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Introduction : defining Oceania -- Discovering the Oceanic past -- The Pacific islands as a human environment -- Sahul and the prehistory of "old" Melanesia -- Lapita and the Austronesian expansion -- The prehistory of "new" Melanesia -- Micronesia : in the "sea of little islands"--Polynesia : origins and dispersals -- Polynesian chiefdoms and archaic states -- Big structures and large processes in Oceanic prehistory
This comprehensive guide examines the personal histories, roles, and personalities that played into the traditional cultural art of carving. It also traces the influence of European patronage and the ensuing tourist trade upon this art form, as many Maori carvers began styling and catering their product to meet their clients’ aesthetic desires. Included is a discussion of the establishment of the government-sponsored Rotorua School of Maori Art in 1928, which appointed as the main tutor Eramiha Kapua, a Ngati Tarawhai carver, thus helping his own traditional tribal art to make the transition into a modern “national” art.
The archetypal story of Thomas Kendall, a self-torturing, struggling missionary in nineteenth century New Zealand, is also a remarkable history of cross-cultural experience. Posted to New Zealand in 1814, Kendall was immensely devout but entirely unprepared for dealing with Māori. He nonetheless helped produce the first Māori Grammar, but was hindered by rumours of an affair with a Māori chief’s daughter. Dismissed from his duties in 1823, he continued studying Māori culture until his death nearly a decade later. Long out of print, this work by a leading New Zealand historian tells an absorbing story of the difficulties and dangers of the evangelical mission.
Vols. for 1892-1941 contain the transactions and proceedings of the society.