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When Natasha, a young ambitious professional, moved to Texas to advance her career, she left her family and way of life in Mexico, and seemingly her faith. She never intended to fall in love with Sean, an American, who makes her laugh, understands her, and reawakens her faith in God. When she returns to Mexico, she struggles with separation from Sean, the allure of old dreams, and an elusive diagnosis of the mysterious disease that is killing her. This romance is portrayed on the rich tapestry of two vibrant cultures. Texas and Mexico come alive while a young woman tries to rediscover the God of her youth - Before it's too late.
Uncovers the long history of how Latino manhood was integral to the formation of Latino identity In the first ever book-length study of Latino manhood before the Civil Rights Movement, Before Chicano examines Mexican American print culture to explore how conceptions of citizenship and manhood developed in the nineteenth and twentieth centuries. The year 1848 saw both the signing of the Treaty of Guadalupe Hidalgo that ended the U.S. Mexican War and the year of the Seneca Falls Convention, the first organized conference on women’s rights in the United States. These concurrent events signaled new ways of thinking about U.S. citizenship, and placing these historical moments into conversation with the archive of Mexican American print culture, Varon offers an expanded temporal frame for Mexican Americans as long-standing participants in U.S. national projects. Pulling from a wide-variety of familiar and lesser-known works—from fiction and newspapers to government documents, images, and travelogues—Varon illustrates how Mexican Americans during this period envisioned themselves as U.S. citizens through cultural depictions of manhood. Before Chicano reveals how manhood offered a strategy to disparate Latino communities across the nation to imagine themselves as a cohesive whole—as Mexican Americans—and as political agents in the U.S. Though the Civil Rights Movement is typically recognized as the origin point for the study of Latino culture, Varon pushes us to consider an intellectual history that far predates the late twentieth century, one that is both national and transnational. He expands our framework for imagining Latinos’ relationship to the U.S. and to a past that is often left behind.
"[These volumes] are endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
Ainslon O’Neil is co-owner of Turn the Page, the most popular children’s and comic bookstore in Garriety. Her life revolves around her business and family. Romance is far from her mind, until one day Lauren Millán walks into her store and commissions Ainslon to find a first edition of Mary Poppins. Ainslon can’t stop thinking about Lauren and, as fate would have it, the two seem to frequently run into each other. The one rule Ainslon made for herself was never to mix business with pleasure. The two agree to be friends. But, Ainslon finds she yearns for more with Lauren. Should Ainslon stick to the rules? Or follow her heart? Lauren Millán, owner of the successful candy store, C and C, is content with running her business and spending time with family and friends. While Lauren’s not averse to finding Ms. Right, she’s not searching for her either. When she walks into Turn the Page, a pair of green eyes and an Irish accent ambushes her heart. Yet, as much as she would like to pursue more than a friendship with Ainslon, their ten-year age difference gives her pause. Then there’s Ainslon’s promise never to mix business with pleasure. Welcome back to Garriety, where the food is plentiful, the people are always willing to lend an ear, and meeting the love of your life is just around the corner. Join Ainslon and Lauren, along with the characters from Add Romance and Mix and Blueprint for Romance, while they navigate the ups and downs of falling in love.
Legends aren’t built overnight. In fact, they take decades of hard work, long days, and selfless sacrifice—if one is lucky. Huerta Cigars is a result of the combined passion of patriarch Alejandro Huerta, who emigrated from pre-Castro Cuba to Nicaragua, and his sons Roberto and Manuel. Their unwavering dedication to their dream of producing the best cigars made for a success. Upon Roberto’s passing he left the cigar empire to his only daughter, Sofia, who took over the family business. Sofia Huerta is Don Roberto’s daughter, and she is making a name for herself with her own line of fine, boutique cigars. One late night phone call will change Sofia’s life forever. Rushing to Nicaragua from San Francisco, her only hope is that it isn’t too late to save her father. Roberto Huerta, Jr. might be a Huerta in name, but his womanizing, drinking, and carefree lifestyle have kept him at arm’s length from his father. RJ think’s his father’s freak accident will leave him as the rightful heir of the family empire. He couldn’t have been more wrong. A turn of events will pit brother against sister as they fight for control of the Huerta empire. Sometimes secrets and lies aren’t the only thing living in the closet, and there is only one Huerta that can continue the family legacy of excellence in this romantic mystery with a twist. In Cigar Barons, blood isn’t thicker than water—it’s war.
