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I can resist everything", wrote Oscar Wilde, "except temptation". What is it that makes a painting so attractive, so irresistible? In this collection of essays, Dominic van den Boogerd writes with passion about the exhibitions he has seen, the painters he has spoken with, and the talks by artists that he has organised as the director of De Ateliers in Amsterdam. About the pleasures and pitfalls of painting, forbidden favourites and the flirtation between the art of painting and other muses.
Since Darwin, Biology has been framed on the idea of evolution by natural selection, which has profoundly influenced the scientific and philosophical comprehension of biological phenomena and of our place in Nature. This book argues that contemporary biology should progress towards and revolve around an even more fundamental idea, that of autonomy. Biological autonomy describes living organisms as organised systems, which are able to self-produce and self-maintain as integrated entities, to establish their own goals and norms, and to promote the conditions of their existence through their interactions with the environment. Topics covered in this book include organisation and biological emergence, organisms, agency, levels of autonomy, cognition, and a look at the historical dimension of autonomy. The current development of scientific investigations on autonomous organisation calls for a theoretical and philosophical analysis. This can contribute to the elaboration of an original understanding of life - including human life - on Earth, opening new perspectives and enabling fecund interactions with other existing theories and approaches. This book takes up the challenge.
Erik van Lieshout (1968) is one of the most prominent young Dutch artists at this time. His work is characterized by a fierceness that is evident in his videos and installations, as much as in his drawing and painting style. The work of Van Lieshout is inspired by the subcultures that evolve in the modern metropolis. His visual material is drawn from these immediate surroundings, from newspapers, cartoons or directly off the streets themselves. Van Lieshout subjects this source material to his highly idiosyncratic, harsh idiom. His work is often explicitly pornographic and violent, but is also unadulteratedly humoristic. He tackles sex and violence with pleasure. This publication is the first comprehensive overview of Erik van Lieshout's work. Four essays discuss a whole range of ideas and sources of inspiration and consider them in new constellations, completed by a survey of Van Lieshout's exhibitions and a bibliography. Book jacket.
On the one hand, nobody wants to be a dick. On the other hand, dicks are everywhere! They cut in line, talk behind our backs, recline into our seats, and even have the power to morph into trolls online. Their powers are impressive, but with a little foresight and thoughtfulness, we can take a stand against dickishness today. How Not to Be a Dick is packed with honest and straightforward advice, but it also includes playful illustrations showing two well-meaning (but not always well behaved) young people as they confront moments of potential dickishness in their everyday lives. Sometimes they falter, sometimes they triumph, but they always seek to find a better way. And with their help, you can too. Just see the agreement at the beginning of the book: I pledge to use the tools and techniques provided in this book to help make the world a less dickish place. "Doherty fires absurd twenty-first-century zingers that happen to be really, really, really funny."—starred, Booklist
IT ISN'T EASY, BEINGVOR... Being a Vor lord on the war-torn planetBarrayar wasn't easy. Being an officer in Barrayar's military wasn't easy. Andbeing the leader of a force of spaceborne mercenaries w
Lisa Le Feuvre and Tom Morton have selected 39 artists on the grounds of their significant contribution to contemporary art in the last five years. All artworks included have been produced since 2005 and encompass sculpture, painting, installation, drawing, photography, film, video and performance.
'In Two Minds' documents Gwenneth Boelens practice of the past ten years, comprising photography and sculpture, as well as performative and filmic works. An extensive chapter of notes, written by her partner and editor Nickel van Duijvenboden, illuminate