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- Vibrant color paintings illustrate soldiers and battles of the war - Color photos of seldom-seen period artifacts such as uniforms, weapons, and other equipment In this collection, renowned artist Don Troiani teams up with leading artifact historian James L. Kochan to present the American Revolution as it has existed only in our imaginations: in living color.From Bunker Hill to Yorktown, from Washington to Cornwallis, from the Minute Men to the Black Watch, these pages are packed with scenes of grand action and great characters, recreated in the vivid blues and reds that defined the Revolutionary era. Troiani's depictions of these legendary fife-and-drum soldiers are based on firsthand accounts and, wherever possible, surviving artifacts. Scores of color photographs of these objects--many of them from private collections and seen here for the very first time--accompany the paintings. Items range from muskets and beautifully ornate swords to more unique pieces such as badges with unit insignia or patriotic slogans and Baron von Steuben's liquor chest.More than just a glimpse into a world long past, this is the closest the modern reader can get to experiencing the Revolutionary War firsthand.
Using a masterful combination of artistry and accuracy, Don Troiani has dedicated his career to transforming our understanding of the military soldier. Don now turns his talents to capturing the under-recognized African-American soldiers as they fought in the French and Indian War, the War of Independence, the War of 1812, and the American Civil War. Don’s battle paintings, figure studies, and artifact collection are teamed with historian John Rees’s insightful text. This long-needed work combines Troiani’s magnificent art—the dramatic battle paintings and authentically illustrated uniformed soldier studies—with Rees’s introductory chapters on the four wars. Using primary sources, Rees gives a true picture of the contributions of the many Black soldiers over the 100-year history. Together Troiani and Rees provide the most comprehensive, authoritative, and well-researched study of the Black soldier in early America.
Nationally renowned military artist Don Troiani teams with historian John Rees to highlight the role of under-recognized African American soldiers in America's early wars.
In the world of historical painting, Don Troiani stands alone, universally acclaimed for the accuracy, drama, and sensitivity of his depictions of America's past. His Civil War paintings and limited edition prints hang in the finest collections in the country and are noted by collectors from around the world. Now, in "Don Troiani's Regiments and Uniforms of the Civil War", the artist turns his brush to one of the most colourful and captivating aspects of Civil War history: the individual units that earned their reputations on the battlefield and the distinctive uniforms they wore. In addition to 130 paintings of battle scenes and individual figures, the book also includes more than 250 full-colour photographs of the uniforms the soldiers wore and the accoutrements they carried. Supporting the illustrations is text by two of the leading military artefact experts. Taken together, it makes for one of the most comprehensive books on Civil War uniforms ever undertaken.
Combines Troiani's artwork depicting military uniforms, with photographs of artifacts and the written commentary by Coates and Kochan.
The second episode in this award-winning trilogy impressively shows how the Union and Confederacy, slowly and inexorably, reconciled themselves to an all-out war—an epic struggle for freedom. In Terrible Swift Sword, Bruce Catton tells the story of the Civil War as never before—of two turning points which changed the scope and meaning of the war. First, he describes how the war slowly but steadily got out of control. This would not be the neat, short, “limited” war both sides had envisioned. And then the author reveals how the sweeping force of all-out conflict changed the war’s purpose, in turning it into a war for human freedom. It was not initially a war against slavery. Instead, this was, Mr. Lincoln kept insisting, a fight to reunite the United States. At first, it was not even much of a fight. Cautious generals; inexperienced, incompetent, or jealous administrators; shortages of good people and supplies; excess of both gloom and optimism, kept each side from swinging into decisive action. As the buildup began, there were maddening delays. The earliest engagements were halting and inconclusive. After these first tests at arms, reputations began to crumble. Buell, Halleck, Beauregard Albert Sidney Johnston. Failed to drive ahead—for reasons good and bad. General McClellan (impaled in these pages on the arrogant words of his letters) captured more imaginations than enemies, and continued to accept serious over estimates of Confederate strength while becoming more and more fatally estranged from his own government.
A collection of drawings by Don Troiani that offers a tour of America's military past, recreating key military battles that took place in America during the eighteenth and nineteenth centuries.
This two-volume encyclopedia is the first to focus on the material life of slaves. Although many encyclopedias discuss slavery, enslaved blacks, and African American life and culture, none focus on the material world of slaves, such as what they saw; touched; heard; ate, drank, and smoked; wore; worked with and in; used, cultivated, crafted, played, and played with; and slept on. The two-volume World of a Slave: Encyclopedia of the Material Life of Slaves in the United States is a landmark work in this important new field of study. Recognizing that a full understanding of the complexity of American slavery and its legacy requires an understanding of the material culture of slavery, the encyclopedia includes entries on almost every aspect of that material culture, beginning in the 17th century and extending through the Civil War. Readers will find information on animals, documents, economy, education and literacy, food and drink, home, music, personal items, places, religion, rites of passage, slavery, structures, and work. There are also introductory essays on literacy and oral culture and on music and dance.
American Military History provides the United States Army-in particular, its young officers, NCOs, and cadets-with a comprehensive but brief account of its past. The Center of Military History first published this work in 1956 as a textbook for senior ROTC courses. Since then it has gone through a number of updates and revisions, but the primary intent has remained the same. Support for military history education has always been a principal mission of the Center, and this new edition of an invaluable history furthers that purpose. The history of an active organization tends to expand rapidly as the organization grows larger and more complex. The period since the Vietnam War, at which point the most recent edition ended, has been a significant one for the Army, a busy period of expanding roles and missions and of fundamental organizational changes. In particular, the explosion of missions and deployments since 11 September 2001 has necessitated the creation of additional, open-ended chapters in the story of the U.S. Army in action. This first volume covers the Army's history from its birth in 1775 to the eve of World War I. By 1917, the United States was already a world power. The Army had sent large expeditionary forces beyond the American hemisphere, and at the beginning of the new century Secretary of War Elihu Root had proposed changes and reforms that within a generation would shape the Army of the future. But world war-global war-was still to come. The second volume of this new edition will take up that story and extend it into the twenty-first century and the early years of the war on terrorism and includes an analysis of the wars in Afghanistan and Iraq up to January 2009.
The role of African-Americans, most free but some enslaved, in the regiments of the Continental Army is not well-known; neither is the fact that relatively large numbers served in southern regiments and that the greatest number served alongside their white comrades in integrated units. 'They Were Good Soldiers' begins by discussing, for comparison, the inclusion and treatment of black Americans by the various Crown forces (particularly British and Loyalist commanders, and military units). The narrative then moves into an overview of black soldiers in the Continental Army, before examining their service state by state. Each state chapter looks first at the Continental regiments in that state's contingent throughout the war, and then adds interesting black soldiers' pension narratives or portions thereof. The premise is to introduce the reader to the men's wartime duties and experiences. The book's concluding chapters examine veterans' postwar fortunes in a changing society and the effect of increasing racial bias in the late eighteenth and early nineteenth centuries. 'They Were Good Soldiers' makes extensive use of black veterans' pension narratives to 'hear' them and others tell their stories, and provides insights into their lives, before, during, and after the war.