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Jose Zorrilla y Moral (1817-1893) was a Spanish Romantic poet and dramatist. He was born in Valladolid to a magistrate in whom Ferdinand VII placed special confidence. He was educated by the Jesuits at the Real Seminario de Nobles in Madrid, wrote verses when he was twelve, became an enthusiastic admirer of Walter Scott and Chateaubriand, and took part in the school performances of plays by Lope de Vega and Calderon de la Barca. In 1833 he was sent to study law at the University of Toledo, but after a year of idleness, he fled to Madrid, where he horrified the friends of his absolutist father by making violent speeches and by founding a newspaper which was promptly suppressed by the government. He narrowly escaped transportation to the Philippines, and passed the next few years in poverty."
Don Juan Tenorio is an important and influential Spanish classic which gives a softened, romanticised version of the infamous hero and ends, uniquely, in his repentance and salvation. First seen in 1844, it is Zorrilla's best-known play and is still performed every year in Spain on All Souls' Day. The play, in Ranjit Bolt's stunning rhyming verse translations, was given an extensive tour by the Oxford Stage Company in late 1990.
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El argumento se basa en el enigma acerca de la personalidad de Gabriel Espinosa, que dice ser pastelero en Madrigal, y del cual se sospecha pueda ser el rey don Sebasti�n de Portugal, o bien un impostor, por lo cual es perseguido por la justicia. Gabriel se hospeda en la posada de Burgos, acompa�ado de Aurora, su hija. C�sar, capit�n del Tercio de Flandes declara a Aurora su casto amor; ella lo rechaza como gal�n, pero le ofrece su amistad. C�sar, muy celoso de Gabriel, a quien no cree padre de Aurora, habla con �l descubri�ndole que ha estado sigui�ndoles desde Madrigal, por orden de Felipe II.
Designed for upper-level courses, the second edition of PANORAMAS LITERARIOS: ESPAÑA introduces students to the study of Spanish literature through representative works by major literary figures from the Middle Ages to the present. This anthology places a strong emphasis on literature of the twentieth and twenty-first centuries and includes some of the most influential and active writers today. The carefully chosen selections exemplify the genres of narrative, drama, and poetry, as well as the most important literary currents of the period under study. This text is part of a two-volume anthology that can be used separately or in conjunction with its companion volume, PANORAMAS LITERARIOS: AMÉRICA HISPANA. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
When Jose Zorrilla completed Don Juan Tenorio in 1844 little did he know that he had just written what would become the most popular Spanish play of all time. While the opening performance was a modest one, Zorrilla's interpretation of the legendary Don Juan myth was so well-liked by the public that, in a very short time, its success was overwhelming. Shortly after, Don Juan Tenorio became not only the most popular play in Spain, but in the entire Spanish-speaking world, and to this day it is considered the chief representative of Spanish Romantic theater and the masterpiece of all Don Juan adaptations. This new translation of Zorrilla's classic play is unique in mirroring not only the content, but also the way in which an audience would experience a performance of the most famous of libertines in Spanish. As such, it strives to keep the essence of each stanza intact, while reflecting the rhyme and stress-pattern of the original. Although the exigencies of meter and rhyme entail making some minor concessions when it comes to rendering the content, the way in which the play was written is such a crucial aspect that, without its playful octosyllabic lines, its easy rhymes, and its carefully-studied meter, we cannot speak of Don Juan Tenorio. Intended for a wide variety of readers, the translation is preceded by an introduction in which several key aspects of the play are addressed, and the main text is complemented with footnotes clarifying key passages, or offering additional information about the characters, the time-period, or the literary history of the Don Juan character.
A dual language edition of Alejandro Tapia y Rivera's masterpiece: set in Havana in the mid-19th century, the drama presents the obstacles to a mixed-race relationship between a son of the nobility and a woman of African ancestry. This unique version was edited and annotated by Dr. J. Delgado-Figueroa, author of "Our Father Takes and Bride" and "Lamentos Boricanos," former professor of Spanish literature and linguistics at the universities of Minnesota, Puerto Rico and South Carolina, as well as a researcher at Carnegie Mellon University's Software Engineering Institute. This edition includes Spanish-language biographical notes, a select bibliography and an essay by Dr. Delgado-Figueroa on racism in literature, popular culture and communication media in Cuba and Puerto Rico from the sixteenth century to the present.
In Don Juan and the Point of Honor, James Mandrell undertakes a systematic examination of the many questions surrounding the legendary character. What emerges is a view of Don Juan as a positive social force in patriarchal society and culture. Mandrell shows that Don Juan should not be treated as an innocent or outmoded cultural artifact.