Download Free Don Carlos Infante Of Spain Book in PDF and EPUB Free Download. You can read online Don Carlos Infante Of Spain and write the review.

Excerpt from Don Carlos, Infante of Spain: Dramatic Poem, in Five Acts Aristotelian drama. The facts simply are, that Schiller wrote the first two acts, which were published separately; and that a con siderable period elapsed before he added the three others. It is said, that he found in the archives at Dresden, which he was examining in search of documents relative to the revolt of the Netherlands, some among them which bore upon the history and character of Don Carlos, and induced him to alter the plot of the play; a circumstance that laid him open to the charge of want of unity in its develop ment, and of having sacrificed Don Carlos, the hero of the first two acts, to the Marquis Posa, who plays the most prominent part in the three subsequent ones. He has himself pleaded guilty, in part, to the accusation; ex ensing himself by the interruptions which occurred in the completion of it, and oh serving that the time employed in a work of this description ought not to exceed a single summer. He has, however, so completely disarmed and refuted the criticisms made up on it in other particulars, that it would be superfluous as well as presumptuous in me, to offer any apology for a work of so distinguish ed talent. The grandeur of the ideas and the sublimity of the language which prevail. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reprint of the original, first published in 1843.
Schiller's gripping drama centers on the conflict between Don Carlos, the son of King Philip II of Spain, and his father's tyrannical regime. With themes of political oppression, religious bigotry, and romantic love, Don Carlos is a powerful indictment of the abuses of power and a stirring celebration of the human spirit. This edition includes a new introduction by John Towler, situating the play within its historical and literary context. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Within two years of the success of his first play Die Räuber on the German stage in 1781, Schiller wrote a drama based on a rebellion in sixteenth century Italy, its title: The Conspiracy of Fiesco at Genoa. A Republican Tragedy. At the head of the conspiracy stood Gian Luigi de’ Fieschi (1524-1547), Schiller’s Count Fiesco, a clever, courageous and charismatic figure, an epicurean and unhesitant egoist, politically ambitious, but unsure of his aims and principles. He is one of Schiller’s mysterious, protean characters who secures both our admiration and disgust. With Fiesco as tragic hero Schiller examines the complex entanglement of morality and politics in his own times that was to preoccupy him throughout his career. The play was a moderate success when performed in Mannheim in 1784; it was more popular in Berlin where, during Schiller’s lifetime, it was performed many times in a version by Carl Plümicke, which however radically altered the play’s meaning. There have been some noteworthy productions on the German stage and television, even if it has remained somewhat in the shadow of Schiller’ other works. In the English-speaking world it is all but unknown and very seldom performed. This translation aims to remedy that oversight.