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Spanning events that include the eruption of Vesuvius and the burying of Pompeii, the opening of the Colosseum, the beginnning of the Jewish Diaspora, the destruction of Jerusalem, Masada, the Great Fire, and the first appearance of Christians at Rome, this novel follows the true story of a girl and a boy in the first century. Domitia is the daughter of Rome''s most famous general. She becomes one of the most influential empresses in Rome''s history. Her consort is the son of a country mule-trader who founds the second dynasty at Rome. Together the couple give the Empire a period of rule unmatched in justice and good order, despite the treachery and horrors that surround them
Domitian, Emperor of Rome AD 81-96, has traditionally been portrayed as a tyrant, and his later years on the throne as a `reign of terror'. Brian Jones' biography of the emperor, the first ever in English, offers a more balanced interpretation of the life of Domitian, arguing that his foreign policy was realistic, his economic programme rigorously efficient and his supposed persecution of the early Christians non-existent. Central to an understanding of the emperor's policies, Brian Jones proposes, is his relationship with his court, rather than with the senate. Roamn historians will have to take account of this new biography which in part represents a rehabilitation of Domitian.
An analysis of Suetonius' account of the emperor Domitian. The book provides a detailed commentary on matters of historical importance in the text, together with a discussion of Suetonius' life. A comparison is offered between Suetonius' account and Dio's version. Latin sources are utilized.
In life, the emperor Domitian (81-96 CE) marketed himself as a god; after his assassination he was condemned to be forgotten. Nonetheless he oversaw a literary, cultural, and monumental revival on a scale not witnessed since Rome's first emperor, Augustus. In tandem with an exhibition in the Rijksmuseum van Oudheden in Leiden and the Mercati Traianei in Rome, planned for 2021-2022, this volume offers a fresh perspective on Domitian and his reign. This collecti.
This is the first ever study to assess Emperor Domitian from a psychological point of view and covers his entire career from the early years and the civil war AD through the imperial rule to the dark years and the psychology of suspicion. Pat Southern strips away hyperbole and sensationalism from the literary record, revealing an individual who caused undoubted suffering which must be accounted for.
In Josephus, the Emperors, and the City of Rome William den Hollander places under the microscope the Judaean historian's own account of the latter part of his life, following his first encounters with the Romans. Episodes of Josephus' life, such as his embassy to Rome prior to the outbreak of the 1st Judaean Revolt, his prophetic pronouncement of Vespasian's imminent rise to the imperial throne, and his time in the Roman prisoner-of-war camp, are subjected to rigorous analysis and evaluated against the broader ancient evidence by the application of a vivid historical imagination. Den Hollander also explores at great length the relationships formed by Josephus with the Flavian emperors and other individuals of note within the Roman army camp and, later, in the city of Rome. He builds solidly on recent trends in Josephan research that emphasize Josephus' distance from the corridors of power.
This book explores how Roman imperial power was constructed and contested through the representation of sexual relations.
The condemnation of memory inexorably altered the visual landscape of imperial Rome. This volume catalogues and interprets the sculptural, glyptic, numismatic and epigraphic evidence for "damnatio memoriae" and ultimately reveals its praxis to be at the core of Roman cultural identity.
The Roman Actor explores the balance between private and public moralities, effectively condemns tyranny, and defends plays, anatomizing both the theatre of power and the power of theatre. This new Revels Plays volume provides a modernized text with a thorough introduction that sets out Massinger's intervention in the political tensions of his own time and examines his clear-eyed portrayal of the pleasures and perils of performance. It also includes a detailed commentary on the play and an appendix discussing the play's textual history. It focuses on the play's theatrical life in its own time and ours, and gives a detailed stage history including an interview with Sir Antony Sher, who played the tyrannical Roman emperor, Domitian, in the Royal Shakespeare Company's acclaimed production in 2002.
Graeco-Roman literary works, historiography, and even the reporting of rumours were couched as if they came in response to an insatiable desire by ordinary citizens to know everything about the lives of their leaders, and to hold them to account, at some level, for their abuse of constitutional powers for personal ends. Ancient writers were equally fascinated with how these same individuals used deceit as a powerful tool to disguise private and public reality. The chapters in this collection examine the themes of despotism and deceit from both historical and literary perspectives, over a range of historical periods including classical Athens, the Hellenistic kingdoms, late republican and early imperial Rome, late antiquity, and Byzantium.