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Don Alberts Original Jazz Compositions Volume 16. Music for quintet with saxophone, trumpet, piano, bass and drums. Songs of Latin and sophisticated jazz harmonies and rhythms
Creative and original musical ideas and formats for the serious student and professional musician that suggest extended ideas for improvisation and group play. Songs that have evolved into a regular sequence and set list and have proven to be easy to play in performance.
Author's note Music composition is an ongoing process, a never ending stream of ideas. It is a form of life and often the only reasonable definition. Music has the power to survive one past many difficulties. The consistent flow of melodies and detached musical thoughts can be a calming form of meditation when needed, a shield against unwanted mental intrusion, but it can also persistently invade your daily affairs.
Redistribution of Don Alberts' Volume Five "Original Jazz Compositions" in digitized format for download to ebook. List includes Cedar's Inn, Avende/Miles, Carmanella, Jamaica Bridge, One Fin Up, Rejuvenation, Pegasus and others. Complete Volume contains thirty four songs.
Song for Singers is a Volume of original songs for singers by Don Alberts that includes parts for saxophone and trumpet plus words and music for expressive vocal renditions in the jazz, rock, and pop tradition with composer's recommendations and description of song creation.
AN OUTDOOR ACTION ADVENTURE Sheriff Louis Parker is driven in pursuit of hardened criminal Billy McClain in the death of fellow police officer Lino Crocetti during a bank robbery in Monterey. The pursuit of McClain winds deep into the North Yukon Territory with his guide Sam Getty, a veteran mountain man who believes spiritual powers reside within the mountains. Author Don Alberts exposes his outdoor achievement in a wild chase into the north mountain wilderness as young sheriff Louis Parker, an unready neophyte at the hard and serious conditions of the outdoors is driven in criminal pursuit. Parker avoids tragedy through the efforts and skill of his faithful guide, Sam Getty; a man who believes in the mountains and finds intuitive powers among them. Beyond the Grand Matoeba provides an invigorating foray into danger, conflict, and the survival powers of human character, good and bad.
Don Alberts "Rock of the Moon" poetry collection includes works from 1995 to poems currently published in 2018 of varied subjects describing jazz, nature, spirituality, love, humility, inspiration, discovery, and spoken word. "Rock of the Moon" is a rare ore, mined by a poet who's also a professional jazz performer and composer.The themes stretch across genres and transend the barriers to both personal creativity and interpersonal communication. As Don Alberts puts it, "the void is affected with images and congruence, and, in a fortissimo of darkness and pulse, the verse is married with music".
"Historical documentation and perspectives on jazz music, the social and political music environment of the period of the 1960's in San Francisco told by local musicians with their stories and interviews"--Back cover.
In addition to providing a vivid account of life on the road and imparting new insight into the daily existence of working musicians, this book illustrates how the fundamental issue of race influenced Albert's life, as well as the music of the era."
Today, jazz is considered high art, America’s national music, and the catalog of its recordings—its discography—is often taken for granted. But behind jazz discography is a fraught and highly colorful history of research, fanaticism, and the intense desire to know who played what, where, and when. This history gets its first full-length treatment in Bruce D. Epperson’s More Important Than the Music. Following the dedicated few who sought to keep jazz’s legacy organized, Epperson tells a fascinating story of archival pursuit in the face of negligence and deception, a tale that saw curses and threats regularly employed, with fisticuffs and lawsuits only slightly rarer. Epperson examines the documentation of recorded jazz from its casual origins as a novelty in the 1920s and ’30s, through the overwhelming deluge of 12-inch vinyl records in the middle of the twentieth century, to the use of computers by today’s discographers. Though he focuses much of his attention on comprehensive discographies, he also examines the development of a variety of related listings, such as buyer’s guides and library catalogs, and he closes with a look toward discography’s future. From the little black book to the full-featured online database, More Important Than the Music offers a history not just of jazz discography but of the profoundly human desire to preserve history itself.