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This book offers a reading particularly of Part II of Don Quixote, a reading that is embedded in a philosophical reflection on the revelation of religious truth in and through literature. Part II of Don Quixote is the far richer part for its meta-literary reflection on the novel itself as a genre and on life as such seen through the lens of self-reflection. The author has treated the phenomenon of modern self-reflexivity as originally theological in nature in previous publications (notably Dante’s Paradiso and the Theological Origins of Modern Thought: Toward a Speculative Philosophy of Self-Reflection, Routledge, 2021). The present endeavor expands this overall intellectual project, extending it into detailed consideration of what is recognizably another nodal great work inaugurating unprecedented forms of self-reflection in the early modern period. Reading the founding texts of literary and cultural tradition in this negative-theological key proves crucial to allowing them to release the full force of their religious vision in the present age, despite its sometimes obstinate secularity. This reading absorbs and reconciles the religious and secular readings of Miguel de Unamuno and José Ortega y Gasset, two of Spain’s outstanding philosophical luminaries. Both thinkers based their entire philosophies and their analyses of the Spanish national character and destiny on their interpretations of the Quixote. Negative theology deploys critical reason that critiques the limits of reason itself and opens toward an unfathomable (un)ground of All. Such speculative interpretation performs a synthesis of the secularizing and sacralizing tendencies that are both sublimely operative in the text of the Quixote. It thereby enables the work to emerge in the fully parodic and paradoxical vitality that other interpretations, governed by one paradigm or the other, access only partially. Rather than falling into one camp or the other, the proposed approach combines and resources both heritages, sacred and secular, in their deepest synergisms. Spanish baroque mysticism and contemporary post-secular thought are made to converge in highlighting the blessed, even sacred, donation that literature like Don Quixote preserves and transmits as our most precious and saving cultural heritage.
The 'Harvard Classics - Complete Collection of the Greatest Works of World Literature' stands as a monumental anthology that traverses the broad landscape of human thought and artistic expression. Within its pages, readers encounter an array of literary styles from the seminal works of philosophy, poetry, science, and drama. This carefully curated collection spans the epochs, offering an unparalleled glimpse into the intellectual and cultural currents that have shaped our world. Among its myriad offerings, standout pieces delve into the complexities of human nature, the pursuit of knowledge, and the beauty of the natural world, reflecting the diverse and significant contributions of its authors to the literary canon. The contributing authors and editors represent a veritable who's who of literary and intellectual giants across history. From the poetic grandeur of Goethe and the philosophical depths of Plato, to the scientific curiosity of Charles Darwin and the dramatic intensity of Sophocles, each contributor brings a unique voice and perspective to the collection. Bound by a common pursuit of truth and beauty, these works collectively highlight the cultural, historical, and literary movements of their times, offering readers a comprehensive understanding of the human experience as seen through the eyes of some of its greatest observers. This anthology is not merely a collection of great works; it is an invitation to explore the richness of human culture and thought across ages. For scholars, students, and lovers of literature and philosophy alike, the 'Harvard Classics' presents a unique opportunity to engage with the profound ideas and diverse narratives that have shaped human history. Encompassing the profound, the poetic, and the profound, this collection promises to enrich the mind and stir the soul, encouraging a deeper appreciation of the interconnectedness of human endeavor in the pursuit of knowledge and beauty.
