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"An adaptation, in graphic novel format, of Don Quixote by Miguel de Cervantes"--Provided by publisher.
A Chicano PI hunts his cousin’s killer in “a compelling thriller [with] a deep-seated respect for the traditions of a people and a culture” (Booklist). The great-grandson of a legendary lawman and gunfighter, thirty-year-old Sonny Baca hopes he possesses even a tenth of El Bisabuelo’s courage. But instead of cleaning up New Mexico by hunting down dangerous desperadoes, the struggling PI looks for missing persons and deadbeat husbands. The game changes when his cousin Gloria—the first woman Sonny ever loved—is brutally slain. Her corpse is found drained of blood. A zia sun sign, the symbol on the New Mexican flag, is carved on her stomach. Gloria’s husband, Frank Dominic, a politician making a run for mayor of Albuquerque, has a powerful motive for murder. But Gloria wasn’t the first victim. A year earlier, another woman was slain in the exact same way. Is a serial killer on the loose? Or is this the handiwork of some satanic cult? Feeling his cousin’s spirit crying out for justice, Sonny and his girlfriend begin a search that takes them across New Mexico’s polluted South Valley to an environmental compound in the mountains. As Sonny moves closer to the truth, he uncovers a chilling connection between his past and a very real and present evil . . .
Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf.Volume XIV features the work recently named by the Nobel Institute as the greatest book of all time: Don Quixote of the Mancha, Part 1, by Spanish novelist MIGUEL DE CERVANTES (1547-1616). The picaresque adventures of a delusional would-be knight have, over the centuries, been taken as farce, satire, psychological drama, and social commentary, and have inspired writers as diverse as Shakespeare, Dickens, and Dostoyevsky. Straddling the writings of the Renaissance and modern literature, it is considered the first modern novel.
How Don Quixote was knighted, his valiant battle with the windmills, and much more. English translations on facing pages of original Spanish text capture the flavor and romance of this literary masterpiece.
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Don Quixote is a Spanish novel by Miguel de Cervantes. It was originally published in two parts, in 1605 and 1615. A founding work of Western literature, it is often labeled as the first modern novel and one of the greatest ever written. Don Quixote is also one of the most-translated books in the world. The plot revolves around the adventures of a member of the lowest nobility, an hidalgo (""Son of Someone""), from La Mancha named Alonso Quixano, who reads so many chivalric romances that he either loses or pretends to have lost his mind in order to become a knight-errant (caballero andante) to revive chivalry and serve his nation, under the name Don Quixote de la Mancha. He recruits a simple farmer, Sancho Panza, as his squire, who often employs a unique, earthy wit in dealing with Don Quixote's rhetorical monologues on knighthood, already considered old-fashioned at the time, and representing the most vivid realism in contrast to his master's idealism. In the first part of the book, Don Quixote does not see the world for what it is and prefers to imagine that he is living out a knightly story. When first published, Don Quixote was usually interpreted as a comic novel. After the French Revolution, it was better known for its central ethic that individuals can be right while society is quite wrong and was seen as a story of disenchantment. In the 19th century, it was seen as social commentary, but no one could easily tell ""whose side Cervantes was on"". Many critics came to view the work as a tragedy in which Don Quixote's idealism and nobility are viewed by the post-chivalric world as insane, and are defeated and rendered useless by common reality. By the 20th century, the novel had come to occupy a canonical space as one of the foundations of modern literature.