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Don Juan, the "Seducer of Seville," originated as a hero-villain of Spanish folk legend, is a famous lover and scoundrel who has made more than a thousand sexual conquests. One of Molière's best-known plays, Don Juan was written while Tartuffe was still banned on the stages of Paris, and shared much with the outlawed play. Modern directors transform Don Juan in every new era, as each director finds something new to highlight in this timeless classic. Richard Wilbur's flawless translation will be the standard for generations to come, as have his translations of Molière's other plays. Witty, urbane, and poetic in its prose, Don Juan is, most importantly, as funny now as it was for audiences when it was first presented.
This contextual reading of Byron's epic poem argues that the importance of the Don Juan legend has been considerably underestimated. Focusing on such issues as seduction, class sexualities, and popular theatrical form, this book argues that the Don Juan legend is a vital context for understanding the poem's cultural and sexual politics. This study also critiques traditional myth-criticism and applies postmodern and feminist theories to its consideration of both Byron's poem and the legend itself.
In her introduction to this brilliant and outrageous literary landmark, Anne Barton places Don Juan within the context of Byron's life and reading, and offers an interpretation of the poem which demonstrates its underlying coherence and artistic integrity, despite Byron's mischievous protestations to the contrary. A long chapter on the reception of the poem considers some of the attempts to imitate or continue it, using them to define what is fundamental to Byron's own handling of the Don Juan legend.
Byron's exuberant masterpiece tells of the adventures of Don Juan, beginning with his illicit love affair at the age of sixteen in his native Spain and his subsequent exile to Italy. Following a dramatic shipwreck, his exploits take him to Greece, where he is sold as a slave, and to Russia, where he becomes a favourite of the Empress Catherine who sends him on to England. Written entirely in ottava rima stanza form, Byron's Don Juan blends high drama with earthy humour, outrageous satire of his contemporaries (in particular Wordsworth and Southey) and sharp mockery of Western societies, with England coming under particular attack.
Capturing the decadent and dangerous world of the Spanish Golden Age, this historical novel explores universal questions about the nature of love and desire--brought to life through Don Juan's secret childhood in a convent to his inescapable fall into the madness of love.
Byron's exuberant masterpiece tells of the adventures of Don Juan, beginning with his illicit love affair at the age of sixteen in his native Spain and his subsequent exile to Italy. Following a dramatic shipwreck, his exploits take him to Greece, where he is sold as a slave, and to Russia, where he becomes a favourite of the Empress Catherine who sends him on to England. Written entirely in ottava rima stanza form, Byron's Don Juan blends high drama with earthy humour, outrageous satire of his contemporaries (in particular Wordsworth and Southey) and sharp mockery of Western societies, with England coming under particular attack.
An essential guide for those who seek to reconsider the theoretical problems of (trans-civilizational) comparative literature, those who are interested in the literary and cultural history of modern East Asian countries, and those with a general interest in issues of sexuality.