The History of Don Quixote (Complete) In a village of La Mancha, the name of which I have no desire to call to mind, there lived not long since one of those gentlemen that keep a lance in the lance-rack, an old buckler, a lean hack, and a greyhound for coursing. An olla of rather more beef than mutton, a salad on most nights, scraps on Saturdays, lentils on Fridays, and a pigeon or so extra on Sundays, made away with three-quarters of his income. The rest of it went in a doublet of fine cloth and velvet breeches and shoes to match for holidays, while on week-days he made a brave figure in his best homespun. He had in his house a housekeeper past forty, a niece under twenty, and a lad for the field and market-place, who used to saddle the hack as well as handle the bill-hook. The age of this gentleman of ours was bordering on fifty; he was of a hardy habit, spare, gaunt-featured, a very early riser and a great sportsman. They will have it his surname was Quixada or Quesada (for here there is some difference of opinion among the authors who write on the subject), although from reasonable conjectures it seems plain that he was called Quexana. This, however, is of but little importance to our tale; it will be enough not to stray a hair’s breadth from the truth in the telling of it. You must know, then, that the above-named gentleman whenever he was at leisure (which was mostly all the year round) gave himself up to reading books of chivalry with such ardour and avidity that he almost entirely neglected the pursuit of his field-sports, and even the management of his property; and to such a pitch did his eagerness and infatuation go that he sold many an acre of tillageland to buy books of chivalry to read, and brought home as many of them as he could get. But of all there were none he liked so well as those of the famous Feliciano de Silva’s composition, for their lucidity of style and complicated conceits were as pearls in his sight, particularly when in his reading he came upon courtships and cartels, where he often found passages like “the reason of the unreason with which my reason is afflicted so weakens my reason that with reason I murmur at your beauty;” or again, “the high heavens, that of your divinity divinely fortify you with the stars, render you deserving of the desert your greatness deserves.” Over conceits of this sort the poor gentleman lost his wits, and used to lie awake striving to understand them and worm the meaning out of them; what Aristotle himself could not have made out or extracted had he come to life again for that special purpose. He was not at all easy about the wounds which Don Belianis gave and took, because it seemed to him that, great as were the surgeons who had cured him, he must have had his face and body covered all over with seams and scars. He commended, however, the author’s way of ending his book with the promise of that interminable adventure, and many a time was he tempted to take up his pen and finish it properly as is there proposed, which no doubt he would have done, and made a successful piece of work of it too, had not greater and more absorbing thoughts prevented him. Many an argument did he have with the curate of his village (a learned man, and a graduate of Siguenza) as to which had been the better knight, Palmerin of England or Amadis of Gaul. Master Nicholas, the village barber, however, used to say that neither of them came up to the Knight of Phoebus, and that if there was any that could compare with him it was Don Galaor, the brother of Amadis of Gaul, because he had a spirit that was equal to every occasion, and was no finikin knight, nor lachrymose like his brother, while in the matter of valour he was not a whit behind him. The History of Don Quixote (Complete)
The Complete Harvard Anthology of the Greatest Works of World Literature stands as a monumental contribution to the global literary canon, showcasing an unparalleled assembly of works across diverse genres, cultures, and epochs. This anthology traverses the full spectrum of literary artistry, from the philosophical dialogues of Plato and the tragedies of Aeschylus to the seminal novels of Miguel de Cervantes and the revolutionary scientific treatises by Charles Darwin. The collection not merely catalogs literary masterpieces but also endeavors to reveal the interconnectedness of human thought and culture, underlining standout contributions from fields as varied as literature, philosophy, and the natural sciences. The array of literary styles and thematic concerns represented here promises a rich tapestry of human experience and intellectual pursuit, capturing the essence of human creativity and inquiry throughout the ages. The contributing authors and editors of The Complete Harvard Anthology are not only titans in their respective fields but also emblematic of the historical and cultural contexts from which they emerged. From ancient philosophers like Marcus Aurelius to Renaissance polymaths like Leonardo da Vinci, and onward to Enlightenment thinkers such as Adam Smith and Romantic poets like Percy Bysshe Shelley, this anthology encapsulates a multitude of perspectives that have shaped human history and thought. The diverse backgrounds of these contributors ensure that the collection stands as a testament to the myriad ways in which the human condition and the quest for knowledge have been articulated across time and space, fostering an understanding of the intricate tapestry of global cultural and literary movements. This anthology is an indispensable treasure for any reader eager to embark on an expansive journey through the annals of world literature. It opens up a unique opportunity to engage with the thoughts, dreams, and imaginations of humanity's greatest minds, offering an educational experience that transcends mere literary enjoyment. Readers are invited to explore the depth and breadth of insights presented, encouraging a dialogue between the myriad voices and perspectives encapsulated within. For scholars, students, and enthusiasts alike, The Complete Harvard Anthology of the Greatest Works of World Literature is not just a collection of writings but a gateway to the world's intellectual heritage, promising an enriching exploration of the human spirit encapsulated in the written word.
