the kingdoms that others managed to govern in her name. She emerges as a woman of immense importance in Spanish and European history."--BOOK JACKET.
This is effectively a historical journey through the works of the great 19th century Spanish masters from Goya through to Sorolla.
This book examines the deep and lengthy crisis of legitimacy triggered by the death of Prince Juan of Castile and Aragon in 1497 and the subsequent ascent of Juana I to the throne in 1504. Confined by historiography and myth to the madwoman’s attic, Juana emerges here as a key figure at the heart of a period of tremendous upheaval, reaching its peak in the war of the Comunidades, or comunero uprising of 1520–1522. Gillian Fleming traces the conflicts generated by the ambitions of Juana’s father, husband and son, and the controversial marginalisation and imprisonment of Isabel of Castile’s legitimate heir. Analysing Juana’s problems and strategies, failures and successes, Fleming argues that the period cannot be properly understood without taking into account the long shadow that Juana I cast over her kingdoms and over a crucial period of transition for Spain and Europe.
It has been said that zarzuela means to Spain what operetta means to Vienna, Offenbach to Paris, Gilbert and Sullivan to London, and the musical to Broadway. Zarzuela is Spain's unique contribution to lyric theatre, a mixture of spoken and sung drama with a complex history extending over four centuries. The Zarzuela Companion is a comprehensive guide to zarzuela's most popular and romantic works written after 1850, with chapters devoted to the major Spanish zarzuela composers, writers and singers. Complete synopses of all sixty works selected are delivered at the level of detail necessary for non-Spanish speakers to follow along with ease. The book also features special sections on the history of the genre, and on the parallel Catalan and Cuban zarzuela traditions. A foreword by Plácido Domingo, a selected discography with current catalog reference numbers, a brief bilingual bibliography and glossary of Spanish terms make this book indispensable for the newcomer and aficionado alike.
Ask any Spaniard where you will find the best food in the country and the answer is invariably the Basque provinces. In this beautifully written book, Marìa José Sevilla describes the region through the eyes of men and women whose lives embrace every aspect of its cooking and culinary traditions, and records the recipes she has learned from them. The author takes us from market to caserìo, or farmstead, and shows how the strength of Basque cuisine comes from the quality and range of local produce: superb fish from the Cantabrian coast, cheeses and wild mushrooms from the mountains, and vegetables and fruit—including apples for cider-making—from the caserìos of the valleys. Through her portraits of a fisherman, a craftsman of wooden cheese-making utensils, a wine producer, and a young city housewife, the author shows the historical influences and fierce regional pride behind this distinctive culinary repertoire. Finally, three professional chefs take us into their kitchens, and show us how their superb cooking is based on rich popular traditions. More than eighty authentic recipes punctuate evocative descriptions of cultural and culinary traditions, making this an ideal book for the inquisitive traveler who enjoys good food.