Series statement from author's Material dreams. Bibliography: p. 460-479.
In the Upper Amazon, mestizos are the Spanish-speaking descendants of Hispanic colonizers and the indigenous peoples of the jungle. Some mestizos have migrated to Amazon towns and cities, such as Iquitos and Pucallpa; most remain in small villages. They have retained features of a folk Catholicism and traditional Hispanic medicine, and have incorporated much of the religious tradition of the Amazon, especially its healing, sorcery, shamanism, and the use of potent plant hallucinogens, including ayahuasca. The result is a uniquely eclectic shamanist culture that continues to fascinate outsiders with its brilliant visionary art. Ayahuasca shamanism is now part of global culture. Once the terrain of anthropologists, it is now the subject of novels and spiritual memoirs, while ayahuasca shamans perform their healing rituals in Ontario and Wisconsin. Singing to the Plants sets forth just what this shamanism is about--what happens at an ayahuasca healing ceremony, how the apprentice shaman forms a spiritual relationship with the healing plant spirits, how sorcerers inflict the harm that the shaman heals, and the ways that plants are used in healing, love magic, and sorcery.
In the American imagination, no figure is more central to national identity and the nation’s origin story than the cowboy. Yet the Americans and Europeans who settled the U.S. West learned virtually everything they knew about ranching from the indigenous and Mexican horsemen who already inhabited the region. The charro—a skilled, elite, and landowning horseman—was an especially powerful symbol of Mexican masculinity and nationalism. After the 1930s, Mexican Americans in cities across the U.S. West embraced the figure as a way to challenge their segregation, exploitation, and marginalization from core narratives of American identity. In this definitive history, Laura R. Barraclough shows how Mexican Americans have used the charro in the service of civil rights, cultural citizenship, and place-making. Focusing on a range of U.S. cities, Charros traces the evolution of the “original cowboy” through mixed triumphs and hostile backlashes, revealing him to be a crucial agent in the production of U.S., Mexican, and border cultures, as well as a guiding force for Mexican American identity and social movements.
A wildly humorous account of the author's travels across Paraguay–South America's darkly fabled, little-known “island surrounded by land.” Rarely visited by tourists and barely touched by global village sprawl, Paraguay remains a mystery to outsiders. Think of this small nation and your mind is likely to jump to Nazis, dictators, and soccer. Now, John Gimlette’s eye-opening book–equal parts travelogue, history, and unorthodox travel guide–breaches the boundaries of this isolated land,” and illuminates a little-understood place and its people. It is a wonderfully animated telling of Paraguay's story: of cannibals, Jesuits, and sixteenth-century Anabaptists; of Victorian Australian socialists and talented smugglers; of dictators and their mad mistresses; bloody wars and Utopian settlements; and of lives transplanted from Japan, Britain, Poland, Russia, Germany, Ireland, Korea, and the United States. The author travels from the insular cities and towns of the east, along ghostly trails through the countryside, to reach the Gran Chaco of the west: the “green hell” covering almost two-thirds of the country, where 4 percent of the population coexists–more or very-much-less peacefully–with a vast array of exotic wildlife that includes jaguars, prehistoric lungfish, and their more recently evolved distant cousins, the great fighting river fish. Gimlette visits with Mennonites and the indigenas, arms dealers and real-estate tycoons, shopkeepers, government bureaucrats and, of course, Nazis. Filled with bizarre incident, fascinating anecdote, and richly evocative detail, At the Tomb of the Inflatable Pig is a brilliant description of a country of eccentricity and contradiction, of beguilingly individualistic men and women, and of unexpected and extraordinary beauty. It is a vivid, often riotous, always fascinating, journey.