Marcel Proust's 'In Search of Lost Time - Complete Edition' is a monumental work that spans seven books, all compiled into one volume. The novel explores themes of memory, love, and the passage of time with intricate detail and introspection. Proust's writing style is characterized by long, flowing sentences and rich descriptions that invite readers to delve deep into the narrator's thoughts and emotions. This literary masterpiece is considered a seminal work of modernist literature, influencing generations of writers to come. The narrative is a journey through the narrator's memories, culminating in a profound understanding of self and society. Proust's introspective exploration of the human experience sets this work apart as a timeless classic. Marcel Proust, a French author born in 1871, drew inspiration from his own life experiences and observations of society to create this magnum opus. His keen attention to detail and his philosophical reflections on time and memory are reflected in the depth of his writing. Proust's dedication to capturing the essence of human existence through his characters and their relationships is evident throughout the book. I highly recommend 'In Search of Lost Time - Complete Edition' to readers who appreciate sophisticated and thought-provoking literature. Proust's exploration of memory and perception is sure to captivate and resonate with those who delve into this profound work.
The quality of today's literary writing arouses the strongest opinions. For novelist and critic Gabriel Josipovici, the contemporary novel in English is profoundly disappointing--a poor relation of its groundbreaking Modernist forebears. This agile and passionate book asks why. Modernism, Josipovici suggests, is only superficially a reaction to industrialization of a revolution in diction and form; essentially, it is art arriving at a consciousness of its own limits and responsibilities. And its origins are to be sought not in 1850 or even 1800, but in the early 1500s, with the crisis of society and perception that also led to the rise of Protestantism. With sophistication and persuasiveness, Josipovici charts some of Modernism's key stages, from Dürer, Rabelais, and Cervantes to the present, bringing together a rich array of artists, musicians, and writers both familiar and unexpected--including Beckett, Borges, Friedrich, Cézanne, Stevens, Robbe-Grillet, Beethoven, and Wordsworth. He concludes with a stinging attack on the current literary scene in Britain and America, which raises questions not only about national taste, but about contemporary culture itself. Gabriel Josipovici has spent a lifetime writing and writing about other writers. This book is a strident call to arms and a tour de force of literary, artistic, and philosophical explication that will stimulate anyone interested in art in the twentieth century and today.
Miguel de Cervantes y Saavedra was born in Alcal of Henares in 1547. He was a novelist, playwright, and poet-criticized by himself-considered as one, if not the greatest Spanish language writer of all time, even though he never studied at a university. Don Quixote is his best known work which has transcended nations, cultures, languages, epochs and times. Cervantes has been read by children and adults, men and housewives, rich and poor. He described his own portrait by writing: 'of an aquiline face, brown hair...with a silver beard that twenty years early was a golden one.'The hidalgo Don Quixote of La Mancha wishes to cleanse the world of scoundrels, talkative and goofy: Did he achieve it? Even today he is doing it because although it is utopian to think that human strength can reach such step, he learned to transcend the times and bring us that unequivocal victory while denouncing and trying to introduce some bravery inside our reasoning.We cannot look at the characters of Sancho and Don Quixote as a mere souls' contradiction of the one same people, in this case Spain. They actually complement each other in a kind of literary marriage: one wants justice, shared base of any society and reports it through his ideals, the other is practical as he wants to see them in reality; but two: the announcer and corroborator, are both active in their impeachment.